Bank Julius Baer Iṣẹ́ Àkọ́kọ́: Ẹ̀bùn Ayẹyẹ láti ọwọ́ Rose Lee and Ernie Keung

Bank Julius Baer Iṣẹ́ Àkọ́kọ́: Ẹ̀bùn Ayẹyẹ láti ọwọ́ Rose Lee and Ernie Keung jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2026 Àmì-ẹ̀yẹ Wúrà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ohun Ẹ̀bùn.

WúràOhun Ẹ̀bùn· 2026

Bank Julius Baer Iṣẹ́ Àkọ́kọ́: Ẹ̀bùn Ayẹyẹ

látọ̀wọ́ Rose Lee and Ernie Keung

Oníbàárà: Count To Ten

Aṣẹ́gun Àmì-ẹ̀yẹ Wúrà A' Design Award nínú Ẹ̀ka Ohun Ẹ̀bùn

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #182104

Ṣàbẹ̀wò Ojú Òpó Wo ní A' Design Award Ìwé Ìròyìn Àmì Ẹ̀yẹ

Àwọ̀

Àpẹrẹ Náà

Nípa Bank Julius Baer Iṣẹ́ Àkọ́kọ́: Ẹ̀bùn Ayẹyẹ

Àkọ́sórí Ìwé: Tí a mọ́tìfẹ́ látọwọ́ ẹyẹ pììkọ̀kì àti ẹyẹ kírénì tó ní adé pupa lórí, àkójọ Ọdún Tuntun Ṣáínà tó ní ìwọ̀nba yìí ń túmọ̀ àwọn àmì méjì tí wọ́n bọ̀wọ̀ fún sí ìṣèdá tó ṣọ̀kan. Àkójọpọ̀ náà ní àpò rírà tó lọ́láńlá pẹ̀lú twilly àmì àkànṣe, àpò kékeré, àwọn àpò pupa tí a to bí ìṣèdá ẹyẹ àti òdòdò, àti káàdì tí a tẹ́. Àwọ̀ tí a tún ṣe dáadáa tó ní pupa gbọ̀ọ̀rọ̀, wúrà tó rọ̀wọ̀, àti moire aláwọ̀ búlúù-pupa pinky ń dọ́gba ìdùnnú ayẹyẹ pẹ̀lú ẹwà tí kò gbóhùngbóhùn, tí ó gbé àwọn ohun tó ń ṣiṣẹ́ ga sí iṣẹ́ ọnà tó ń ṣ'ọ̀ṣọ́.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Wúrà A' Design Award

Bank Julius Baer Iṣẹ́ Àkọ́kọ́: Ẹ̀bùn Ayẹyẹ jẹ́ olùborí Àmì-ẹ̀yẹ Wúrà A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe ìpele àkọ́kọ́, tó jẹ́ ìyanu tó sì yàtọ̀. Àwọn olùborí Wúrà jẹ́ àwọn ẹ̀dá tó ní ìmúṣẹ̀dá tuntun gidigidi, tó ní ojú-ìwòye tó jìnnà tó sì ń tàn yòò tí wọ́n ń ṣàfihàn ọgbọ́n, òye àti ìjáfáfá àwọn olùṣàwòṣe wọn. A retí pé Bank Julius Baer Iṣẹ́ Àkọ́kọ́: Ẹ̀bùn Ayẹyẹ yóò jẹ́ ohun ìmúṣẹ̀dá tí a yìn gidigidi, tó ń gbé ìtẹ̀sí kalẹ̀ tó sì jẹ́ ìrántí tó ń mú iye tí a kò rí rí wá. Àwòṣe tó borí Àmì-ẹ̀yẹ Wúrà A' Design Award yìí jẹ́ iṣẹ́ àkànṣe tó yani lẹ́nu tí a bọ̀wọ̀ fún tó ṣe anfàní gidigidi tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Bank Julius Baer Iṣẹ́ Àkọ́kọ́: Ẹ̀bùn Ayẹyẹ ń dá ìmọ̀lára ìfẹ́ tó lágbára sílẹ̀, ń jí ìtara, ń gbé ìṣẹ̀dá lárugẹ tó sì ń fà wá mọ́ra.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe: A limited edition CNY gift collection for Swiss private bank Julius Baer, featuring a coordinated multi item ensemble with dual theme motifs, peacock and red crowned crane, China's most auspicious symbols. The collection premium tote with signature twilly, pouch, red packets forming a bird and flower painting, and a scroll card. Vibrant red, subtle gold, and blue pink moire balance Swiss elegance with festive joy, transforming functional gifts into decorative art.
Ìwọ̀n àti Àpò: The coordinated ensemble includes a tote bag (W330 x D135 x H190mm) with reinforced handles; a twilly (W290 x H70mm) featuring peacock motifs to wrap handle or wear separately; matching pouch (W315 x H245mm); and red packets (W170 x H90mm) with precision spliced design forming a complete bird and flower artwork. A Chinese scroll greeting card (W960 x H245mm) unrolls to reveal the holiday message. Each piece complements in color, motif, and texture for cohesive display
Àwọn Àkọlé: Luxury gift collection, Tote bag design, Twilly accessory, Pouch, Chinese New Year, Private banking, Premium corporate gifting, Coordinated accessories, Chinese scroll, Specialty packaging, Cultural symbolism, Holiday collection, 2026 CNY, Branded merchandise, Luxury textiles.
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀: The collection is realized through multiple premium production techniques
Tote bag and pouch, Crafted from high quality textiles with precise print application to achieve the striking red and gold color collision and embroidered moire patterns
Twilly, Silk fabric with detailed edge rolling and pattern registration matching the main motifs
Ìpèníjà Àpèsè: Challenge, achieve cohesion across formats from tote to twilly, envelopes and scroll. The solution employs a modular system, peacock and crane motifs appear whole on larger items, cropped on smaller pieces, and spliced across red packets, with consistent color application to preserve visual unity. The design links twilly and scroll formats to honor tradition while remaining contemporary.
Ìwádìí: Using visual cultural analysis, archival research, audits, and 20 interviews in Singapore and Hong Kong, the study identified auspicious symbols beyond zodiac signs and client gifting preferences. Peacock (boundless promise) and crane (longevity) motifs resonated. Clients favored usable, transformative items (tote, pouch), personalizable accessories (twilly), and displayable art (scroll, spliced packets). Enduring gifts increase perceived thoughtfulness and prolong seasonal exposure.
Ìmísí: Inspired by Chinese mythology and ink wash art, this collection blends cultural symbolism with Swiss precision. The peacock embodies "boundless promise" for youth; the red-crowned crane symbolizes longevity for elders. A twilly wrapped handle nods to luxury scarf traditions, while the scroll format updates ancient scholarly gifting. Merging these elements with precision craftsmanship, the designs honour heritage while appealing to global clients who appreciate understated elegance.
Àkókò Iṣẹ́ Àkànṣe: January 2026 in Singapore and Hong Kong
Ìlànà Ìṣiṣẹ́: The recipient's journey starts with branded packaging. Inside, a Chinese scroll (the greeting card) sets the cultural tone. Unfolding next, the tote reveals a twilly on its handle, wearable multiple ways. The coordinating pouch encourages daily use, while the red packets' splicing design forms a bird and flower tableau when displayed together. The key innovation, these practical gifts transform into decorative art, the tote, pouch, twilly, and envelopes can be arranged as a museum like display, with the scroll kept or unfurled as wall art.
Àwọn Ìwé-ẹ̀rí Ohun-Ìmọ̀: Copyrights belong to Count To Ten
Àwọn Ọmọ Ẹgbẹ́: Rose Lee
Ernie Keung
Irene Man
Ìfọwọ́sí Àwòrán: Count To Ten