Shanghai Wzt Aristo Pavilion Àgbékalẹ̀ Inú Ilé fún Ìfihàn Àṣà láti ọwọ́ Shanghai Wei Design Co. Ltd jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2024 Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àyà Inú Ilé àti Ibi Àfihàn.
FàdákàInú Ilé· 2024
Shanghai Wzt Aristo Pavilion Àgbékalẹ̀ Inú Ilé fún Ìfihàn Àṣà
látọ̀wọ́ Shanghai Wei Design Co. Ltd
Oníbàárà: Shanghai Wei Design Co..Ltd
Aṣẹ́gun Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Inú Ilé
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #161196Àpẹrẹ Náà
Nípa Shanghai Wzt Aristo Pavilion Àgbékalẹ̀ Inú Ilé fún Ìfihàn Àṣà
Shanghai Wzt Aristo Pavilion jẹ́ àgbékalẹ̀ inú ilé fún ìfihàn àṣà tí ó gba mítà onígun mẹ́rin 600 ní Àgbègbè Xuhui, Shanghai. Àgbékalẹ̀ náà ń gbé àṣà ìbílẹ̀ Ṣáínà lárugẹ, ó sì fa àwòkọ́ṣe rẹ̀ láti ara iṣẹ́ ilé kíkọ́ Huizhou ti agbègbè Jiangnan ní Ṣáínà. Àwọn ìtì àti òpó ilé, tí wọ́n jẹ́ ohun ìgbérù ilé nìkan tẹ́lẹ̀, ni a tún lò tí a sì fi hàn gẹ́gẹ́ bí àwọn ohun pàtàkì àárín gbùngbùn inú ilé náà. Àwọn ìsàlẹ̀ òpó ni a gbẹ́ pẹ̀lú ọgbọ́n gbígbẹ́ òkúta Huizhou, tí ó ń fi plọ́mù, ọ́kídì, ọ̀pá igi oparun àti krisáńtémù hàn gẹ́gẹ́ bí àwọn àsìkò mẹ́rin ọdún. Tábìlì gígùn tí ó rọrùn pẹ̀lú àwọn pátákó akiriliki tí ó hàn kedere so àwọn ohun ìgbàlódé àti ti ìbílẹ̀ pọ̀.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Fàdákà A' Design Award
Shanghai Wzt Aristo Pavilion Àgbékalẹ̀ Inú Ilé fún Ìfihàn Àṣà jẹ́ olùborí Àmì-ẹ̀yẹ Fàdákà A' Design Award, ìdánimọ̀ onípọ̀nlé lọ́nà àrà ọ̀tọ̀ tí a fún àwọn àwòṣe ìpele gíga jùlọ tó dára tó sì ń kan ọkàn. Àwọn olùborí Fàdákà jẹ́ àwọn iṣẹ́ tó ń tàn yòò gidigidi tó sì ní ìṣẹ̀dá púpọ̀ tí wọ́n ń ṣàfihàn ìmọ̀ ìjìnlẹ̀, ẹ̀bùn àti ìmọ̀ràn àwọn olùṣàwòṣe wọn. A retí pé Shanghai Wzt Aristo Pavilion Àgbékalẹ̀ Inú Ilé fún Ìfihàn Àṣà yóò jẹ́ iṣẹ́ àgbàyanu, àpẹẹrẹ rere, ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun jinlẹ̀. Àwòṣe tó borí Àmì-ẹ̀yẹ Fàdákà A' Design Award yìí jẹ́ ohun ìmúṣẹ̀dá tó hàn gbangba gidigidi tí a mọrírì tó ń ṣe anfàní tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Shanghai Wzt Aristo Pavilion Àgbékalẹ̀ Inú Ilé fún Ìfihàn Àṣà jẹ́ ẹ̀dá tí ọ̀pọ̀lọpọ̀ ń ṣe ìlara, tó ń jí ìfẹ́ inú, tó ń mú ìmọ̀lára rere wá tó sì ń jí ìyàlẹ́nu àti ìyanu.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- The interior design of Aristo Mansion, committed to promoting the exchange of traditional Chinese culture, distinguishes itself from the conventional neo-Chinese design style. The project exhibits beams and columns, which are integral load-bearing structures in traditional Chinese architecture, as part of the interior design. This not only embodies the structural aesthetics of Chinese architecture but also ensures the utility of the space. Additionally, it accents the harmonious integration of the functionality of the structure with its ornamental aspects.
- Ìwọ̀n àti Àpò
- The area is 600m²
- Àwọn Àkọlé
- Culture, Tradition, Modernity, Space, Design, Chinese Studies
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- To restore the original beam and column structure interiorly, the project reuses components. The column bases are intricately carved using Huizhou stone carving techniques, symbolizing the alternating of four seasons represented by Plum, Orchid, Bamboo, and Chrysanthemum. The desktop crafted from transparent acrylic panels delivers a visually appealing experience where modern and traditional spaces reflect and complement each other.
- Ìpèníjà Àpèsè
- Making an accurate trade-off between modernity and tradition, and achieving a harmonious coexistence without conflict, poses a great challenge in the field of design. The minimalist long table and its accompanying cushions seamlessly integrate modern elements. The minimalist design language not only reconciles with modern aesthetics, but also upholds the continuity of blending to the traditional environment without surprise.
- Ìwádìí
- Making an accurate trade-off between modernity and tradition, and achieving a harmonious coexistence without conflict, poses a great challenge in the field of design. The minimalist long table and its accompanying cushions seamlessly integrate modern elements. The minimalist design language not only reconciles with modern aesthetics, but also upholds the continuity of blending to the traditional environment without surprise.
- Ìmísí
- The project is inspired from the essence of ancient architecture in the Jiangnan region of China, particularly the architectural style of Huizhou. This style has drastically influenced the conceptualization of the project. The design team extensively studied the core components of Huizhou architecture, such as column bases and wax gourd beams, along with other iconic structural elements. This enables them to link traditional with modern design contexts.
- Àkókò Iṣẹ́ Àkànṣe
- At the entrance of the architectural space, the hanging wall structure, a sort of suspended partition, only unveils a rocky landscape and atomized water beneath the suspended interface. Actually a pine tree is concealed behind this hanging wall which holds great significance in Chinese culture as a symbol of perseverance, nobility and non-corruption. Through the clever installation of this pine tree, it metaphorically embodies the traditional Chinese virtue of a "gentleman" characterized by modesty and reservation.
- Ìlànà Ìṣiṣẹ́
- The project kicked off on March 2021 in Xuhui District, Shanghai, and is scheduled to be finalized and put into operation by September 2021.
- Àwọn Ọmọ Ẹgbẹ́
- Wei Liang, Feng Weiqiang, Yang Hongdan, Huang Weishan, Huang Qinbang
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