Vigilscape Ibi Mímọ́ ti Ààtò Ìṣẹ̀dá láti ọwọ́ Ting Han Chen jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2026 Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ìgbékalẹ̀ Iṣẹ́ Ọnà Fojú-ìnú àti Dijítà.
IrinÌgbékalẹ̀ Dijítà· 2026
Vigilscape Ibi Mímọ́ ti Ààtò Ìṣẹ̀dá
látọ̀wọ́ Ting Han Chen
Oníbàárà: Play Design Lab
Aṣẹ́gun Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Ìgbékalẹ̀ Dijítà
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #182644Àpẹrẹ Náà
Nípa Vigilscape Ibi Mímọ́ ti Ààtò Ìṣẹ̀dá
Vigilscape ń yí ibi ìsìnkú àtàwàrá padà sí àyè tí ó tù, tí ó sì ní iyì nípa lílo àwọn àwòrán àyíká àti àwọn àwòrán àwọ̀sánmà àti pátíkù tí a ṣẹ̀dá. Àwọn ìran máa ń ṣí síta ní ìwọ̀n tí ó bá ìlù ààtò ọ̀wọ̀ mu, ní dídá ìtẹ̀síwájú àkókò sílẹ̀ láìsí bíbéèrè àfiyèsí tàbí ìbáṣepọ̀. Ìṣẹ̀dá náà ń pèsè àwọn ọ̀nà tí a lè ṣètò fún oríṣiríṣi àyíká ààtò, tí ó ń jẹ́ kí yàrá kan ṣoṣo lè ṣe àtìlẹ́yìn fún àwọn àìní ti ẹ̀sìn Búdà, ti Kristẹni, àti àwọn ẹ̀sìn mìíràn nípa yíyí ìran padà ní ẹ̀yìn, nígbà tí ó ń pa ìmúdọ̀gba iṣẹ́ mọ́ fún àwọn òṣìṣẹ́ àti àyíká ìdákẹ́jẹ́ẹ́ fún àwọn ìdílé àti àwọn olùpalẹ̀mọ́ ààtò.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Irin A' Design Award
Vigilscape Ibi Mímọ́ ti Ààtò Ìṣẹ̀dá jẹ́ olùborí Àmì-ẹ̀yẹ Irin A' Design Award, ìdánimọ̀ olókìkí tí a fún àwọn àwòṣe tó dára tí wọ́n pàdé àwọn ohun tí iṣẹ́ àti ilé-iṣẹ́ nílò tí a retí láti ọ̀dọ̀ àwọn ẹ̀dá tí a ṣàwòṣe dáradára. Àwọn olùborí Irin ń fi ìjáfáfá ńlá, ìmọ̀ pàtó gíga, òye ògbóǹtarìgì àti agbára ìṣẹ̀dá àwọn olùṣẹ̀dá wọn hàn. A retí pé Vigilscape Ibi Mímọ́ ti Ààtò Ìṣẹ̀dá yóò jẹ́ ẹ̀dá tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó wúlò tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Irin A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ ilé-iṣẹ́ jọ, ó sì ní àwọn ànímọ́ ìmọ̀-ẹ̀rọ tó péye tí a so mọ́ ìmọ̀ ṣíṣe àti ẹ̀bùn. A bọ̀wọ̀ fún Vigilscape Ibi Mímọ́ ti Ààtò Ìṣẹ̀dá nítorí ìfọ̀kànbalẹ̀ rẹ̀, a sì ṣàwòṣe rẹ̀ láti pèsè ìmúdára ìgbésí ayé tó ń ran ayé lọ́wọ́ láti di ibi tó dára jù.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- A slow-technology immersive space for chanting rituals, this project uses environmental projections and algorithmic cloud-particle scenes unfolding at a measured tempo aligned with ceremonial cadence. Rather than creating a spectacle, the system is designed to provide calmness, dignity, and psychological comfort during moments of farewell.
Its distinctive value lies in enabling one ordinary mortuary room to serve multiple faith-based ritual needs through configurable projection modes and backend-controlled interactive guidance. This allows funeral service staff to quickly adapt the atmosphere and ceremonial content for Buddhist, Christian, and other religious contexts without requiring separate dedicated spaces. By integrating multi-faith flexibility, spatial efficiency, and culturally sensitive experience design, the project offers both operational value for service providers and a more respectful, personalized environment for grieving families. - Ìwọ̀n àti Àpò
- Wall projection installations with edge-blended panoramic playback; particle-driven visuals with programmable parameters (mode selection, tempo, motif density, session duration). Timeline choreography triggers milestone motifs at set intervals.
- Àwọn Àkọlé
- virtual installation, digital art installation, projection mapping, generative particles, slow technology, ambient interface, mourning space, ritual design, transitional architecture, culturally adaptive atmosphere
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- A site-specific three-wall projection environment deployed in the mortuary of Tri-Service General Hospital. Particle-based animations generate culturally attuned atmospheres. Funeral directors select modes (Chinese, Western, Neutral) and run a timeline-based sequence where motifs emerge gradually as symbolic milestones. Ambient soundscapes support contemplative focus without requiring interaction.
- Ìpèníjà Àpèsè
- The key challenge was designing support without intrusion in a culturally sensitive setting. The room needed to transform a clinical space into a contemplative atmosphere while avoiding spectacle, distraction, or religious mismatch. Achieving this required slow pacing, restrained visual density, and mode-based adaptability that funeral directors could operate reliably in daily practice.
- Ìwádìí
- Type of Research: practice-based design research. Research Objectives: apply slow technology and ambient design to support long mourning rituals. Methodology: site implementation + temporal choreography design. Data Collection and Research Tools Used: observation, informal interviews, photos/diagrams/annotations. Participants or Experiments: mortuary director, funeral staff, families in ritual use. Results: improved sense of temporal progression and cultural fit. Insights and Impacts: configurable, slow-paced atmospheres can reframe mortuary rooms as transitional spaces. Effect: informs emotionally sensitive immersive architecture.
- Ìmísí
- Inspired by the need to ease families’ anxiety in conventional mortuary chanting rooms, the project draws on grief-support research, ritual cadence observation, and slow technology design principles. Generative particle imagery and environmental projection mapping were developed as a controllable time-scale ambience, offering culturally adaptable modes without intrusive interaction.
- Àkókò Iṣẹ́ Àkànṣe
- The project started in Jun 2024 and was completed in Nov 2025 in Taipei, Taiwan, for the mortuary of Tri-Service General Hospital. The installation has been operated during extended chanting ceremonies, with configuration handled by funeral directors according to family preferences and ritual context.
- Ìlànà Ìṣiṣẹ́
- Operation is intentionally non-intrusive. Staff select one of three cultural modes and start the session. The room then plays a slow, continuous sequence where imagery unfolds over time and milestone motifs appear at intervals, giving families a sense of progression during long chanting rituals. No user interaction is required, preserving ritual attention.
- Àwọn Ìwé-ẹ̀rí Ohun-Ìmọ̀
- Copyrights belong to Wonann Funeral Technology Co., Ltd. and Tri-Service General Hospital Mortuary
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