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Tamrin Space Ile-asa Aṣa láti ọwọ́ Bahador Kashani Madani

Tamrin Space Ile-asa Aṣa láti ọwọ́ Bahador Kashani Madani jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2025 Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àyà Inú Ilé àti Ibi Àfihàn.


IdẹInú Ilé· 2025

Tamrin Space Ile-asa Aṣa

látọ̀wọ́ Bahador Kashani Madani

Oníbàárà: Tamrin Space

Aṣẹ́gun Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Inú Ilé

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #164128

Àwọ̀

Àpẹrẹ Náà

Nípa Tamrin Space Ile-asa Aṣa

Ilana apẹrẹ naa dojukọ lati mu anfani pipe ti ile ti o wa tẹlẹ jade, ti o ṣe deede pipin aaye pẹlu awọn ibeere onibara, ati mu iṣẹ ṣiṣe pọ si. Nipa ṣiṣe ayẹwo wiwọle, iwo, ati awọn oju iwo ni pẹkipẹki, ilana naa n funni ni gbigbe ti o rọrun nipasẹ awọn agbegbe oriṣiriṣi lakoko ti o npese awọn aaye fun idaduro ati ibaraenisepo. Wiwọle fun awọn alaabo, pẹlu imọlẹ adayeba ati ẹmi afẹfẹ, jẹ pataki lati ṣẹda agbegbe itẹwọgba ati ti o gba gbogbo eniyan. Apẹrẹ ikẹhin darapọ ẹwa pẹlu iṣẹ ṣiṣe, ti o funni ni aaye iṣọkan ati oniruuru.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Idẹ A' Design Award

Tamrin Space Ile-asa Aṣa jẹ́ olùborí Àmì-ẹ̀yẹ Idẹ A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe tó tayọ tí wọ́n yàtọ̀ nípasẹ̀ ìṣẹ̀dá, àrékérekè àti ọgbọ́n inú. Àwọn olùborí Idẹ jẹ́ àwọn ohun èlò tó ní ìjáfáfá gan-an tí wọ́n sì ní ìṣẹ̀dá tó yani lẹ́nu tí wọ́n ń ṣe ẹ̀rí ìrírí gbígbòòrò, ìrònú àti ọgbọ́n àwọn olùṣàwòṣe wọn. A retí pé Tamrin Space Ile-asa Aṣa yóò jẹ́ ohun tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó jẹ́ ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Idẹ A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ nínú iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ jọ, ó sì tayọ nítorí àfiyèsí rẹ̀ sí àwọn àlàyé kékeré. Tamrin Space Ile-asa Aṣa ń tẹ́ àwọn ohun tí a nílò lọ́rùn lọ́nà àgbàyanu, ó ń fọwọ́ kan àwọn ìfẹ́ inú, ó ń gbà ọkàn ó sì ń fa ìfẹ́ láti mọ̀ mọ́ra.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe
The architecture of the Tamrin Space encompasses everything that embodies value and authenticity, acknowledging that nothing lasts forever and nothing is ever complete. The design seeks to create an environment where the details are precise and hidden, appreciating the subtle beauty that exists in the simplicity and authenticity of the elements.The final plan was developed by considering access, views, and vistas, as well as spaces for pauses and divisions, accessibility for disabled individua
Ìwọ̀n àti Àpò
Total Land Area: 365 sqm
Area of Construction: 525 sqm
Àwọn Àkọlé
Persian, Modern, Music, Theater, performance, Handmade Tile, Cafe,
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
One of the most significant changes made to the building was the introduction of natural light into the center of
the structure through a skylight on the roof and the creation of a full-height void from the roof to the ground floor.
This void, featuring a glass floor on the second level and open with a glass railing on the first level, directs light to
the garden situated beneath the void. As a result, all areas of this project benefit from natural light. In the design
of new volumes and elements, such as the central garden on the ground floor, the layout of the café tiles, and the
restrooms, inspiration was drawn from the existing shapes and elements of the building. The volumes that form
the café counters, reception counters, and library were all made from plaster, designed to appear as if they
emerged from the walls themselves. A meticulous and restrained use of materials in various sections, along with
efforts to restore and repair the existing elements of the building, aimed to preserve its authenticity and identity.
Ìpèníjà Àpèsè
A significant amount of time was spent on reinforcing the building's structure. On the foundation, bending bars combined with concrete beams created a unified foundation system, which was connected to the existing structure using dowel bars. Additionally, considering the moisture in the foundation and to prevent rising damp in the building's walls, a drainage channel (drainage trench) was installed in front of the foundation. All walls, floors, and ceilings were reinforced and strengthened. Two shear walls were added to the structural system in the east-west direction, and three shear walls were added in the north-south direction.
Ìwádìí
One of the most significant changes made to the building was the introduction of natural light into the center of the structure through a skylight on the roof and the creation of a full-height void from the roof to the ground floor. This void, featuring a glass floor on the second level and open with a glass railing on the first level, directs light to the garden situated beneath the void. As a result, all areas of this project benefit from natural light. In the design of new volumes and elements, such as the central garden on the ground floor, the layout of the café tiles, and the restrooms, inspiration was drawn from the existing shapes and elements of the building. The volumes that form the café counters, reception counters, and library were all made from plaster, designed to appear as if they emerged from the walls themselves. A meticulous and restrained use of materials in various sections, along with efforts to restore and repair the existing elements of the building, aimed to preserve its authenticity and identity. Even in areas where imperfections were left intentionally untouched, the building's original character was maintained. The age and passage of time were showcased by revealing the brickwork of the vaulted ceilings and the soot-stained bricks along the old chimney route. Alongside the library window, which benefited from controlled light due to the proximity of a mature mulberry tree in the yard, a cozy space for sitting and reading was created.
Ìmísí
The project's client had a clear and defined vision of the desired space even before selecting the project building. They described this space as follows: Tamrin Space is the dream of having an independent house for a group of music and theater artists. It’s about enjoying working together and engaging in artistic activities in a space meticulously designed and prepared for such experiences.
Àkókò Iṣẹ́ Àkànṣe
The design of project started in December 2020 in Tehran and construction is finished in November 2022 in Tehran.
Ìlànà Ìṣiṣẹ́
The outcome of this project is a dynamic and multifunctional space that aligns perfectly with the activities taking place within it. On the other hand, a valuable house in one of Tehran's cultural neighborhoods has been properly restored and renovated, enabling it to continue its life for many more years. The building’s proximity to significant cultural and artistic centers, such as the City Theater and Roudaki Hall, is in complete harmony with its function, and it can serve as an inspiring example for other buildings in the area that are threatened with demolition.
Ìfọwọ́sí Àwòrán
Image #1: Photographer Mohammad Hasan Ettefagh
Image #2: Photographer Mohammad Hasan Ettefagh
Image #3: Photographer Mohammad Hasan Ettefagh
Image #4: Photographer Mohammad Hasan Ettefagh

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