Crossing Walls Ilé Gbígbé, Ọ́fíìsì láti ọwọ́ Satoshi Fujinaka jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2026 Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ìkọ́lé, Ilé àti Ètò.
IdẹÌkọ́lé· 2026
Crossing Walls Ilé Gbígbé, Ọ́fíìsì
látọ̀wọ́ Satoshi Fujinaka
Oníbàárà: Daijiro Yoshihara
Aṣẹ́gun Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ìkọ́lé
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #174571Àpẹrẹ Náà
Nípa Crossing Walls Ilé Gbígbé, Ọ́fíìsì
Crossing Walls jẹ́ ilé kan tí ó ṣàkópọ̀ ọ́fíìsì ní ilẹ̀ ìsàlẹ̀ pẹ̀lú ilé gbígbé ní ilẹ̀ òkè. Ògiri mẹ́ta tí ó ní ìrísí lẹ́tà L pínyà tí wọ́n sì fara wérawọn, a sì fọ́ ìrísí kúùbù ká láti dá àwọn àyè tí ó ṣí sílẹ̀ àti tí ó tì pa. Àwọn ògiri náà ní ìbáṣepọ̀ oníwọ̀ntúnwọ̀nsì pẹ̀lú àyíká, wọ́n ń jẹ́ kí ìmọ́lẹ̀ àti afẹ́fẹ́ wọlé nígbà tí a sì ń pa àṣírí mọ́. A gbèrò àwọn ipò fèrèsé láti ṣàkóso ìmọ́lẹ̀ oòrùn, ẹrù ooru àti àwọn ìran ìta. Àyè òfìfo kan tí ó ṣí sí ojú ọ̀run so inú ilé pọ̀ mọ́ ìta. Ìkọ́lé náà tẹ̀lé ọ̀nà ìkọ́lé onígi ìbílẹ̀ Japan lórí gíríìdì mílímítà 910, èyí tí ó dín ohun èlò kù tí a sì fi sílẹ̀ ní ṣíṣí payá.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Idẹ A' Design Award
Crossing Walls Ilé Gbígbé, Ọ́fíìsì jẹ́ olùborí Àmì-ẹ̀yẹ Idẹ A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe tó tayọ tí wọ́n yàtọ̀ nípasẹ̀ ìṣẹ̀dá, àrékérekè àti ọgbọ́n inú. Àwọn olùborí Idẹ jẹ́ àwọn ohun èlò tó ní ìjáfáfá gan-an tí wọ́n sì ní ìṣẹ̀dá tó yani lẹ́nu tí wọ́n ń ṣe ẹ̀rí ìrírí gbígbòòrò, ìrònú àti ọgbọ́n àwọn olùṣàwòṣe wọn. A retí pé Crossing Walls Ilé Gbígbé, Ọ́fíìsì yóò jẹ́ ohun tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó jẹ́ ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Idẹ A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ nínú iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ jọ, ó sì tayọ nítorí àfiyèsí rẹ̀ sí àwọn àlàyé kékeré. Crossing Walls Ilé Gbígbé, Ọ́fíìsì ń tẹ́ àwọn ohun tí a nílò lọ́rùn lọ́nà àgbàyanu, ó ń fọwọ́ kan àwọn ìfẹ́ inú, ó ń gbà ọkàn ó sì ń fa ìfẹ́ láti mọ̀ mọ́ra.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- We will try to solve the problem by manipulating the wall so that the office on the first floor and the life on the second floor, communication and privacy, can be compatible with each other.
The cube is disassembled and the three L shaped walls separate and intertwine with each other.
These three L shaped walls manipulate the open and closed spaces and maintain a moderate relationship with their surroundings.
Light and wind enter the building and begin to vaguely connect it to the outside. - Ìwọ̀n àti Àpò
- wooden Site area 176.34㎡ Total Floor area 138.37㎡ The wooden portion of the building was constructed with a 910mm x 910mm grid of pillar and beam pitches using Japanese conventional construction methods, which made the structural plan easy to understand, and also made cost and construction management easier to understand.
- Àwọn Àkọlé
- House , Oficce , Japan , Walls , Wood
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- The building uses a standard Japanese wooden structure with a span of 910 mm.
Most building materials in Japan follow this module, resulting in significant material and energy savings.
The wooden structure is shown in a cosmetic manner to pursue beauty and rationality. - Ìpèníjà Àpèsè
- While keeping the space needed by the client within a limited area and budget,
While considering the position of sunlight and adjusting the position of windows to control the heat load,
The window arrangement is planned to control the external line of sight and to create an ambiguous connection with the outside. - Ìwádìí
- The research for this project is divided into two themes.
The first is a study of how to maximize the natural environment and required space on a limited site area.
The second is to consider total cost management and cost management of each material within a limited budget.
How to solve these two themes in architecture is both an interesting and difficult challenge. - Ìmísí
- The planned site is a borderline location where new places and old places mix.
By opening the walls to the outside, the office tried to create appropriate and diverse relationships to maintain the community and revitalize the city.
The living space blends with the exterior space through the gaps in the walls while ensuring privacy and bringing light into the interior.
And by creating a void to the sky, the entire building breathes and releases its spirit to the sky. - Àkókò Iṣẹ́ Àkànṣe
- Design began in Hiroshima in 2022 and construction was completed in December 2024.
- Ìlànà Ìṣiṣẹ́
- This building was planned as a boundary between the newly developed environment in the newly rezoned area and the old shopping area, where the old and the new mix.
The project was planned to solve the problem of how to realize an architecture that allows people to feel close to nature while ensuring privacy, while reducing the environmental burden caused by recent climate change and improving the comfort performance of the building itself in such a location. - Àwọn Ọmọ Ẹgbẹ́
- Satoshi Fujinaka
- Ìfọwọ́sí Àwòrán
- Photo , Kenji Masunaga
Oníṣọwọ́
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