Cadence of the Spiral Iṣẹ́-ọnà Eléṣinṣin: Fífi Sori Ohun Tó Ń Lọ́ láti ọwọ́ Yusuke Kamiyama jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2026 Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ọnà Dídára àti Iṣẹ́ Ọnà Ìgbékalẹ̀.
FàdákàIṣẹ́ Ọnà Dídára· 2026
Cadence of the Spiral Iṣẹ́-ọnà Eléṣinṣin: Fífi Sori Ohun Tó Ń Lọ́
látọ̀wọ́ Yusuke Kamiyama
Oníbàárà: Spline Design Hub Inc.
Aṣẹ́gun Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Iṣẹ́ Ọnà Dídára
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #182460Àpẹrẹ Náà
Nípa Cadence of the Spiral Iṣẹ́-ọnà Eléṣinṣin: Fífi Sori Ohun Tó Ń Lọ́
Cadence of the Spiral ṣàwárí àkókò gẹ́gẹ́ bí ohun tó lè nà, tó ní ìbáṣepọ̀, tó sì wà láàyè. Wọ́n ṣe àwọ̀nà irin spring tí kò ní ipata di àpẹẹrẹ tó ń yí padà títí láé pẹ̀lú apá ẹ̀rọ ọgbọ̀n. Àwọn apá náà ń lọ ní àwọn ìró tí ó kúnná, tí wọ́n yàtọ̀ síra ní ìgbà. Bí ìyípoyípo náà ti ń mí, tí ń yí, tí ń tún ara rẹ̀ ṣe, kò sí ìṣẹ́jú méjì tí ó jọ ra wọn rí. Iṣẹ́ náà ní ìmísí láti inú mainspring ti aago ẹ̀rọ. Ó túmọ̀ irin tí a kọ́ ní wọ́bìá padà gẹ́gẹ́ bí ohun èlò tó tọ́jú agbára àti ìṣàn àkókò. A kò tún ìṣíṣẹ́ náà ṣe. Dípò bẹ́ẹ̀, a fi ìyípadà tí a darí hàn nípasẹ̀ ìyàtọ̀. A kò wọn àkókò, ṣùgbọ́n a ní ìmọ̀lára rẹ̀.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Fàdákà A' Design Award
Cadence of the Spiral Iṣẹ́-ọnà Eléṣinṣin: Fífi Sori Ohun Tó Ń Lọ́ jẹ́ olùborí Àmì-ẹ̀yẹ Fàdákà A' Design Award, ìdánimọ̀ onípọ̀nlé lọ́nà àrà ọ̀tọ̀ tí a fún àwọn àwòṣe ìpele gíga jùlọ tó dára tó sì ń kan ọkàn. Àwọn olùborí Fàdákà jẹ́ àwọn iṣẹ́ tó ń tàn yòò gidigidi tó sì ní ìṣẹ̀dá púpọ̀ tí wọ́n ń ṣàfihàn ìmọ̀ ìjìnlẹ̀, ẹ̀bùn àti ìmọ̀ràn àwọn olùṣàwòṣe wọn. A retí pé Cadence of the Spiral Iṣẹ́-ọnà Eléṣinṣin: Fífi Sori Ohun Tó Ń Lọ́ yóò jẹ́ iṣẹ́ àgbàyanu, àpẹẹrẹ rere, ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun jinlẹ̀. Àwòṣe tó borí Àmì-ẹ̀yẹ Fàdákà A' Design Award yìí jẹ́ ohun ìmúṣẹ̀dá tó hàn gbangba gidigidi tí a mọrírì tó ń ṣe anfàní tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Cadence of the Spiral Iṣẹ́-ọnà Eléṣinṣin: Fífi Sori Ohun Tó Ń Lọ́ jẹ́ ẹ̀dá tí ọ̀pọ̀lọpọ̀ ń ṣe ìlara, tó ń jí ìfẹ́ inú, tó ń mú ìmọ̀lára rere wá tó sì ń jí ìyàlẹ́nu àti ìyanu.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- A long stainless-steel spiral is dynamically deformed by independently actuated arms, generating continuous reorganization through tension and release. Unlike static sculpture, the form never settles; it is constantly restructured into shifting orders. The spiral functions as a physical model of time—elastic, unstable, and relational. Controlled irregularity replaces mechanical uniformity, allowing viewers to perceive time not as measurement, but as a living and evolving order.
- Ìwọ̀n àti Àpò
- Material: Blast-finished stainless spring steel (0.3 mm thickness, 80 mm width)
Spiral pitch: 100 mm
Number of turns: 10
Control: PC-based control system
Installation footprint: Approx. 2000 mm × 2000 mm × 2000 mm
Power: AC 100–240 V - Àwọn Àkọlé
- Kinetic art, Spiral structure, Time perception, Mechanical rhythm, Parametric design, Stainless steel sculpture, Dynamic installation, Temporal form
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- A custom-fabricated stainless-steel spiral plate forms the core structure, paired with a bespoke linear actuation system developed for this work. Most mechanical components—including joints, mounts, and structural interfaces—were custom-designed to enable precise distributed deformation. Motion is coordinated through a PC-based control architecture enabling synchronized, phase-shifted oscillations. Parametric modeling and simulation optimized stress distribution and torsional balance.
- Ìpèníjà Àpèsè
- The primary challenge was balancing structural stability with expressive flexibility. The spiral required sufficient rigidity to maintain form, yet enough elasticity to allow dynamic deformation. Managing distributed mechanical stress while achieving organic motion demanded extensive iteration. Technological constraints of synchronized actuation and material fatigue also required innovative solutions to preserve both safety and poetic integrity.
- Ìwádìí
- This practice-based design research explores time as a spatial and kinetic phenomenon. Through iterative prototyping combining mechanical engineering and artistic experimentation, parametric modeling, structural simulation, and motion analysis were employed. Audience observation during exhibitions informed the study. The research identified perceptual shifts generated by micro-irregular motion, demonstrating how controlled instability enhances emotional engagement and contributes to contemporary kinetic art and experiential design.
- Ìmísí
- Inspired by the mainspring of a mechanical watch, Cadence of the Spiral reconsiders the spiral beyond its functional role. The tightly wound strip of metal appeared as a vessel containing latent energy and rhythm of time itself. When gently lifted, it responded with subtle motion, as if about to begin a heartbeat. The spiral thus emerged not as an object, but as a physical manifestation of invisible time—an embodiment of tension and release within temporal experience.
- Àkókò Iṣẹ́ Àkànṣe
- The project began in Tokyo in March 2025 and was completed in November 2025. Prototyping and structural validation were conducted in Tokyo. Developed in collaboration with Seiko Watch Corporation to explore the cultural and mechanical heritage of horology, the work was exhibited in Japan and is currently being prepared for international presentation.
- Ìlànà Ìṣiṣẹ́
- The spiral slowly shifts between tension and release. As the supporting arms extend and retract, the form breathes, twists, and reorganizes itself. There is no fixed choreography; instead, subtle variations create moments of alignment and misalignment. Viewers experience a continuous transformation—sometimes synchronized, sometimes slightly off—evoking the sensation of time that never fully repeats yet always returns.
- Àwọn Ìwé-ẹ̀rí Ohun-Ìmọ̀
- Copyrights belong to Spline Design Hub Inc., 2025.
- Àwọn Ọmọ Ẹgbẹ́
- Yusuke Kamiyama
Shin Sakamoto
Kaku Murayama
Fumiya Nakano - Ìfọwọ́sí Àwòrán
- IMAGE CREDITS: Daisuke Ohki
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