Fò lọ sí àkóónú
Frequency Iṣẹ́ Àkọ́kọ́: Ohun-ọ̀ṣọ́ Ilé láti ọwọ́ Sebastián Ángeles

Frequency Iṣẹ́ Àkọ́kọ́: Ohun-ọ̀ṣọ́ Ilé láti ọwọ́ Sebastián Ángeles jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2026 Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ohun-èlò Ilé.


FàdákàOhun-èlò Ilé· 2026

Frequency Iṣẹ́ Àkọ́kọ́: Ohun-ọ̀ṣọ́ Ilé

látọ̀wọ́ Sebastián Ángeles

Oníbàárà: Sebastián Ángeles

Aṣẹ́gun Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ohun-èlò Ilé

29,979

Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #174011

Àwọ̀

Àpẹrẹ Náà

Nípa Frequency Iṣẹ́ Àkọ́kọ́: Ohun-ọ̀ṣọ́ Ilé

Frequency jẹ́ àkójọpọ̀ ohun-ọ̀ṣọ́ ilé tí a ṣe ní iye tí ó lópin, tí ó ní àga ìsinmi, fìtílà, àga, àti tábìlì kékeré ẹ̀gbẹ́, tí ọ̀kọ̀ọ̀kan wọn jẹ́ àfọwọ́yàwòrán láti inú àwọn ìgbóhùn ohùn tí ó ní ìbátan pẹ̀lú ìwòsàn àti ìdọ́gba ìmọ̀lára. Tí a fi alúmínì dídán ṣe, àwọn ege náà ni a ṣe ní lílo àwọn ohun-èlò ìfojúrí ohùn àti àwòkọ́ṣe oní-nọ́mbà, lẹ́yìn náà a ṣe wọ́n nípasẹ̀ àwọn ọgbọ́n-ọnà dídá-irin ìbílẹ̀. Àkójọpọ̀ náà ń yí àwọn ìgbì ohùn tí a kò lè fọwọ́kàn padà sí àwọn àwòrán-ṣẹ̀dá tí a lè fọwọ́kàn, tí ó pe ìbáṣepọ̀ ìmọ̀lára àti ìsopọ̀ ọkàn.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Fàdákà A' Design Award

Frequency Iṣẹ́ Àkọ́kọ́: Ohun-ọ̀ṣọ́ Ilé jẹ́ olùborí Àmì-ẹ̀yẹ Fàdákà A' Design Award, ìdánimọ̀ onípọ̀nlé lọ́nà àrà ọ̀tọ̀ tí a fún àwọn àwòṣe ìpele gíga jùlọ tó dára tó sì ń kan ọkàn. Àwọn olùborí Fàdákà jẹ́ àwọn iṣẹ́ tó ń tàn yòò gidigidi tó sì ní ìṣẹ̀dá púpọ̀ tí wọ́n ń ṣàfihàn ìmọ̀ ìjìnlẹ̀, ẹ̀bùn àti ìmọ̀ràn àwọn olùṣàwòṣe wọn. A retí pé Frequency Iṣẹ́ Àkọ́kọ́: Ohun-ọ̀ṣọ́ Ilé yóò jẹ́ iṣẹ́ àgbàyanu, àpẹẹrẹ rere, ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun jinlẹ̀. Àwòṣe tó borí Àmì-ẹ̀yẹ Fàdákà A' Design Award yìí jẹ́ ohun ìmúṣẹ̀dá tó hàn gbangba gidigidi tí a mọrírì tó ń ṣe anfàní tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Frequency Iṣẹ́ Àkọ́kọ́: Ohun-ọ̀ṣọ́ Ilé jẹ́ ẹ̀dá tí ọ̀pọ̀lọpọ̀ ń ṣe ìlara, tó ń jí ìfẹ́ inú, tó ń mú ìmọ̀lára rere wá tó sì ń jí ìyàlẹ́nu àti ìyanu.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe
Frequency 2.0 fuses sound frequency aesthetics with sensory and emotional well-being. Featuring a lounge chair, lamp, chair, and side table, all crafted in polished aluminum, each piece reflects specific healing frequencies. The collection blends experimental design, artisanal tradition, and cutting-edge technology, creating sculptural objects that elevate emotional perception through tactile and visual resonance.
Ìwọ̀n àti Àpò
432Hz Lounge Chair: approx. 850 x 600 x 700 mm
741Hz Lamp: approx. 300 x 300 x 450 mm
396Hz Chair: approx. 760 x 550 x 530 mm
528Hz Side Table: approx. 470 x 180 x 210 mm
All pieces are made of aluminum and finished by hand.
Àwọn Àkọlé
Healing sound design, Emotional resonance furniture, Cymatics in design, Aluminum craftsmanship, Mexican design heritage, Ergonomic sculptural pieces, Limited edition furniture, Wellness and design, Sound visualization, Sensory furniture interaction
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
The Frequency collection is an experimental design proposal that combines art and functionality, drawing inspiration from sound frequencies to promote healing and well being. Using advanced technology, such as sound visualizers, the ergonomic shapes of the pieces were designed to adapt to the body, creating a balanced emotional and physical experience. The use of aluminum, crafted with artisanal techniques, not only highlights the tradition of pre Hispanic metallurgy enriched by Spanish influence but also explores the contemporary possibilities of this noble material. These limited edition sculptural objects stand out for their technical precision and their ability to bring a sense of calm and harmony to the spaces they inhabit. This innovative collection reflects a balance between tradition and technology, achieving unique furniture pieces that connect design with profound emotions and cultural heritage.
Ìpèníjà Àpèsè
The main challenge was materializing invisible sound frequencies into ergonomic and symbolic forms. Internally, the design had to balance cultural references and modern aesthetics. Externally, aluminum casting required precise execution to maintain both structural integrity and surface quality, blending experimental methods with traditional metalwork to achieve emotional resonance.
Ìwádìí
Experimental design research translated sound frequencies into visual and ergonomic forms using sound visualizers. Focused on emotional healing through interaction, the project mapped frequencies such as 432Hz and 741Hz into material patterns. Research participants reported enhanced sensory and emotional response. The study bridges aesthetics, psychology, and artisanal techniques for well-being through design.
Ìmísí
The idea is to explore how the intangible, like sound, can be transformed into a physical and perceptible form. Inspired by the transformative power of healing sound frequencies, Frequency 2.0 explores how resonance can be translated into physical form. Drawing from cymatics and spiritual acoustics, the project visualizes frequencies like 432Hz and 741Hz through sound visualizers, creating objects that channel emotional balance and clarity. The inspiration lies in creating emotional connections through sensory interaction and intentional form.
Àkókò Iṣẹ́ Àkànṣe
The project began in January 2024 and concluded in May 2025 in Mexico City. Frequency 2.0 was presented in June 2025 as a continuation of Sebastian Angeles’ exploration of the relationship between sound and matter.
Ìlànà Ìṣiṣẹ́
Each piece invites tactile and emotional interaction. The chairs’ ergonomic shapes adapt to the body, offering comfort and symbolic resonance. The lamp creates ambient calm through diffused light, while the side table’s surface evokes harmony. Aluminum amplifies sensory cues with subtle vibrations, reinforcing the connection between user, space, and sound-based intention.
Àwọn Ọmọ Ẹgbẹ́
Sebastian Angeles
Ìfọwọ́sí Àwòrán
Image #1: Photographer Sebastian Angeles, Frequency 2.0 Collection, 2025.
Image #2: Photographer Sebastian Angeles, Frequency 2.0 Collection, 2025.
Image #3: Photographer Sebastian Angeles, Frequency 2.0 Collection, 2025.
Image #4: Photographer Sebastian Angeles, Frequency 2.0 Collection, 2025.
Image #5: Photographer Sebastian Angeles, Frequency 2.0 Collection, 2025.

Oníṣọwọ́

Ṣàwárí Ju Designers.org Lọ

Ṣàwárí àwọn ọjà, iṣẹ́ àti àǹfààní láti ọ̀dọ̀ àwọn alábàáṣe ìpolówó wa.

Díẹ̀ Síi Láti Ṣàwárí

Àwọn Àpẹrẹ Tó Jọra

Ṣàwárí àwọn àpẹrẹ mìíràn tó gba àmì ẹ̀yẹ nínú ẹ̀ka kan náà, tí a yàn nípasẹ̀ ìyege.

Àpèsè Dídára Tọ́sí Ìmọ̀yìn Ńlá

A' Design Award jẹ́ àmì ẹ̀yẹ àgbáyé tí àwọn onídàjọ́ ń fúnni fún àpèsè dídára. Kópa nínú A' Design Award láti ní àǹfààní láti gba ìmọ̀yìn tí o tọ́sí, gba òkìkí, ọlá àti ìpolówó fún iṣẹ́ rẹ. Yan iṣẹ́ rẹ fún A' Design Award kí o sì dije fún ẹ̀bùn A' Design Prize tó gbajúmọ̀.

Yan