Vitrine Delumini Iṣẹ́ Àkọ́kọ́: Àfihàn láti ọwọ́ Thiago Mondini jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2026 Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àyà Inú Ilé àti Ibi Àfihàn.
IdẹInú Ilé· 2026
Vitrine Delumini Iṣẹ́ Àkọ́kọ́: Àfihàn
látọ̀wọ́ Thiago Mondini
Oníbàárà: Thiago Mondini Arquitetura
Aṣẹ́gun Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Inú Ilé
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #180516Àpẹrẹ Náà
Nípa Vitrine Delumini Iṣẹ́ Àkọ́kọ́: Àfihàn
Ẹ̀kúnrẹ́rẹ́ Ìtàn: Èyí jẹ́ àfihàn àwọn ohun-ọ̀ṣọ́ ilé nínú ilé-ìtajà ńlá kan ní orílẹ̀-èdè Brazil. A ṣẹ̀dá àwọn àyè oríṣiríṣi láti mú kí ìmọ̀lára ọjà kọ̀ọ̀kan túbọ̀ dára síi, yálà ó ní àwọ̀ tàbí kí ó rọ̀rùn. Àwọn ọjà pàtàkì ni a fihàn ní apá tí ó ní àwọ̀ burgundy nínú ilé-ìtajà náà, nígbà tí àwọn ọjà tí ó tòṣì tí ó sì rọ̀rùn láti lò, ni a fihàn ní apá funfun ilé-ìtajà náà. Àyè kẹta tún wà, tí ó ní àwọ̀ tí ó ṣú, níbi tí a ti fi àwọn ohun-ọ̀ṣọ́ ilé àti àwọn ọjà tí wọ́n ní àwọ̀ tí ó jinlẹ̀ sí hàn.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Idẹ A' Design Award
Vitrine Delumini Iṣẹ́ Àkọ́kọ́: Àfihàn jẹ́ olùborí Àmì-ẹ̀yẹ Idẹ A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe tó tayọ tí wọ́n yàtọ̀ nípasẹ̀ ìṣẹ̀dá, àrékérekè àti ọgbọ́n inú. Àwọn olùborí Idẹ jẹ́ àwọn ohun èlò tó ní ìjáfáfá gan-an tí wọ́n sì ní ìṣẹ̀dá tó yani lẹ́nu tí wọ́n ń ṣe ẹ̀rí ìrírí gbígbòòrò, ìrònú àti ọgbọ́n àwọn olùṣàwòṣe wọn. A retí pé Vitrine Delumini Iṣẹ́ Àkọ́kọ́: Àfihàn yóò jẹ́ ohun tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó jẹ́ ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Idẹ A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ nínú iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ jọ, ó sì tayọ nítorí àfiyèsí rẹ̀ sí àwọn àlàyé kékeré. Vitrine Delumini Iṣẹ́ Àkọ́kọ́: Àfihàn ń tẹ́ àwọn ohun tí a nílò lọ́rùn lọ́nà àgbàyanu, ó ń fọwọ́ kan àwọn ìfẹ́ inú, ó ń gbà ọkàn ó sì ń fa ìfẹ́ láti mọ̀ mọ́ra.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- This exhibition presents furniture within a large-scale store in Brazil, organized to enhance the perception of each product. Distinct zones were created to emphasize their character: the burgundy area showcases special, standout pieces; the white section features neutral, versatile products; and a third, darker-toned space highlights furniture and items with deeper hues, providing a carefully curated and visually coherent presentation.
- Ìwọ̀n àti Àpò
- 585 square meters
- Àwọn Àkọlé
- interior, interior design, store, commercial, furniture, brazil, brazilian, brasil, contemporary, color, burgundy, ecletic
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- The design focused on highlighting each product through distinct spatial environments. Rich burgundy walls were chosen to intensify colors and create striking contrasts, while white walls provide a neutral backdrop that emphasizes the form and details of the furniture. The process combined careful color studies, material selection, and spatial composition to ensure each piece stands out without visual conflict, creating a balanced and immersive exhibition experience.
- Ìpèníjà Àpèsè
- The greatest challenge was the limited time available to complete the project, which demanded rapid yet careful decision-making. Equally complex was working with the existing product stock while creating a visually coherent and engaging exhibition. Internally, the design had to respect aesthetic and social expectations for a modern retail experience, while externally, constraints included production limitations, material availability, and the need to adapt to the store’s physical layout and technical possibilities.
- Ìwádìí
- Research was design-focused, exploring how spatial environments affect product perception. Objectives were to highlight furniture through color and context while creating an engaging visitor experience. Methodology included spatial analysis, color studies, and material testing. Data was collected via mock-ups, material samples, and staff/visitor feedback. Participants included store staff and visitors. Results showed distinct zones improved product visibility and appreciation. Insights revealed that environmental contrast enhances perception, impacting retail display strategies, visitor engagement, and design thinking in commercial spaces.
- Ìmísí
- A vibrant furniture display, intentionally departing from the typical white and minimal commercial interiors, designed to engage and inspire both clients and industry professionals.
- Àkókò Iṣẹ́ Àkànṣe
- The project started in July 2025 and finished in August 2025, in Balneario Camboriu, Brazil.
- Ìlànà Ìṣiṣẹ́
- Interaction is guided by the store’s spatial layout. Visitors naturally move through four distinct zones: the burgundy area highlights vibrant pieces, the white zone emphasizes neutral forms, the rear space showcases lighting, and the upper dark area presents deeper-toned furniture. Each transition frames products in contrast-rich environments, enhancing perception and engagement, allowing visitors to appreciate color, form, and material more clearly than in a conventional display.
- Àwọn Ọmọ Ẹgbẹ́
- Architect: Thiago Mondini
- Ìfọwọ́sí Àwòrán
- Image #1: Photographer ArqVerso
Image #2: Photographer ArqVerso
Image #3: Photographer ArqVerso
Image #4: Photographer ArqVerso
Image #5: Photographer ArqVerso
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