Aqua Continuum Iṣẹ́ Pàtàkì: Ẹ̀ṣọ́ Ìbámu láti ọwọ́ Anurag Sapkota

Aqua Continuum Iṣẹ́ Pàtàkì: Ẹ̀ṣọ́ Ìbámu láti ọwọ́ Anurag Sapkota jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2026 Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ohun Ọ̀ṣọ́ Ara.

IdẹOhun Ọ̀ṣọ́ Ara· 2026

Aqua Continuum Iṣẹ́ Pàtàkì: Ẹ̀ṣọ́ Ìbámu

látọ̀wọ́ Anurag Sapkota

Oníbàárà: Elysign Digital LLP

Aṣẹ́gun Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ohun Ọ̀ṣọ́ Ara

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #180109

Wo ní A' Design Award Ìwé Ìròyìn Àmì Ẹ̀yẹ

Àwọ̀

Àpẹrẹ Náà

Nípa Aqua Continuum Iṣẹ́ Pàtàkì: Ẹ̀ṣọ́ Ìbámu

Aqua Continuum jẹ́ ẹ̀ṣọ́ ìbámu tí ó ní ọ̀nà ọrùn kan, méjì etí-ìbamu, àti òrùka kan, tí a ṣe pẹ̀lú àwọn ojú-ilẹ̀ tí ó ń sàn, tí ó tẹ̀ ní ọ̀nà méjì tí a sì tẹ́ wọn pọ̀ láti ṣàwárí ìtẹ̀síwájú àti ìṣípòpadà tí a ń darí nínú ìwọ̀n-ọnà ojú-mẹ́ta. A ti lo òkúta blue topaz tí a gé ní àbùdá emerald nínú gbogbo ẹyọ kọ̀ọ̀kan. A yan òkúta yìí nítorí àwọ̀ búlúù rẹ̀ àti bí ó ṣe ń rán ni létí omi lójú. Àwọn òkúta iyebíye tí ń ṣe àtìlẹ́yìn yàtọ̀ síra ní ìwọ̀n, a sì tò wọ́n pẹ̀lú àwọn ìlànà ìkójọ-òbìrìkítí. Ìtòlẹ́sẹẹsẹ yìí ń mú àwòṣe paramẹ́tírì jáde tí ó ń ṣẹ̀dá àyè ìpọ̀npọ̀ àti ìwọ̀ntúnwọ̀nsì lójú káàkiri àwọn ojú-ilẹ̀ ẹ̀ṣọ́ náà.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Idẹ A' Design Award

Aqua Continuum Iṣẹ́ Pàtàkì: Ẹ̀ṣọ́ Ìbámu jẹ́ olùborí Àmì-ẹ̀yẹ Idẹ A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe tó tayọ tí wọ́n yàtọ̀ nípasẹ̀ ìṣẹ̀dá, àrékérekè àti ọgbọ́n inú. Àwọn olùborí Idẹ jẹ́ àwọn ohun èlò tó ní ìjáfáfá gan-an tí wọ́n sì ní ìṣẹ̀dá tó yani lẹ́nu tí wọ́n ń ṣe ẹ̀rí ìrírí gbígbòòrò, ìrònú àti ọgbọ́n àwọn olùṣàwòṣe wọn. A retí pé Aqua Continuum Iṣẹ́ Pàtàkì: Ẹ̀ṣọ́ Ìbámu yóò jẹ́ ohun tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó jẹ́ ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Idẹ A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ nínú iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ jọ, ó sì tayọ nítorí àfiyèsí rẹ̀ sí àwọn àlàyé kékeré. Aqua Continuum Iṣẹ́ Pàtàkì: Ẹ̀ṣọ́ Ìbámu ń tẹ́ àwọn ohun tí a nílò lọ́rùn lọ́nà àgbàyanu, ó ń fọwọ́ kan àwọn ìfẹ́ inú, ó ń gbà ọkàn ó sì ń fa ìfẹ́ láti mọ̀ mọ́ra.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe: Aqua Continuum is a jewellery set composed of a pendant, earrings and a ring, developed through fluid, doubly curved and seamlessly folded forms to express continuity and movement. Emerald-cut blue topaz is used to evoke the visual coolness and calm of water. Supporting gemstones vary significantly in size and are organized using circle-packing principles, creating an organic field of density and rhythm.
Ìwọ̀n àti Àpò: Jewellery set consisting of a ring od size US 6, the Earrings are 44mm in length and the Pendant is 50mm in length
Àwọn Àkọlé: Jewellery, Earrings, Pendant, Ring
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀: The designs were developed using advanced surface modelling and parametric workflows to generate continuous doubly curved geometry and controlled folding. Circle-packing algorithms were applied to define gemstone positions and size variation. Final forms were refined for manufacturability with precise stone-setting tolerances and structural thickness control. The pieces are intended for production in precious metal alloys using high-resolution resin 3D printing for master patterns, followed by investment casting, precision pre-polishing and micro-pavé and prong setting for the blue topaz and supporting gemstones.
Ìpèníjà Àpèsè: The main challenge was translating the softness and continuity of fluid motion into stable, wearable jewellery without losing structural integrity or comfort. Balancing expressive doubly curved surfaces with real stone-setting constraints, minimum metal thickness and casting limitations required multiple design iterations. Another difficulty was achieving visually natural gemstone clustering while maintaining secure settings and clear assembly logic. Limited references for computational gemstone distribution in contemporary jewellery and the need to align advanced digital modelling with existing manufacturing processes further increased the complexity of development and validation.
Ìwádìí: This project is based on practice-led design research focused on translating the visual and sensory qualities of water into wearable jewellery. The study explored how doubly curved surfaces, seamless folding and controlled variation in gemstone size can communicate fluid movement and visual calm. Iterative digital modelling and parametric distribution tools were used to generate and evaluate multiple ring, pendant and earring prototypes. Circle-packing logic was applied to organise gemstones as a continuous spatial field rather than decorative placement. The results demonstrate improved visual rhythm, surface continuity and perceived lightness of form. The research shows how structured generative methods can support contemporary jewellery design, strengthen brand differentiation and enable more meaningful, experience-driven luxury products.
Ìmísí: The project is inspired by the natural behavior of water and by design theories that describe form as a continuous and evolving system rather than a fixed composition. The primary motivation was to translate fluid motion, surface continuity and spatial balance into wearable objects using doubly curved geometry and folding logic. Research into visual perception of color and spatial distribution guided the use of blue topaz for its cooling sensory effect and circle packing principles.
Àkókò Iṣẹ́ Àkànṣe: The work for the project began in October 2025 and was finished in January of 2026 at Gangtok, Sikkim, India.
Ìlànà Ìṣiṣẹ́: The jewellery is worn and experienced through gentle movement and changing viewpoints. The pendant and earrings allow the gemstone to move freely, creating soft motion with the wearer’s natural gestures, while the ring holds the stone within a continuous flowing form. As the pieces move and catch light, the surfaces reveal different curves and reflections, enhancing the feeling of fluidity. The varied gemstone sizes create a natural visual rhythm that feels balanced from every angle. This interaction produces a calmer, more immersive visual experience than static or highly symmetrical jewellery designs.
Àwọn Ọmọ Ẹgbẹ́: Anurag Sapkota