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Interwoven Order Àgbékalẹ̀ Inú Ọ́fíìsì láti ọwọ́ Louis Liu

Interwoven Order Àgbékalẹ̀ Inú Ọ́fíìsì láti ọwọ́ Louis Liu jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2026 Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àyà Inú Ilé àti Ibi Àfihàn.


IrinInú Ilé· 2026

Interwoven Order Àgbékalẹ̀ Inú Ọ́fíìsì

látọ̀wọ́ Louis Liu

Oníbàárà: Reflexion Interior Design

Aṣẹ́gun Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Inú Ilé

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #181847

Àwọ̀

Àpẹrẹ Náà

Nípa Interwoven Order Àgbékalẹ̀ Inú Ọ́fíìsì

Interwoven Order jẹ́ àgbékalẹ̀ inú ọ́fíìsì ilé-iṣẹ́ kan tí ó wà ní Taiwan tí ó sì gba àyè mítà onígun mẹ́rin 1240 nínú ilé alájà mẹ́rin. Ìṣètò rẹ̀ dá àwọn agbègbè mẹ́ta sílẹ̀: ibi ìgbàlejò àti àwọn ìpàdé kúkúrú ní iwájú, àyè iṣẹ́ tí ó ṣí sílẹ̀ ní àárín, àti àwọn ọ́fíìsì àwọn alákòóso ní ẹ̀yìn. Irin, gíláàsì, àti àwọn àpótí ìkọ̀wé tí a hun papọ̀ ń dá ìfojúrí àti ìjìnlẹ̀ oníṣẹ̀lẹ̀-ṣẹ̀lẹ̀ sílẹ̀. Àwọn ògiri ìyàsọ́tọ̀ tí a lè gbé kiri, àwọn ògiri oníhòrò, àti àwọn tábìlì ìdúró ń ṣàlàyé àwọn àyè ìpàdé àti ìfihàn tí ó rọrùn láti yí padà. Àjà ilé tí ó ń tan ìmọ́lẹ̀ káàkiri ń pèsè ìmọ́lẹ̀ tí ó dọ́gba tí kò sì ní ìtànṣán tí ó pọ̀jù. Àwọ̀ dúdú, eérú, àti funfun ni ó ń ṣètò àyè náà.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Irin A' Design Award

Interwoven Order Àgbékalẹ̀ Inú Ọ́fíìsì jẹ́ olùborí Àmì-ẹ̀yẹ Irin A' Design Award, ìdánimọ̀ olókìkí tí a fún àwọn àwòṣe tó dára tí wọ́n pàdé àwọn ohun tí iṣẹ́ àti ilé-iṣẹ́ nílò tí a retí láti ọ̀dọ̀ àwọn ẹ̀dá tí a ṣàwòṣe dáradára. Àwọn olùborí Irin ń fi ìjáfáfá ńlá, ìmọ̀ pàtó gíga, òye ògbóǹtarìgì àti agbára ìṣẹ̀dá àwọn olùṣẹ̀dá wọn hàn. A retí pé Interwoven Order Àgbékalẹ̀ Inú Ọ́fíìsì yóò jẹ́ ẹ̀dá tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó wúlò tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Irin A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ ilé-iṣẹ́ jọ, ó sì ní àwọn ànímọ́ ìmọ̀-ẹ̀rọ tó péye tí a so mọ́ ìmọ̀ ṣíṣe àti ẹ̀bùn. A bọ̀wọ̀ fún Interwoven Order Àgbékalẹ̀ Inú Ọ́fíìsì nítorí ìfọ̀kànbalẹ̀ rẹ̀, a sì ṣàwòṣe rẹ̀ láti pèsè ìmúdára ìgbésí ayé tó ń ran ayé lọ́wọ́ láti di ibi tó dára jù.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe
The design reflects the essence of protective gear-solid yet flexible, precise yet warm-organizing spaces into three rhythmic zones: reception and quick-meeting at the front, open workspace at the center, and executive offices at the rear. Interlaced iron, glass, and cabinetry create transparency and layered depth. Movable partitions, grille walls, and standing counters define flexible meeting and display areas, while a light-diffusing ceiling ensures even, glare-free illumination.
Ìwọ̀n àti Àpò
The site is a self-developed, four-story structure covering 1240 square meters. The first and second floors serve as the main office areas, while the third and fourth floors are reserved for future expansion. Spatial organization was planned in tandem with the architectural design, minimizing post-construction modification and waste. Each floor is zoned by column grids, forming clear circulation and hierarchy. Vertical flow, via elevator and staircase, is optimized with natural light shafts, enabling air and light to circulate seamlessly between levels.
Àwọn Àkọlé
Textile, Protective Gear, Resilience, Light Membrane Ceiling, Transparent Design, Energy-Saving Lighting, Eco-Friendly Materials, Modern Design
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
The space is composed of a black, gray, and white palette, each tone serving a structural purpose. Black acts as the woven foundation that carries strength, gray harmonizes surfaces and establishes rhythm, white releases spatial tension, allowing light to flow freely. Flooring is laid with stone-patterned porcelain tiles, while walls and partitions combine glass, painted steel, and matte coatings, achieving a balance of rigidity and softness. Light reflects and diffuses across these varied textures, revealing the brand's steady rhythm and professional depth through subtle material transitions.
Ìpèníjà Àpèsè
As a self-built project, the process progressed 'from nothing to completion.' Major challenges included cross-disciplinary coordination and time management. Architects, interior designers, and MEP engineers pre-planned structural penetrations and light shafts. Over two years, construction and material selection were synchronized to unify architecture and interior, achieving a seamless fusion of light, line, and structure, offering occupants clarity, comfort, and harmonious spatial flow.
Ìwádìí
The new headquarters of a sports protection brand translates resilience and professionalism into space. Light guides circulation from reception to work and meeting areas, while iron, glass, and grilles weave partitions that connect yet define zones. Flexible second-floor rooms adapt to use. The black-gray-white palette balances grounding, structure, and illumination. 'Interwoven Order' embodies space like fabric-linking light, material, and people into the brand's living texture.
Ìmísí
The 1,240 m2 corporate headquarters embodies the sports protection brand's spirit: 'resilient yet professional.' Interior design paralleled architecture, using light and structure to guide daylight from the exterior across reception, corridors, meeting rooms, and workspaces along a horizontal axis. Spatial choreography balances human flow with functional zoning, creating a grounded, approachable atmosphere that reflects the brand's calm professionalism and dynamic identity.
Àkókò Iṣẹ́ Àkànṣe
The project finished in March 2025 in Taiwan.
Ìlànà Ìṣiṣẹ́
The space promotes efficiency and interaction: open circulation enables spontaneous encounters, while standing-meeting zones act as dynamic hubs. Semi-transparent display walls balance connectivity with focus. The light-membrane ceiling provides soft, stable illumination for comfort and concentration. Meeting and display rooms are reconfigurable, allowing smooth transitions between exhibition and negotiation, reflecting the company's professionalism and brand identity.
Àwọn Ọmọ Ẹgbẹ́
Louis Liu
Ìfọwọ́sí Àwòrán
Reflexion Interior Design

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