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On Belay Àga Ìsinmi láti ọwọ́ Chong Zhi Yu

On Belay Àga Ìsinmi láti ọwọ́ Chong Zhi Yu jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2026 Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ohun-èlò Ilé.


IdẹOhun-èlò Ilé· 2026

On Belay Àga Ìsinmi

látọ̀wọ́ Chong Zhi Yu

Oníbàárà: Nanyang Academy of Fine Arrts

Aṣẹ́gun Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ohun-èlò Ilé

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #178950

Àwọ̀

Àpẹrẹ Náà

Nípa On Belay Àga Ìsinmi

On Belay jẹ́ àga ìsinmi tí ó tún lo àwọn okùn ìgun-òkè tí a ti fẹ̀yìntì. Àwọn okùn tí kò bá tún yẹ fún ìgun-òkè mọ́ máa ń pa agbára àti ìrọ̀rùn wọn mọ́, nítorí náà a hun wọ́n sínú ibi ìjókòó àti ibi ìfẹ̀yìntì. Ojú tí a hun náà rọ̀ ó sì ní ìrọ̀rùn, ó sì máa ń pín ìwúwo dọ́gbadọ́gba láti fún ni ní àtìlẹyìn láìsí àwọn ẹ̀yà líle. A fi igi Kapur ṣe férémù rẹ̀ pẹ̀lú àwọn ìsopọ̀ lap àti bridle tí a fi àwọn dowel méjì-méjì mú lágbára ní àwọn igun. A da àwọn ọ̀nà ìhunṣọ ìbílẹ̀ pọ̀ mọ́ àwọn kókó ìgun-òkè láti so àwọn okùn náà mọ́ férémù. Àga náà jẹ́ ìwọ̀n 600 pẹ̀lú 850 pẹ̀lú 650 mílímítà.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Idẹ A' Design Award

On Belay Àga Ìsinmi jẹ́ olùborí Àmì-ẹ̀yẹ Idẹ A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe tó tayọ tí wọ́n yàtọ̀ nípasẹ̀ ìṣẹ̀dá, àrékérekè àti ọgbọ́n inú. Àwọn olùborí Idẹ jẹ́ àwọn ohun èlò tó ní ìjáfáfá gan-an tí wọ́n sì ní ìṣẹ̀dá tó yani lẹ́nu tí wọ́n ń ṣe ẹ̀rí ìrírí gbígbòòrò, ìrònú àti ọgbọ́n àwọn olùṣàwòṣe wọn. A retí pé On Belay Àga Ìsinmi yóò jẹ́ ohun tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó jẹ́ ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Idẹ A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ nínú iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ jọ, ó sì tayọ nítorí àfiyèsí rẹ̀ sí àwọn àlàyé kékeré. On Belay Àga Ìsinmi ń tẹ́ àwọn ohun tí a nílò lọ́rùn lọ́nà àgbàyanu, ó ń fọwọ́ kan àwọn ìfẹ́ inú, ó ń gbà ọkàn ó sì ń fa ìfẹ́ láti mọ̀ mọ́ra.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe
On Belay ingeniously repurposes discarded climbing ropes as integral structural and tactile elements of a lounge chair. Though no longer fit for safety-critical use after extended wear or falls, these ropes retain strength and flexibility ideal for furniture applications. Woven meticulously into the seat and backrest, the design redefines lifesaving equipment into a durable, sustainable, and comfortable seating experience that bridges heritage craft with modern ecological responsibility.
Ìwọ̀n àti Àpò
Width 600 mm x Depth 850 mm x Height 650 mm
Àwọn Àkọlé
Sustainable , Upcycled materials, Climbing rope, Lounge chair, Tension weaving, Recycled furniture, Knotting techniques, Outdoor , Ergonomic seating, Conceptual furniture
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
The seating structure combines traditional weaving techniques learned in Thailand with climbing rope knotting methods to bind reclaimed ropes securely onto a Kapur wood frame. The chair’s frame uses time-honored joinery methods including lap and bridle joints reinforced with dual dowels at frame corners to ensure strength and durability.
Ìpèníjà Àpèsè
The hardest part of this project was that it was our first, so many aspects were unfamiliar, especially weaving and knotting techniques. These skills required extensive practice and patience to master. Additionally, limited information and guidance made the learning curve steep. Overcoming these challenges deepened my understanding of material manipulation and craftsmanship, which was crucial for realizing the design successfully.
Ìwádìí
I focused on upcycled materials and chose climbing ropes for this project. I researched various weaving techniques and climbing knotting methods, alongside exploring line art for visual inspiration. During mock-up stages, I drilled multiple holes to find optimal positions and consulted with my mentor to determine the best structure and joinery for the chair frame. I tested different diameters of climbing ropes and ultimately selected 5mm support rope for its balance of aesthetics and comfort. I am very satisfied with the final product. This design taught me that upcycling can be both practical and visually appealing.
Ìmísí
Inspired by the themes of safety, trust, and connection inherent in rock climbing culture, On Belay transforms retired climbing ropes symbols of protection and resilience into core materials for furniture. These ropes embody stories of endurance and rebirth, and through creative upcycling, the design offers a poetic metaphor for rest and renewal, highlighting sustainable innovation intertwined with emotional narratives.
Àkókò Iṣẹ́ Àkànṣe
This Project started in August 2025 in Singapore NAFA and finished in NAFA's workshop.
Ìlànà Ìṣiṣẹ́
The woven climbing rope seat provides a soft, flexible surface that naturally conforms to the human body, evenly distributing weight to deliver ergonomic support without rigid components. Its minimalist yet stable construction fosters a sense of security and calm, evoking the trust foundational to climbing safety. This tactile interaction invites relaxation and mindfulness, transforming the chair into a restorative haven for body and mind.

Oníṣọwọ́

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