Weaving Àgbékalẹ̀ Ọ̀ṣọ́ Inú Ilé Gbígbé láti ọwọ́ Chih Liang Hung jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2026 Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àyà Inú Ilé àti Ibi Àfihàn.
IrinInú Ilé· 2026
Weaving Àgbékalẹ̀ Ọ̀ṣọ́ Inú Ilé Gbígbé
látọ̀wọ́ Chih Liang Hung
Oníbàárà: Xiang Dao Design
Aṣẹ́gun Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Inú Ilé
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #181867Àpẹrẹ Náà
Nípa Weaving Àgbékalẹ̀ Ọ̀ṣọ́ Inú Ilé Gbígbé
Weaving jẹ́ iṣẹ́ àgbékalẹ̀ ọ̀ṣọ́ inú ilé gbígbé tí a parí ní Taiwan fún ẹbí ìran mẹ́ta. Pẹ̀lú gbàgede rẹ̀, àyè inú ilé náà tó nǹkan bí mítà onígun mẹ́rin mẹ́tàlélọ́gọ́rin (83). A tún ètò yàrá mẹ́rin ti ìpilẹ̀ṣẹ̀ ṣe sí yàrá mẹ́ta pẹ̀lú ibi ìkàwé gbangba àti yàrá tatami kan. Ògiri tẹlifíṣọ̀n náà so òkúta travertine funfun pọ̀ mọ́ òkúta Moonlight Beige lẹ́gbẹ̀ẹ́ etí oníkọ̀rọ̀ tí ó bá àwọn ìsopọ̀ ilẹ̀ mu. A fi igi hinoki ti Japan gidi kọ́ yàrá tatami náà pẹ̀lú ìsopọ̀ mortise-àti-tenon àti àjà tí a hun ní àwòrán díámọ́ndì. Àwọn kábínẹ́ẹ̀tì kékeré jẹ́ kí àyè ìpéjọpọ̀ wà ní gbangba tí ó sì rọrùn láti dé.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Irin A' Design Award
Weaving Àgbékalẹ̀ Ọ̀ṣọ́ Inú Ilé Gbígbé jẹ́ olùborí Àmì-ẹ̀yẹ Irin A' Design Award, ìdánimọ̀ olókìkí tí a fún àwọn àwòṣe tó dára tí wọ́n pàdé àwọn ohun tí iṣẹ́ àti ilé-iṣẹ́ nílò tí a retí láti ọ̀dọ̀ àwọn ẹ̀dá tí a ṣàwòṣe dáradára. Àwọn olùborí Irin ń fi ìjáfáfá ńlá, ìmọ̀ pàtó gíga, òye ògbóǹtarìgì àti agbára ìṣẹ̀dá àwọn olùṣẹ̀dá wọn hàn. A retí pé Weaving Àgbékalẹ̀ Ọ̀ṣọ́ Inú Ilé Gbígbé yóò jẹ́ ẹ̀dá tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó wúlò tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Irin A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ ilé-iṣẹ́ jọ, ó sì ní àwọn ànímọ́ ìmọ̀-ẹ̀rọ tó péye tí a so mọ́ ìmọ̀ ṣíṣe àti ẹ̀bùn. A bọ̀wọ̀ fún Weaving Àgbékalẹ̀ Ọ̀ṣọ́ Inú Ilé Gbígbé nítorí ìfọ̀kànbalẹ̀ rẹ̀, a sì ṣàwòṣe rẹ̀ láti pèsè ìmúdára ìgbésí ayé tó ń ran ayé lọ́wọ́ láti di ibi tó dára jù.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- The design unifies diverse 'weaving' of materials. On the TV wall, blanc travertine and Moonlight Beige stone meet along a curved edge extending to the entry, aligned with floor joints for visual rhythm. Metallic-sheen art paint behind the desk echoes stone fossils. Stone veining is intentionally unmatched. Social area storage is low for openness and elderly access. In the tatami room, diamond-pattern amijime ceilings, ranma lattice vents, and circular sliding doors follow the Fibonacci sequence, blending tradition, nature, and craft.
- Ìwọ̀n àti Àpò
- Including the balcony, the interior area measures about 83 square meters. Originally four bedrooms, a living room, a dining room, and two bathrooms, the layout was reconfigured into three bedrooms plus an open study and tatami room. Bedroom privacy was preserved while enlarging the dining-and-gathering axis of the social area, allowing flexible conversion between daily two-person life and holiday gatherings of over ten people. The study wall was recessed to connect the dining-living lighting; the tatami room sits centrally as a flexible node for rest, movie-watching, or children's play.
- Àwọn Àkọlé
- Tatami Room, Tenjo Ajiro Ceiling, Barrier-Free Space, Wood Tone, Open Plan, Solid Wood, Eco-Friendly Materials, Custom Wooden Flooring, Bamboo Pendant Lamp
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- The tatami room is entirely constructed of solid Japanese first-grade hinoki sourced from managed artificial forests. 3D modeling, precise cutting, and mortise-and-tenon joints replace veneered plywood, preserving the natural scent and tactile warmth of wood. Wood flooring and stone surfaces correspond to each other in modular dimensions and division. The overall color temperature builds on warm gray and wood brown, blanc travertine and moonlight beige stones enhance brightness, and curved edges form a stable yet fluid sense of light layering.
- Ìpèníjà Àpèsè
- The main challenge was coordinating materials and techniques. The tatami room used first-grade, knot-free hinoki cut to custom modules, with a diamond-weave ceiling built from prototypes and on-site craftsmanship for veneer overlap, tolerances, and hidden maintenance. Stonework required continuous curved spans aligned with floor joints. Non-book-matched veining balanced visual density, ensuring durability, easy cleaning, and refined elegance.
- Ìwádìí
- Designed for an elderly homeowner and three generations, the 'Weaving' theme transforms the parents' curtain-making craft into spatial rhythm. Wood joinery, stone divisions, and drapery interlace, symbolizing family bonds. The open social area features low cabinets and a TV wall of blanc travertine and Moonlight Beige stone curving to the entry. The tatami room's hinoki ceiling weaves tradition and hidden vents, blending material, light, and air into daily life.
- Ìmísí
- The homeowners' children wished to preserve memories of the tatami room from their parents' previous home. Centered on the concept of 'Weaving,' the design interlaces bamboo blinds, wooden flooring, and stone surfaces into a harmonious dialogue of materials, balancing emotion and order. Three-sided daylight and natural ventilation enhance comfort, while the open social area supports daily life and family gatherings. Barrier-free design ensures accessibility, blending tradition with practicality.
- Àkókò Iṣẹ́ Àkànṣe
- The project finished in October 2024 in Taiwan.
- Ìlànà Ìṣiṣẹ́
- After moving in, the family often sits on the tatami by the sliding doors to watch TV, the sofa has become secondary. The desk area serves as a reading and interaction corner for the elders and grandchildren. Visiting friends and photographers have all commented on the space's 'unexpected quietness': though near a busy road, once windows close, only light and the scent of wood remain. The children appreciated the low-cabinet design and simplified storage, which keeps the view uncluttered and gently refines their parents' habit of keeping items-making life feel lighter.
- Àwọn Ọmọ Ẹgbẹ́
- Chih-Liang Hung
- Ìfọwọ́sí Àwòrán
- Xiang Dao Design
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