Terrace to The Sky Iṣẹ Akọkọ: Ilana Inu Ile Ibugbe láti ọwọ́ Chinhua Huang jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2024 Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àyà Inú Ilé àti Ibi Àfihàn.
IdẹInú Ilé· 2024
Terrace to The Sky Iṣẹ Akọkọ: Ilana Inu Ile Ibugbe
látọ̀wọ́ Chinhua Huang
Oníbàárà: TAGather Goods Co., Ltd
Aṣẹ́gun Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Inú Ilé
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #153614Àpẹrẹ Náà
Nípa Terrace to The Sky Iṣẹ Akọkọ: Ilana Inu Ile Ibugbe
Ọrọ Iwe: Terrace to The Sky jẹ ilana inu ile ibugbe ti o wa ni agbegbe Wanhua ni Taipei. Ilana yii ṣe atunṣe ile-alaji ọdun ogoji kan lori ilẹ kẹrin ati ẹkẹrin, pẹlu agbegbe gbogbo ti awọn mita mita square 180. Awọn ohun elo ti a ri lakoko iparun ni wọn lo lati darí iṣẹ tuntun naa, ati awọn biriki pupa ti a fi han ni a fi rọpo pẹlu awọn biriki gilaasi ti iwọn kanna lati jẹ ki imọlẹ ọjọ le kọja nipasẹ wọn. Awọn aṣọ ideri ti a le gbe ati awọn ẹnu-ọna sliding ni wọn so awọn yara pọ tabi ya wọn sọtọ. Awọn ferese ti a le ṣe pọ ti o gun lati ilẹ de orule ṣí agbegbe ibugbe si terrace orule ti a gbin ohun ọgbin sori rẹ.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Idẹ A' Design Award
Terrace to The Sky Iṣẹ Akọkọ: Ilana Inu Ile Ibugbe jẹ́ olùborí Àmì-ẹ̀yẹ Idẹ A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe tó tayọ tí wọ́n yàtọ̀ nípasẹ̀ ìṣẹ̀dá, àrékérekè àti ọgbọ́n inú. Àwọn olùborí Idẹ jẹ́ àwọn ohun èlò tó ní ìjáfáfá gan-an tí wọ́n sì ní ìṣẹ̀dá tó yani lẹ́nu tí wọ́n ń ṣe ẹ̀rí ìrírí gbígbòòrò, ìrònú àti ọgbọ́n àwọn olùṣàwòṣe wọn. A retí pé Terrace to The Sky Iṣẹ Akọkọ: Ilana Inu Ile Ibugbe yóò jẹ́ ohun tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó jẹ́ ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Idẹ A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ nínú iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ jọ, ó sì tayọ nítorí àfiyèsí rẹ̀ sí àwọn àlàyé kékeré. Terrace to The Sky Iṣẹ Akọkọ: Ilana Inu Ile Ibugbe ń tẹ́ àwọn ohun tí a nílò lọ́rùn lọ́nà àgbàyanu, ó ń fọwọ́ kan àwọn ìfẹ́ inú, ó ń gbà ọkàn ó sì ń fa ìfẹ́ láti mọ̀ mọ́ra.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- On the rooftop of an old house in Taipei, we discovered a unique relationship with the sky that conventional architectural projects would not have. Within this forty-year-old dwelling, we attempted to find a way to represent contemporary living while embracing the traces of the past. Opening and connecting spaces to create versatile and diverse ways of utilizing the area. We aimed to create a relaxing and resort-like living environment for this hidden residence nestled in the old city district.
- Ìwọ̀n àti Àpò
- The duplex, located on the fourth and fifth floors, has a total area of 180 square meters. It consists of five bedrooms, four living rooms, and two bathrooms.
- Àwọn Àkọlé
- Remodeling，Renovation, Gut Renovation, Roof Garden
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- The process of demolishing the old house was like an archaeological excavation. We attempted to find continuity and rejuvenation by incorporating the discovered old building materials and textures into newly added materials. For instance, the exposed red bricks during the demolition process were replaced with long glass bricks of the same dimensions, creating walls that allow light to penetrate while presenting diverse light and shadow expressions. The repetitive circular weathered wallpaper hidden in the walls was replicated using circular embossed glass bricks in the space. The original Japanese cypress screens from the 1960s were refurbished and preserved, accompanied by custom-made tatami mats from the homeowner's hometown, shaping the multifunctional spaces within the living area. Various walls, floors, and ceilings were finished with smooth cement surfaces, creating a rustic texture while allowing light and shadow to create expressions reminiscent of Chinese ink paintings.
The rooftop floor features a series of continuous arched openings that echo the gradually rising roof design. Combined with deep blue sound-absorbing velvet fabric, it creates the necessary privacy and separation between open and closed areas. Raised floors allow beds to be directly placed on wooden flooring and enable the bathtub to offer a semi-immersive bathing experience, adding a vacation atmosphere to the living space. In the midst of a busy life, home becomes the best place to relax.
Outside the bathtub is a rare loft space, creating a sense of spaciousness in the bathroom. Going down the stairs leads to the kitchen area, with walls on both levels featuring windows that allow sunlight to pour in while cooking.
To create the terrace area in front of the rooftop, we recessed the original outer wall inward, increasing the outdoor depth, and used a row of folding floor-to-ceiling windows as the boundary between indoor and outdoor spaces. When the weather is good, they can be fully opened, allowing seamless indoor-outdoor connection. During activities like barbecuing on the terrace, the seating can extend into the indoor living area. The terrace is filled with various green plantings, creating a urban jungle-like landscape within the limited space. - Ìpèníjà Àpèsè
- In this design, the most challenging aspect is how to determine the preservation and representation of existing elements while organizing the interior of the house, allowing the accumulation of 40 years of history to be showcased in the living space. Additionally, in the limited exposure to natural light, it is important to find ways to allow light to penetrate into every corner of the interior while still meeting the privacy needs of each space.
- Ìwádìí
- This type of four-story residential building, commonly built in the 1960s, typically does not have an elevator, and each floor has an approximate area of 85 square meters. A typical floor plan usually includes four bedrooms, catering to the needs of a single family. Due to less stringent regulations at that time, many homeowners extended their interior spaces to increase the indoor area, resulting in narrow gaps between neighboring buildings and limited exposure to natural light. Therefore, introducing natural light through limited windows is a primary challenge in this design.
- Ìmísí
- The process of demolishing the old house was like an archaeological excavation. We attempted to find continuity and rejuvenation by incorporating the discovered old building materials and textures into newly added materials. For instance, the exposed red bricks during the demolition process were replaced with long glass bricks of the same dimensions, creating walls that allow light to penetrate while presenting diverse light and shadow expressions
- Àkókò Iṣẹ́ Àkànṣe
- The project started in 2021 June, and finish it in December. It is located in an old town district in Taipei, named Wanhua,
- Ìlànà Ìṣiṣẹ́
- The majority of the interior spaces are designed with movable partitions such as curtains and sliding doors, enabling easy connection and separation, and maximizing the functionality of the limited space.
- Àwọn Ọmọ Ẹgbẹ́
- Director: Chinhua Huang
- Ìfọwọ́sí Àwòrán
- Image #1: Photographer: OS Studio / Rex Chu
Image #2: Photographer: OS Studio / Rex Chu
Image #3: Photographer: OS Studio / Rex Chu
Image #4: Photographer: OS Studio / Rex Chu
Image #5: Photographer: OS Studio / Rex Chu
Video: Design 100
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