The Ori Iṣeto Inu Ile Ibugbe láti ọwọ́ Zouii Design jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2025 Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àyà Inú Ilé àti Ibi Àfihàn.
IdẹInú Ilé· 2025
The Ori Iṣeto Inu Ile Ibugbe
látọ̀wọ́ Zouii Design
Oníbàárà: Zouii Design
Aṣẹ́gun Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Inú Ilé
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #168797Àpẹrẹ Náà
Nípa The Ori Iṣeto Inu Ile Ibugbe
Ori jẹ iṣeto inu ile ibugbe fun ile pẹpẹ kan ti 112.3 mita onigun mẹrin ni Taiwan. Ile naa ni yara sisun mẹta, yara alejo, agbegbe jijẹun ati yara wẹwẹ meji. Ìmọ́lẹ̀ ni ó ń darí ìlànà ilé náà. Fitila àdàgbo ti Japan kan ṣàmì sí ẹnu-ọ̀nà, àwọn fèrèsé láti ilẹ̀ dé àjà ṣe àwòrán Odò Yanshuei, àti àjà tí a wọ̀ ní pẹpẹ tí ó gé wọ́ ń darí ìmọ́lẹ̀ sí agbegbe jijẹun. Àjà wíwọ̀ yìí náà tún fi àwọn pákó omi tábà ilé ọ̀dọ̀ pamọ́ nígbà tí ó sì ń pa gíga yàrá náà mọ́. Àwọn ògiri ni a ṣe pẹ̀lú kun ohun àlùmọ́nì funfun wàrà, àti àwọn àlẹ̀ amọ̀ tí a hun ní àwòrán ẹ̀gbọ́n bo ilẹ̀ ẹnu-ọ̀nà. Yara ìpamọ́ méjì rọ́pò àwọn kọ̀ọ̀bà tí a fi kọ́ mọ́lẹ̀.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Idẹ A' Design Award
The Ori Iṣeto Inu Ile Ibugbe jẹ́ olùborí Àmì-ẹ̀yẹ Idẹ A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe tó tayọ tí wọ́n yàtọ̀ nípasẹ̀ ìṣẹ̀dá, àrékérekè àti ọgbọ́n inú. Àwọn olùborí Idẹ jẹ́ àwọn ohun èlò tó ní ìjáfáfá gan-an tí wọ́n sì ní ìṣẹ̀dá tó yani lẹ́nu tí wọ́n ń ṣe ẹ̀rí ìrírí gbígbòòrò, ìrònú àti ọgbọ́n àwọn olùṣàwòṣe wọn. A retí pé The Ori Iṣeto Inu Ile Ibugbe yóò jẹ́ ohun tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó jẹ́ ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Idẹ A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ nínú iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ jọ, ó sì tayọ nítorí àfiyèsí rẹ̀ sí àwọn àlàyé kékeré. The Ori Iṣeto Inu Ile Ibugbe ń tẹ́ àwọn ohun tí a nílò lọ́rùn lọ́nà àgbàyanu, ó ń fọwọ́ kan àwọn ìfẹ́ inú, ó ń gbà ọkàn ó sì ń fa ìfẹ́ láti mọ̀ mọ́ra.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- This project's design strategy forgoes strict stylistic constraints, instead weaving a spatial language imbued with the patina of time, inspired by the homeowner's love for European vintage furniture. By balancing the tranquility of Japanese aesthetics with Scandinavian simplicity, the space merges historical depth with contemporary sensibilities. Light plays a key role: a Japanese pendant defines the entrance, floor-to-ceiling windows frame the Yanshuei River, and a curved ceiling guides illumination toward the dining area. The layout was reimagined by swapping the TV and sofa, enhancing flexibility for future adaptations.
- Ìwọ̀n àti Àpò
- The site spans 112.3 square meters, featuring three bedrooms, a living room, a dining area, and two bathrooms. To enhance flexibility, the design team reduced the study's size, allowing it to function as a guest or children's room in the future. The dining table was repositioned into the social area, making it a central hub for family activities rather than a separate space. Additionally, two independent storage rooms replaced fixed cabinetry, ensuring ample storage while preserving openness and spatial fluidity, creating a more adaptable and harmonious living environment.
- Àwọn Àkọlé
- Light Tone, Light and Shadow, Subtractive Design, Eco-friendly Building Materials, Open Plan, Reduced Design.
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- The project's material selection focuses on natural textures and a composed aesthetic, using low-saturation tones to highlight the depth of time. The walls feature mineral paint in a milky white hue with gray undertones, creating a refined yet warm visual experience. Serpentine-patterned ceramic tiles in the entrance mimic natural stone veining, fostering a tranquil yet intricate transition. Wood and zebra patterns introduce a striking yet balanced contrast, enhancing the space with meticulous detailing. Through these elements, the design achieves a harmonious blend of subtle texture and visual depth.
- Ìpèníjà Àpèsè
- The greatest technical challenge of this project lay in the complexity of the kitchen's piping system. Originally, multiple pipelines were dispersed across the kitchen ceiling, requiring the design team to balance the need for concealment with the preservation of a sense of height. Ultimately, by incorporating curved ceiling elements, the design successfully minimized the visual impact of the piping. The seamless circulation, combined with a comfortable ceiling height, further enhanced the spatial fluidity.
- Ìwádìí
- This project's design concept emphasizes 'the narrative of light and shadow' and 'subtractive design,' achieving a balance between functionality and poetic expression. Furniture revolves around the homeowner's antique European collection, seamlessly blending with Scandinavian simplicity to evoke historical warmth and modern refinement. The dining area reinforces this philosophy, using a composed backdrop that allows furnishings to shape the living narrative. By integrating light, materials, and circulation, the design crafts a space that transcends mere form, creating a harmonious and immersive experience.
- Ìmísí
- A home is more than its structure and layout; it is a dynamic space filled with personal memories and emotions. This project's design concept revolves around the interplay of light, materials, and spatial flow, shaping an environment that reflects the resident's unique character. Named 'Ori,' meaning 'light' in Hebrew, the project symbolizes the fluidity of daily life illuminated by light. Envisioned in 2022, The Ori was designed as a sanctuary where light, shadow, people, and objects engage in a continuous dialogue, fostering harmony and an ever-evolving living experience.
- Àkókò Iṣẹ́ Àkànṣe
- The project finished in January 2024 in Taiwan.
- Ìlànà Ìṣiṣẹ́
- Six months after completion, a follow-up visit revealed that the homeowner had already begun adjusting the furniture layout, responding to natural light, mood, and daily needs to create a more personalized living space. They praised the storage room design, noting its flexibility exceeded expectations by enhancing storage efficiency while maintaining visual simplicity. With clutter neatly organized, natural light flowed more freely, enriching the home's ambiance. This evolving interaction between space and inhabitant affirmed the design's success in fostering adaptability and harmony in daily life.
- Àwọn Ọmọ Ẹgbẹ́
- Ching-Yi Lin, Hsien-Ming Hsu, Yi-Hong Tsai, Hsiu-Ting Hsieh
- Ìfọwọ́sí Àwòrán
- Uncolored Studio
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