Oita Soho Ile Ounjẹ Japaani Ode-oni láti ọwọ́ Mika Kanayama jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2024 Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àyà Inú Ilé àti Ibi Àfihàn.
FàdákàInú Ilé· 2024
Oita Soho Ile Ounjẹ Japaani Ode-oni
látọ̀wọ́ Mika Kanayama
Oníbàárà: Muzo
Aṣẹ́gun Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Inú Ilé
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #151700Àpẹrẹ Náà
Nípa Oita Soho Ile Ounjẹ Japaani Ode-oni
Oita Soho ni a ṣe apẹrẹ lati ṣẹda aaye isinmi ti o ga julọ pẹlu awọn ipa Japaani ati gbigbe diẹ ninu idanimọ ti a fi idi mulẹ ni ile ounjẹ akọkọ Oita, ti ko ni ilana pupọ ati ti o kun fun awọn eweko jakejado. Aaye naa nilo ju awọn ọna aṣa ti apẹrẹ Japaani ode-oni ti o rọrun lọ lati fi iriri ọtọtọ ati iyalẹnu ti o jẹ apapo awọn eroja ẹwa ati aṣa. A gba atilẹyin fun iṣẹ naa lati inu iwe akọọlẹ Tanizaki "Ninu Iyin Awọn Ojiji" eyiti o sọrọ nipa lilo, itumọ ati ẹwa ti okunkun ati awọn ojiji ninu iṣẹ ọna Japaani, apẹrẹ ati ile kikọ.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Fàdákà A' Design Award
Oita Soho Ile Ounjẹ Japaani Ode-oni jẹ́ olùborí Àmì-ẹ̀yẹ Fàdákà A' Design Award, ìdánimọ̀ onípọ̀nlé lọ́nà àrà ọ̀tọ̀ tí a fún àwọn àwòṣe ìpele gíga jùlọ tó dára tó sì ń kan ọkàn. Àwọn olùborí Fàdákà jẹ́ àwọn iṣẹ́ tó ń tàn yòò gidigidi tó sì ní ìṣẹ̀dá púpọ̀ tí wọ́n ń ṣàfihàn ìmọ̀ ìjìnlẹ̀, ẹ̀bùn àti ìmọ̀ràn àwọn olùṣàwòṣe wọn. A retí pé Oita Soho Ile Ounjẹ Japaani Ode-oni yóò jẹ́ iṣẹ́ àgbàyanu, àpẹẹrẹ rere, ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun jinlẹ̀. Àwòṣe tó borí Àmì-ẹ̀yẹ Fàdákà A' Design Award yìí jẹ́ ohun ìmúṣẹ̀dá tó hàn gbangba gidigidi tí a mọrírì tó ń ṣe anfàní tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Oita Soho Ile Ounjẹ Japaani Ode-oni jẹ́ ẹ̀dá tí ọ̀pọ̀lọpọ̀ ń ṣe ìlara, tó ń jí ìfẹ́ inú, tó ń mú ìmọ̀lára rere wá tó sì ń jí ìyàlẹ́nu àti ìyanu.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- It was designed to create a sophisticated, relaxing space with Japanese influences, and carrying some of the identity established in Oita's first restaurant, informal and verdant with plants throughout the space. The space required more than the conventional approaches of minimalistic modern Japanese design to deliver a distinct, remarkable experience that is a synthesis of aesthetic and cultural elements.
The space required more than the conventional approaches of minimalistic modern Japanese design, to deliver a distinct, remarkable experience that is a synthesis of aesthetic and cultural elements.Backlit paper parasols are placed overlapping in a flowing pattern that follows the stairs creating a feature wall to surprise and delight leading visitors to the upper level. The warm light of the parasols is accentuated in the dark. Lighting is careful and muted throughout relying on position and shades. Two mirrors placed parallel in opposite directions reflect the lights infinitely in their depths, adding to the glow and mystery of the space. - Ìwọ̀n àti Àpò
- The area of project is
Ground Floor - 67sqm
First Floor - 69sqm - Àwọn Àkọlé
- Japanese restaurant design, muzo, Oita, interior design, restaurant design, Japanese design, chinatown
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- Grade II Listed Building
Material: Fire retardant timber & veneered oak MDF throughout. - Ìpèníjà Àpèsè
- As it was a Grade II listed building, the history of the premises was researched in depth prior to work. Great consideration was given at design stage and fit-out work was carried out carefully. Any finishes that needed repairing was matched to the original finish.
- Ìwádìí
- The space is abundant with plants and botanical imagery bringing a sense of exotic night garden or conservatory. Artworks by Imao Keinen featuring birds in seasonal settings with plants and flowers feature throughout, furthering the theme, Keinen’s masterful use of colours is utilised to play with the décor palette introducing flashes of bright colour that are echoed elsewhere, harmonising with the greenery and midnight shades to effect a unique, spectral contrast. The effect has almost the feeling of Japanese lacquerware artwork made real where living forms are presented luminously against the deep dark of lacquer surfaces.
- Ìmísí
- The work was inspired by the Tanizaki essay 'In Praise of Shadows' which discusses the use, meaning and aesthetics of darkness and shadows in Japanese art, design and architecture.
- Àkókò Iṣẹ́ Àkànṣe
- The project was completed in January 2023 in London.
- Ìlànà Ìṣiṣẹ́
- Backlit paper parasols are placed overlapping in a flowing pattern that follows the stairs creating a feature wall to surprise and delight leading visitors to the upper level. The warm light of the parasols is accentuated in the dark.
Lighting is careful and muted throughout relying on position and shades.
Two mirrors placed parallel in opposite directions reflect the lights infinitely in their depths, adding to the glow and mystery of the space. - Àwọn Ìwé-ẹ̀rí Ohun-Ìmọ̀
- Copyrights belong to Muzo, 2023
- Ìfọwọ́sí Àwòrán
- Image #1: Photographer Sara Hibbert
Image #2: Photographer Sara Hibbert
Image #3: Photographer Sara Hibbert
Image #4: Photographer Sara Hibbert
Image #5: Photographer Sara Hibbert
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