Holy Sky Apẹrẹ Inu Ile Ibugbe láti ọwọ́ Jyun Shen Zeng jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2025 Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àyà Inú Ilé àti Ibi Àfihàn.
IdẹInú Ilé· 2025
Holy Sky Apẹrẹ Inu Ile Ibugbe
látọ̀wọ́ Jyun Shen Zeng
Oníbàárà: Kensing Interior Design
Aṣẹ́gun Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Inú Ilé
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #164377Àpẹrẹ Náà
Nípa Holy Sky Apẹrẹ Inu Ile Ibugbe
Ọrun Mimọ jẹ apẹrẹ inu ile ibugbe ti a ṣẹda fun idile Onigbagbọ kan ni Taiwan. Ile mita mẹrindinlogun ọgọrun (130) yìí lo awọn ila aala ilẹ̀ láti ṣàpèjúwe ògiri tẹlifíṣàn àti agbègbè ìjókòó, tí ó gbòòrò dé ògiri láti dá àwòrán tí ó jọ àgbélébùú. Ìmọ́lẹ̀ àjà fi hàn bí ìtànṣán ìmọ́lẹ̀ ń sọ̀kalẹ̀ láti òkè wá, tí ó sì ń pàdé ní ọ̀nà abẹ́lẹ̀ àyíká tí ó so àwọn ilẹ̀kùn mẹ́ta pọ̀. Ìlànà ṣíṣí kan so àwọn agbègbè náà pọ̀ tí ó sì mú kí lílo àyè náà gbòòrò sí i. Àwọn ohun èlò àti àwọ̀ tí ó jọra ni a lò sí àwọn ojú-ilẹ̀ láti dá odidi kan tí ó bára mu papọ̀. Àwọ̀ ewé tí ó le koro àti àwọn ẹ̀rọ ìtọ́jú tí ó ṣe é yí padà dín ìjẹ́rí ọjọ́ iwájú kù.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Idẹ A' Design Award
Holy Sky Apẹrẹ Inu Ile Ibugbe jẹ́ olùborí Àmì-ẹ̀yẹ Idẹ A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe tó tayọ tí wọ́n yàtọ̀ nípasẹ̀ ìṣẹ̀dá, àrékérekè àti ọgbọ́n inú. Àwọn olùborí Idẹ jẹ́ àwọn ohun èlò tó ní ìjáfáfá gan-an tí wọ́n sì ní ìṣẹ̀dá tó yani lẹ́nu tí wọ́n ń ṣe ẹ̀rí ìrírí gbígbòòrò, ìrònú àti ọgbọ́n àwọn olùṣàwòṣe wọn. A retí pé Holy Sky Apẹrẹ Inu Ile Ibugbe yóò jẹ́ ohun tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó jẹ́ ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Idẹ A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ nínú iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ jọ, ó sì tayọ nítorí àfiyèsí rẹ̀ sí àwọn àlàyé kékeré. Holy Sky Apẹrẹ Inu Ile Ibugbe ń tẹ́ àwọn ohun tí a nílò lọ́rùn lọ́nà àgbàyanu, ó ń fọwọ́ kan àwọn ìfẹ́ inú, ó ń gbà ọkàn ó sì ń fa ìfẹ́ láti mọ̀ mọ́ra.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- We created a symbol of Jesus’s arrival within the space, using floor boundary lines to define the TV wall and living area, extending all the way to the wall to form a cross-like image.
The surrounding ceiling lighting resembles rays of light pouring down from the heavens, converging in a circular corridor that seamlessly connects the three doors, creating a unique atmosphere within the space. - Ìwọ̀n àti Àpò
- This space is 130 square meters.
- Àwọn Àkọlé
- sacred,continue,light,arc,cross,natural
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- In the future, environmental protection on Earth will be a necessary consideration. Therefore, green materials were chosen for the paint.
Durability was also taken into account to reduce the need for repeated applications and minimize waste.
For the cabinetry, flexible designs were used, allowing for adaptability in future updates or space innovations.
This ensures that the cabinets can be continuously reused, reducing environmental waste and enhancing the potential for green materials and recycling. - Ìpèníjà Àpèsè
- In use, we need to consider different age groups, as their reach and habits vary. Therefore, we designed everything with ease of access and convenience in mind.
Whether it's the simple and intuitive color schemes or the natural flow of movement within the space, everything is aimed at improving the usability and functionality of the environment for users. - Ìwádìí
- In our spatial design, we considered how to use the most efficient method to maximize the space's benefits without wasting any small areas, while also ensuring the overall aesthetics create a pleasant experience for users.
We used an open-plan layout to establish spatial connections and expanded space usage by overlapping areas. As a result, we created a comfortable living environment and enhanced interaction for multiple users within the same space. - Ìmísí
- We drew inspiration for the design from Christianity. Since the users are a devout Christian family, we envisioned rays of light descending from heaven and the imagery of the cross, as well as using simple materials to shape the overall design in terms of form, color, and texture.
We also incorporated layers of light and shadow from the heavenly light, creating a sacred, simple, and natural spatial environment. - Àkókò Iṣẹ́ Àkànṣe
- Start in Taiwan in January 2024 and complete in Taiwan in September 2024
- Ìlànà Ìṣiṣẹ́
- We used similar materials and colors for the various surface finishing needs. Whether it's the special paint for the TV wall, the cabinet doors in the entryway, or the flooring materials, everything is matched under the same theme.
This approach creates maximum harmony in the overall space, allowing each area to feel coordinated within the entire environment.
This, in turn, draws the user's attention and enhances their satisfaction with the space. - Àwọn Ọmọ Ẹgbẹ́
- Director JYUN SHEN ZENG
- Ìfọwọ́sí Àwòrán
- Chen Yun Chi，Holy，2024
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