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Spidique Àga láti ọwọ́ Siqi Yang

Spidique Àga láti ọwọ́ Siqi Yang jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2024 Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ohun-èlò Ilé.


FàdákàOhun-èlò Ilé· 2024

Spidique Àga

látọ̀wọ́ Siqi Yang

Oníbàárà: Yang Siqi

Aṣẹ́gun Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ohun-èlò Ilé

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

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Àwọ̀

Àpẹrẹ Náà

Nípa Spidique Àga

Spidique jẹ́ àga tí a ṣe pẹ̀lú ìmọ̀ ẹ̀rọ ìtẹ̀wé onígun mẹ́ta (3D printing) nínú ohun èlò PLA. A ṣe àpẹẹrẹ Spidique pẹ̀lú ohun èlò kọ̀ǹpútà tí a ń pè ní Ameba, èyí tí ó ń lo ọ̀nà ìṣirò BESO fún ṣíṣe àtúnṣe ìrísí sí ọ̀nà tó dára jùlọ. Lẹ́yìn náà, àwọn olùṣàpẹẹrẹ ṣe àtúnṣe sí ìrísí tí a ti ṣirò náà láti mú kí ó rọrùn fún ara ẹni tó bá jókòó, kí ó sì lẹ́wà sí ojú. A da àwọn ìlà tín-ín-rín pọ̀ mọ́ ètò rẹ̀ láti mú ìwọ̀ntúnwọ̀nsì wà láàrin ẹwà àti agbára rẹ̀. A tẹ àwọn àpẹẹrẹ àkọ́kọ́ jáde, a sì dán wọn wò fún ìtura àti agbára ìdúróṣinṣin. Èrò tó wà lẹ́yìn Spidique ni láti ṣe àṣeyọrí iṣẹ́ tí a nílò pẹ̀lú iye pìlásítíìkì tó kéré jùlọ àti dídín ìdàálẹ̀ ohun èlò kù.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Fàdákà A' Design Award

Spidique Àga jẹ́ olùborí Àmì-ẹ̀yẹ Fàdákà A' Design Award, ìdánimọ̀ onípọ̀nlé lọ́nà àrà ọ̀tọ̀ tí a fún àwọn àwòṣe ìpele gíga jùlọ tó dára tó sì ń kan ọkàn. Àwọn olùborí Fàdákà jẹ́ àwọn iṣẹ́ tó ń tàn yòò gidigidi tó sì ní ìṣẹ̀dá púpọ̀ tí wọ́n ń ṣàfihàn ìmọ̀ ìjìnlẹ̀, ẹ̀bùn àti ìmọ̀ràn àwọn olùṣàwòṣe wọn. A retí pé Spidique Àga yóò jẹ́ iṣẹ́ àgbàyanu, àpẹẹrẹ rere, ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun jinlẹ̀. Àwòṣe tó borí Àmì-ẹ̀yẹ Fàdákà A' Design Award yìí jẹ́ ohun ìmúṣẹ̀dá tó hàn gbangba gidigidi tí a mọrírì tó ń ṣe anfàní tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Spidique Àga jẹ́ ẹ̀dá tí ọ̀pọ̀lọpọ̀ ń ṣe ìlara, tó ń jí ìfẹ́ inú, tó ń mú ìmọ̀lára rere wá tó sì ń jí ìyàlẹ́nu àti ìyanu.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe
Spidique is a chair manufactured using 3D printing technology. Its shape calculation and design were carried out using the Ameba software, which employs the BESO (Bidirectional Evolutionary Structural Optimization) algorithm for topological optimization. A primary challenge during the design process was how to further optimize and redesign the computed chair shape.
Ìwọ̀n àti Àpò
808.56mm x 750.57mm x 799.28mm
Àwọn Àkọlé
Parametric design, future, 3D printing,Innovative furniture,industrial design, modern design
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
3D printing technology, PLA
Ìpèníjà Àpèsè
Navigating the optimization of the chair's computed shape posed a significant challenge. Historically, chair designs have been a blend of functionality and aesthetics, crafted over centuries of human experience. Today's social perspective demands both comfort and sustainability. While computation provides precise design outcomes, it sometimes lacks the human touch essential for ergonomics and visual appeal. External factors, such as production constraints, also influenced design choices. Moreover, with evolving technology, leveraging the right tools for accurate simulations was paramount. Bridging this gap between computational efficiency and human-centric design was the crux of my challenge.
Ìwádìí
This design research focuses on the application of 3D printing technology in furniture manufacturing, aiming to explore its potential impact on innovation and environmental sustainability. I employed a comparative analysis, contrasting the efficiency, material usage, and environmental footprint between traditional furniture production and 3D printed furniture. Data collection primarily relied on surveys involving 20 furniture designers and 100 general consumers, and we also crafted a series of prototypes using CAD software and 3D printers. The results revealed that 3D printing technology can reduce material waste by approximately 25% and shorten production time by about 30% in furniture manufacturing. This discovery underscores the significant innovation opportunities 3D printing introduces to the furniture design industry, while also presenting a reduced environmental impact. In real-life implications, this suggests that the furniture sector is on the cusp of a transformative shift, which could not only stimulate commercial growth but also reshape consumption patterns and innovative thinking in the design world.
Ìmísí
Plastic's introduction has drawn both praise and criticism. Its unmatched convenience makes it indispensable, but its environmental impact is concerning. In my opinion, plastic's eco-impact largely rests on our handling. When recycled efficiently, its harm lessens. Moreover, achieving design goals with minimal plastic material signifies sustainable design. Inspired by this, I'm developing a plastic-based design, leveraging simulations for structural support. Merging elegant lines into the chair's design, I aim to balance aesthetics with mechanics.
Àkókò Iṣẹ́ Àkànṣe
from February 2022 to September 2023.
Chengdu, Sichuan,China
Ìlànà Ìṣiṣẹ́
Operation:
1. Initialize the algorithm with set parameters.
2. Run the algorithm to get the initial chair design.
3. Designers evaluate the computer-generated model.

Process:
1. Refine the model post-review, emphasizing ergonomics.
2. Create a prototype, using methods like 3D printing.
3. Test the prototype's comfort and durability.
4. Analyze feedback, refine the design as needed, and repeat until optimal.

Interaction:
1. Designers input parameters and refine the algorithm's output.
2. Physical prototypes help designers assess design quality.
3. End-users test the chair, providing comfort and usability feedback.
4. Designers work with the production team to ensure the design is production-ready.
Ìfọwọ́sí Àwòrán
Image #1:creator Yang Siqi ,2023
Image #2: Model Yang Siqi , 2023
Image #3: Model Yang Siqi , 2023
Image #4: creator Yang Siqi ,2023
Image #4: creator Yang Siqi ,2023

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