New Year Àyàwòrán láti ọwọ́ Jui-Ping Lee

New Year Àyàwòrán láti ọwọ́ Jui-Ping Lee jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2024 Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Ìdíje Iṣẹ́ Ọnà Dijítà.

IrinIṣẹ́ Ọnà Dijítà· 2024

New Year Àyàwòrán

látọ̀wọ́ Jui-Ping Lee

Aṣẹ́gun Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Iṣẹ́ Ọnà Dijítà

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #158137

Ṣàbẹ̀wò Ojú Òpó Wo ní A' Design Award Ìwé Ìròyìn Àmì Ẹ̀yẹ

Àwọ̀

Àpẹrẹ Náà

Nípa New Year Àyàwòrán

Nínú àgbàlá aláìléwu kan, láàárín ìfẹ́fẹ́ jẹ́jẹ́ yìnyín ìgbàgbùn àti àwọ̀ dídán ewé ìgbà ìrúwé, ẹni tó lẹ́wà kan jókòó tí ó wọ Kimono aláròyé. Ibi ìṣẹ̀lẹ̀ náà ń mú ipilẹ̀ṣẹ̀ Wabisabi wá, tí ó ń ṣàfihàn ẹwà ìdákẹ́rọ́rọ́ àti ìbalẹ̀. Àwọn àpẹrẹ tó dára ṣe aṣọ náà lọ́ṣọ̀ọ́, púpọ̀ jùlọ igi Pine, tí ó ń ṣàmì ògo; àti Seigaiha aláwọ̀n tí ó ń ṣojú ìbalẹ̀ òkun. Bí a bá wò ó tòsí, àwọn àlàyé tó jinlẹ̀ yóò hàn, àwo òkúta tí ó ní orúkọ-àmì oníṣòná wà ní apá òsì; àti lórí Kimono náà, àwọn àpẹrẹ èkúté tí ó ń ṣojú ọdún tuntun 2020, ọdún èkúté.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Irin A' Design Award

New Year Àyàwòrán jẹ́ olùborí Àmì-ẹ̀yẹ Irin A' Design Award, ìdánimọ̀ olókìkí tí a fún àwọn àwòṣe tó dára tí wọ́n pàdé àwọn ohun tí iṣẹ́ àti ilé-iṣẹ́ nílò tí a retí láti ọ̀dọ̀ àwọn ẹ̀dá tí a ṣàwòṣe dáradára. Àwọn olùborí Irin ń fi ìjáfáfá ńlá, ìmọ̀ pàtó gíga, òye ògbóǹtarìgì àti agbára ìṣẹ̀dá àwọn olùṣẹ̀dá wọn hàn. A retí pé New Year Àyàwòrán yóò jẹ́ ẹ̀dá tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó wúlò tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Irin A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ ilé-iṣẹ́ jọ, ó sì ní àwọn ànímọ́ ìmọ̀-ẹ̀rọ tó péye tí a so mọ́ ìmọ̀ ṣíṣe àti ẹ̀bùn. A bọ̀wọ̀ fún New Year Àyàwòrán nítorí ìfọ̀kànbalẹ̀ rẹ̀, a sì ṣàwòṣe rẹ̀ láti pèsè ìmúdára ìgbésí ayé tó ń ran ayé lọ́wọ́ láti di ibi tó dára jù.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe: An elegant figure with splendid Kimono, serenely sitting in a yard on a cold winter's day at new year, with colourful leaves and slowly showering snow around her that represents the traditional artistic term, Wabisabi (beauty of solitude and tranquility).

If we zoom in, it can be seen that the Patterns are mainly Pines, which is used in the most formal kimono, to be worn only on ceremonious occasions; and also "Seigaiha (sea waves)", which represents tranquility.

Aside from that, the stone plate on the left reads the pen-name of the artist; and on the kimono, there are patterns depicting mice, to celebrate 2020, the year of mouse.
Ìwọ̀n àti Àpò: Original dimensions at 5600*3150 px, with 935 canvas layers
Àwọn Àkọlé: Illustration, Kimono, Furisode, Kouyou, Karesansui
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀: Drawn using a Wacom Cintiq Pro 32, with software Easy Paint Tool SAI 2.0
Ìpèníjà Àpèsè: The key challenge is to make a painting while keep the authenticity of the elements - the kimono, the karesansui ("dry yard") and the red leaves. While many other illustrators prefer drawing kimono-like outfits, this work must be authentic on the kimono design so it can fit the theme properly; under such condition, the creating process became much more difficult due to the fact that it can not be a free-form creation, but a restricted one that the combination of all the elements in the painting must be meticulously designed and crafted.
Ìwádìí: Research especially on the meaning of the kimono patterns was conducted, to better represent kimono while avoid improper designs. Books and documents are examined, and different combinations of patterns are tried in the painting, and the one with best both cultural and visual effect was determined, resulting in a design which is both having superb color representation and cultural meaning that befit the theme of the work (new year).
Ìmísí: When I was sitting alone in my home watching a video about how Kimono's (traditional Japanese dress) are made, I suddenly imagined a figure in Karesansui (Japanese stone yards), surrounded by maples and wearing the most fine, magnificent Kimono; and I, a "photographer", would quietly approach, crouching on the ground and capture the evanescent moment with a single-lens-reflex camera (which is my canvas and pen)
Àkókò Iṣẹ́ Àkànṣe: The vague inspiration of it formed since 2017-2018, and the actual drawing started in December 2019, finished & published in January 2020.
Ìlànà Ìṣiṣẹ́: At first sight, you will immediately focus on the figure in the middle, in spite of the fact that the saturation level of the background is much higher. This is called the "blurring perspectives" technic that by burring out items whilst no obvious perspective cues, it creates a huge sense of space, and can lead the beholder to focus their sight at once at the non-blurred items, namely the figure in this painting, sitting in the middle, creating a "photo-like" effect.