Yun Chi Gu Xing Jiang Àpẹrẹ Ìṣètò Inú Ilé Ibi Ìsinmi láti ọwọ́ Jing Liu jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2026 Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àyà Inú Ilé àti Ibi Àfihàn.
IdẹInú Ilé· 2026
Yun Chi Gu Xing Jiang Àpẹrẹ Ìṣètò Inú Ilé Ibi Ìsinmi
látọ̀wọ́ Jing Liu
Aṣẹ́gun Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Inú Ilé
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #183125Àpẹrẹ Náà
Nípa Yun Chi Gu Xing Jiang Àpẹrẹ Ìṣètò Inú Ilé Ibi Ìsinmi
Yun Chi Gu Xing Jiang jẹ́ àpẹrẹ ìṣètò inú ilé ibi ìsinmi tí ó wà ní Pápá Koríko Karajun. Iṣẹ́ àgbékalẹ̀ yìí gba ẹ̀ẹ́dẹ́gbàajà mítà onígun mẹ́rin ó lé mẹ́rìndínlọ́gọ́ta (1,456), ó sì so àṣà àwọn arìnrìn-àjò darandaran pọ̀ mọ́ ìtura ti òde òní. Àwọn ètò igi tí ó ti wà tẹ́lẹ̀ ni a pa mọ́ nípasẹ̀ ọ̀nà tí kò fa ìdàrúdàpọ̀. A yí àwọn àwòrán jiọmẹ́tírì láti Ìlú Bagua àti àwọn àmì ọnà láti ara àwọn àwòrán ògiri Kizil Grottoes padà sí àwọn ohun èlò inú ilé tí a ṣe ní pàtàkì. Àgọ́ ológo mẹ́ẹ̀ẹ́dọ́gbọ̀n ní ọ̀nà mẹ́jọ ọ̀tọ̀ọ̀tọ̀ ń lo fèrèsé dígí láti ilẹ̀ dé àjà láti fi ẹwà òkè gíga hàn. Àwọn ohun ìṣàpẹẹrẹ ìbílẹ̀ àti iná ìtànṣán àti ohun èlò ilé tí a hun ń ṣe àtìlẹyìn fún ibi ìsinmi tí ó parọ́rọ́.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Idẹ A' Design Award
Yun Chi Gu Xing Jiang Àpẹrẹ Ìṣètò Inú Ilé Ibi Ìsinmi jẹ́ olùborí Àmì-ẹ̀yẹ Idẹ A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe tó tayọ tí wọ́n yàtọ̀ nípasẹ̀ ìṣẹ̀dá, àrékérekè àti ọgbọ́n inú. Àwọn olùborí Idẹ jẹ́ àwọn ohun èlò tó ní ìjáfáfá gan-an tí wọ́n sì ní ìṣẹ̀dá tó yani lẹ́nu tí wọ́n ń ṣe ẹ̀rí ìrírí gbígbòòrò, ìrònú àti ọgbọ́n àwọn olùṣàwòṣe wọn. A retí pé Yun Chi Gu Xing Jiang Àpẹrẹ Ìṣètò Inú Ilé Ibi Ìsinmi yóò jẹ́ ohun tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó jẹ́ ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Idẹ A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ nínú iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ jọ, ó sì tayọ nítorí àfiyèsí rẹ̀ sí àwọn àlàyé kékeré. Yun Chi Gu Xing Jiang Àpẹrẹ Ìṣètò Inú Ilé Ibi Ìsinmi ń tẹ́ àwọn ohun tí a nílò lọ́rùn lọ́nà àgbàyanu, ó ń fọwọ́ kan àwọn ìfẹ́ inú, ó ń gbà ọkàn ó sì ń fa ìfẹ́ láti mọ̀ mọ́ra.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- Located in Karajun, this design blends nomadic heritage with modern luxury. It features "non-intrusive" intervention, preserving local wooden structures and deconstructing motifs to blur artifice and wilderness. Innovation lies in translating Bagua City philosophy and Kizil Grottoes murals into bespoke interiors. 25 luxury tents in 8 styles use expansive glazing to frame alpine scenery, offering a therapeutic retreat that redefines luxury glamping.
- Ìwọ̀n àti Àpò
- Project Area: 1,456 sqm
- Àwọn Àkọlé
- Wild、Luxury、Resort、XinJiang
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- The project employs a "non-intrusive" construction strategy, preserving existing timber structures while integrating modern high-performance materials. We deconstructed Bagua City’s geometry and Kizil Grottoes motifs using digital modeling to create bespoke interior elements. 25 luxury tents feature expansive floor-to-ceiling glazing to dissolve indoor-outdoor boundaries. By blending raw, local textures with contemporary weaving techniques for lighting and furniture, the design achieves a dialogue between nomadic history and modern luxury.
- Ìpèníjà Àpèsè
- The primary challenge was "invisible intervention" in a protected wilderness. Internally, deconstructing Silk Road history into modern luxury required balancing heritage with nomadic spirit. Externally, the remote Karajun location presented extreme logistics and limited infrastructure. We overcame these by utilizing digital modeling to adapt traditional timber structures and implementing high-performance glazing. This allowed us to preserve the ecological site while meeting premium hospitality standards.
- Ìwádìí
- This qualitative study aims to harmonize nomadic culture with luxury hospitality. Using field surveys and digital deconstruction, we analyzed Tianshan’s timber structures and Bagua City’s geometry. Data from local artisans guided the integration of Kizil mural motifs. Findings show that "non-intrusive" design, using 25 narrative tents, maximizes emotional healing. Insight: blending heritage with glazing dissolves boundaries, creating a scalable model for sustainable, high-end cultural tourism.
- Ìmísí
- The inspiration stems from Karajun’s wilderness and nomadic heritage. Driven by "invisible intervention," the motive is to honor the Tianshan landscape by blurring the line between architecture and nature. Drawing from Bagua City’s geometry and Kizil Grottoes murals, the design translates Silk Road history into modern luxury. Research focuses on deconstructing local timber structures to create a non-intrusive sanctuary for spiritual healing and a profound return to the wild.
- Àkókò Iṣẹ́ Àkànṣe
- Project Duration: Five Months
Project Location: Kerganbulak Village, Kalatuohai Town, Tekes County, Ili Kazakh Autonomous Prefecture, Xinjiang Uygur Autonomous Region, Karajun Grassland. - Ìlànà Ìṣiṣẹ́
- The design optimizes spatial flow through "spiritual nomadism," guiding guests from restored timber reception areas to 25 secluded luxury tents. Large floor-to-ceiling windows act as dynamic interfaces, blurring indoor-outdoor boundaries to integrate shifting alpine light and scenery. The layout facilitates a seamless transition between private retreats and communal bonfire areas. By employing high-performance glazing and local textures, the project ensures superior climate comfort and emotional healing.
- Àwọn Ọmọ Ẹgbẹ́
- Lead Designer: Jing Liu
Designer: Liyuan Pang
Designer: Shuilin Chen - Ìfọwọ́sí Àwòrán
- Image #1: Photographer: Jing Liu, Yun Chi Gu, 2024.
Image #2: Photographer: Jing Liu, Yun Chi Gu, 2024.
Image #3: Photographer: Jing Liu, Yun Chi Gu, 2024.
Image #4: Photographer: Jing Liu, Yun Chi Gu, 2024.
Image #5: Photographer: Jing Liu, Yun Chi Gu, 2024.
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