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Akhalteke Àga Ìsinmi láti ọwọ́ Amin Mohammadyari

Akhalteke Àga Ìsinmi láti ọwọ́ Amin Mohammadyari jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2025 Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ohun-èlò Ilé.


IdẹOhun-èlò Ilé· 2025

Akhalteke Àga Ìsinmi

látọ̀wọ́ Amin Mohammadyari

Aṣẹ́gun Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ohun-èlò Ilé

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #170027

Àwọ̀

Àpẹrẹ Náà

Nípa Akhalteke Àga Ìsinmi

Akhalteke ń pèsè ìrírí ìjókòó tó yàtọ̀, tó ń jí ìmọ̀lára gígun ẹṣin nígbà àkọ́kọ́ sókè. Ní lílo ìrírí gígun ẹṣin tí olùṣàpẹrẹ náà ní nígbà ọmọdé àti ìfẹ́ ńláńlá rẹ̀ sí ètò ara ẹṣin gẹ́gẹ́ bí ohun ìṣírí, àpẹrẹ náà fi ìbáṣepọ̀ ọ̀nà méjì sílẹ̀ láàárín olùmúlò àti ìrírí wọn. Ní lílo ìjókòó ẹṣin, ọ̀kan lára àwọn ìrísí ìjókòó ìjímìjí ènìyàn, Akhalteke da ìtùnú àga ìsinmi pọ̀ mọ́ kókó pàtàkì gígun ẹṣin. Orúkọ náà wá láti ọwọ́ Akhalteke, irú ẹṣin Turkmen, tó ń ṣàfihàn ìṣírí àti ìrísí oníyívo àpẹrẹ náà.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Idẹ A' Design Award

Akhalteke Àga Ìsinmi jẹ́ olùborí Àmì-ẹ̀yẹ Idẹ A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe tó tayọ tí wọ́n yàtọ̀ nípasẹ̀ ìṣẹ̀dá, àrékérekè àti ọgbọ́n inú. Àwọn olùborí Idẹ jẹ́ àwọn ohun èlò tó ní ìjáfáfá gan-an tí wọ́n sì ní ìṣẹ̀dá tó yani lẹ́nu tí wọ́n ń ṣe ẹ̀rí ìrírí gbígbòòrò, ìrònú àti ọgbọ́n àwọn olùṣàwòṣe wọn. A retí pé Akhalteke Àga Ìsinmi yóò jẹ́ ohun tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó jẹ́ ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Idẹ A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ nínú iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ jọ, ó sì tayọ nítorí àfiyèsí rẹ̀ sí àwọn àlàyé kékeré. Akhalteke Àga Ìsinmi ń tẹ́ àwọn ohun tí a nílò lọ́rùn lọ́nà àgbàyanu, ó ń fọwọ́ kan àwọn ìfẹ́ inú, ó ń gbà ọkàn ó sì ń fa ìfẹ́ láti mọ̀ mọ́ra.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe
In the design of Akhal-Teke, my goal was to create a unique sitting experience, one that evokes the feeling we all had the first time we rode a horse. Akhal-Teke establishes a two-way interaction with the user and their experience, offering a distinctive way of sitting that the user willingly embraces.
This eagerness to experience and accept is inspired by the Form of Akhal-Teke.
Ìwọ̀n àti Àpò
Width 770mm x Depth 855mm x Height 720mm.
Àwọn Àkọlé
Conceptual, Lounge Chair, Lounge, Chair, Horse, Saddle
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
For the construction of Akhal-Teke, bio-composites made from hemp or flax fibers and PLA bio-resin were considered. This combination enabled the creation of a high-quality final form with desirable finishes while offering a sustainable alternative to traditional composites like fiberglass and carbon fiber.

At the same time, these materials not only promote environmental responsibility but also reinforce a natural connection to their inspiration.
Ìpèníjà Àpèsè
The primary challenge in the design process was to create a two-way experience in the act of sitting, such that the object (seat) and the subject (user) engage in a dialectical interaction with one another, transforming sitting from a passive state into an active one and allowing for a fresh understanding of the sitting experience.

The next significant challenge was to achieve a form that simultaneously incorporates both aesthetics and functionality. The design was not intended to directly reference the anatomy of a horse. Rather, the goal was to establish a subtle connection to the experience of sitting, enabling users to intuitively connect with it without relying on direct or obvious visual cues.
Ìwádìí
The horse, one of the first domesticated animals by humans, has a deep-rooted history with mankind. Our ancestors spent a significant amount of time riding, and thus, the way of sitting on a horse became one of the most common sitting postures. In the design of Akhal-Teke, the aim is to revive this sitting posture and bring it into everyday human life; a way of sitting that is likely embedded in our historical memory and DNA.
On the other hand, in considering materials for Akhal-Teke, thorough research was conducted to ensure that sustainable and environmentally friendly options were taken into account. In this regard, the material identity chosen for Akhal-Teke is aligned with the core identity of its design.
Ìmísí
The design is inspired by my childhood experiences of horseback riding and my fascination with equine anatomy.

As a design student, I was drawn to the idea that saddles represent some of humanity's earliest forms of seating, dating back to the domestication of horses.

Through this design, I sought to capture the feel of both a lounge chair and the riding experience, creating a form that evokes those dual inspirations.

The name Akhal-Teke is derived from a breed of Turkmen horses.
Àkókò Iṣẹ́ Àkànṣe
the project started in September 2023 in Tehran and finished in September 2024.
Ìlànà Ìṣiṣẹ́
The Akhal-Teke is inspired by the elegance of the anatomy of the Akhal-Teke breed of Turkmen horses, striving to go beyond its purely functional concept and becoming an object with identity in space, much like a noble horse.

As a chair, Akhal-Teke offers a unique sitting experience, evoking the feeling of riding a horse for the first time. Its form creates a two-way interaction with the user, encouraging a distinctive way of sitting that is eagerly embraced.

This eagerness stems from the form of the Akhal-Teke.

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