Goldwin Headquarters Ẹya Inú Ọ́fíìsì láti ọwọ́ Good Place and Maf jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2025 Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àyà Inú Ilé àti Ibi Àfihàn.
FàdákàInú Ilé· 2025
Goldwin Headquarters Ẹya Inú Ọ́fíìsì
látọ̀wọ́ Good Place and Maf
Aṣẹ́gun Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Inú Ilé
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #165662Àpẹrẹ Náà
Nípa Goldwin Headquarters Ẹya Inú Ọ́fíìsì
Iṣẹ́-àgbékalẹ̀ ọ́fíìsì àkọ́kọ́ ilé-iṣẹ́ Goldwin, ilé-iṣẹ́ tí ó ń ṣàgbékalẹ̀ àwọn àmì-ìṣòwò àgbáyé bíi The North Face, ti mú àyè ọ́fíìsì tí ó jọ̀kan tí ó tó mítà onígun-mẹ́rin 6,000 wá. Àyè tuntun yìí ń ṣiṣẹ́ bí pẹpẹ fún ìbánisọ̀rọ̀ àti bí ipilẹ̀ṣẹ̀ fún ìgbòòrò àgbáyé Goldwin. Ní ìbámu pẹ̀lú ìfaramọ́ ilé-iṣẹ́ náà sí òtítọ́, àwọn ohun èlò àdáyébá nìkan ni a ti lọ fún gbogbo ohun èlò ìparí. Èrò àpẹẹrẹ náà ń rò ìṣọ̀kan tí ó múra-dọ́gba ti àwọn ilẹ̀ mẹ́fà sínú ẹyọ kan ṣoṣo, bí igi kan, tí ń ṣẹ̀dá ètò àyè àdáyébá pẹ̀lú àwọn ìṣàfihàn ọ̀tọ̀ọ̀tọ̀ lórí ilẹ̀ kọ̀ọ̀kan.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Fàdákà A' Design Award
Goldwin Headquarters Ẹya Inú Ọ́fíìsì jẹ́ olùborí Àmì-ẹ̀yẹ Fàdákà A' Design Award, ìdánimọ̀ onípọ̀nlé lọ́nà àrà ọ̀tọ̀ tí a fún àwọn àwòṣe ìpele gíga jùlọ tó dára tó sì ń kan ọkàn. Àwọn olùborí Fàdákà jẹ́ àwọn iṣẹ́ tó ń tàn yòò gidigidi tó sì ní ìṣẹ̀dá púpọ̀ tí wọ́n ń ṣàfihàn ìmọ̀ ìjìnlẹ̀, ẹ̀bùn àti ìmọ̀ràn àwọn olùṣàwòṣe wọn. A retí pé Goldwin Headquarters Ẹya Inú Ọ́fíìsì yóò jẹ́ iṣẹ́ àgbàyanu, àpẹẹrẹ rere, ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun jinlẹ̀. Àwòṣe tó borí Àmì-ẹ̀yẹ Fàdákà A' Design Award yìí jẹ́ ohun ìmúṣẹ̀dá tó hàn gbangba gidigidi tí a mọrírì tó ń ṣe anfàní tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Goldwin Headquarters Ẹya Inú Ọ́fíìsì jẹ́ ẹ̀dá tí ọ̀pọ̀lọpọ̀ ń ṣe ìlara, tó ń jí ìfẹ́ inú, tó ń mú ìmọ̀lára rere wá tó sì ń jí ìyàlẹ́nu àti ìyanu.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- This project incorporates traditional Japanese techniques, such as plastering, mud walls and borrowed scenery, and uses natural materials for all finishing materials. This approach reflects a sincere commitment to authenticity. The use of plastering for floor and furniture finishes demonstrates a respect for craftsmanship. Additionally, the integration of the interior with the outdoors creates a sense of openness and harmony with the surrounding environment.
- Ìwọ̀n àti Àpò
- 41500mm×55400mm×21185mm
- Àwọn Àkọlé
- Office, Office Interior, Workplace, Workspace, OfficeDesign
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- The entrance features a textured rammed earth finish layered horizontally and irregularly shaped natural stones that express a vibrant and powerful sense of life, contrasting with the linear ceiling lighting and stone materials. Some floors feature abundant wood to promote comfort, while others showcase a minimalist design with exposed base materials like LGS, resulting in a diverse office environment.
- Ìpèníjà Àpèsè
- The primary challenge was in utilizing these non-uniform natural materials effectively. Through a detailed examination of the touch, shape, and texture of the materials, we ensured that the final product met the highest standards of fit and warmth. We meticulously arranged the veneer, cut from the same tree in the order it was harvested, to ensure a cohesive piece. Another challenge was creating a cohesive look while reusing over 80% of the furniture collected from various offices.
- Ìwádìí
- Through site visits to client stores and labs, we gained insight into the brand's philosophy by observing the production process. Field research was conducted on the surrounding environment and the movement of passersby, considering the view of the office from Aoyama Street as a tool for brand communication. Additionally, 3D rendering tools were employed to present images to the client, facilitating discussions to ensure there was no discrepancy.
- Ìmísí
- Goldwin's design incorporates 3 brand concepts: "Life with Nature," "Do More with Less," and "Dedication to Detail." These concepts encourage a sense of unity with nature and the development of shared values, promote new ideas born from minimalism, and emphasize uncompromising attention to materials and details, respectively. Based on these ideas, the design imagines a "strongly growing tree" throughout 6 floors, changing the spatial composition on each floor to create a creative space.
- Àkókò Iṣẹ́ Àkànṣe
- The project started in March 2023 and finished in May 2024 in Tokyo, Japan
- Ìlànà Ìṣiṣẹ́
- The office has been designed to incorporate features specialized for the use of each floor, with the aim of accommodating the diverse tasks of employees. The press room and coworking space are located adjacent to each other to facilitate seamless and lively communication. The upper floors feature a minimalist interior design and highly adaptable furnishings, fostering an environment conducive to creative discussions.
- Àwọn Ọmọ Ẹgbẹ́
- Designer: Saori Takata(GOOD PLACE)
Designer: Ryota Unno(GOOD PLACE)
Designer: Toshiya Maekawa(Maf)
PM: Yosuke Kunii(GOOD PLACE)
PM: Haruna Kageyama(GOOD PLACE) - Ìfọwọ́sí Àwòrán
- Photographer: Keiko Chiba (Nacasa & Partners)
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