Zen Explorer Àkójọpọ̀ Aṣọ Ọkùnrin láti ọwọ́ Kuan Lu

Zen Explorer Àkójọpọ̀ Aṣọ Ọkùnrin láti ọwọ́ Kuan Lu jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2023 Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àṣà Ìmúra, Aṣọ àti Ẹ̀wù.

FàdákàÀṣà Ìmúra· 2023

Zen Explorer Àkójọpọ̀ Aṣọ Ọkùnrin

látọ̀wọ́ Kuan Lu

Oníbàárà: Lu Kuan

Aṣẹ́gun Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Àṣà Ìmúra

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #149768

Wo ní A' Design Award Ìwé Ìròyìn Àmì Ẹ̀yẹ

Àwọ̀

Àpẹrẹ Náà

Nípa Zen Explorer Àkójọpọ̀ Aṣọ Ọkùnrin

Zen Explorer jẹ́ àkójọpọ̀ aṣọ ọkùnrin tí a ṣe láti ara àwọn aṣọ ìgbà àtijọ́ àti àwọn aṣọ tí a fi àwọ̀ àdánidá kùn. A máa ń kó àwọn aṣọ onítàn jọ, a sì máa ń tò wọ́n ní ìbámu pẹ̀lú ìwọ̀n, ìnípọn àti àsìkò, lẹ́yìn náà a máa ń so wọ́n pọ̀ mọ́ àwọn ohun èlò tuntun tí a fi ọ̀nà ìbílẹ̀ ti aró (indigo) kùn. A máa ń ṣe aró náà nípasẹ̀ ìmúgbó (fermentation), láìsí àwọn kẹ́míkà ilé-iṣẹ́. Ọ̀pọ̀lọpọ̀ iṣẹ́ náà ni a fi ọwọ́ ṣe, nítorí náà àwọn iṣẹ́ ọnà ìbílẹ̀ àti àwọn àrà wọn ṣì wà láìbàjẹ́. Àkójọpọ̀ yìí so aṣọ àtijọ́ pọ̀ mọ́ ìlò-padà ti òde òní, ó sì ń pèsè aṣọ ojoojúmọ́ tí ó lágbára tí ó sì ṣàrà ọ̀tọ̀.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Fàdákà A' Design Award

Zen Explorer Àkójọpọ̀ Aṣọ Ọkùnrin jẹ́ olùborí Àmì-ẹ̀yẹ Fàdákà A' Design Award, ìdánimọ̀ onípọ̀nlé lọ́nà àrà ọ̀tọ̀ tí a fún àwọn àwòṣe ìpele gíga jùlọ tó dára tó sì ń kan ọkàn. Àwọn olùborí Fàdákà jẹ́ àwọn iṣẹ́ tó ń tàn yòò gidigidi tó sì ní ìṣẹ̀dá púpọ̀ tí wọ́n ń ṣàfihàn ìmọ̀ ìjìnlẹ̀, ẹ̀bùn àti ìmọ̀ràn àwọn olùṣàwòṣe wọn. A retí pé Zen Explorer Àkójọpọ̀ Aṣọ Ọkùnrin yóò jẹ́ iṣẹ́ àgbàyanu, àpẹẹrẹ rere, ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun jinlẹ̀. Àwòṣe tó borí Àmì-ẹ̀yẹ Fàdákà A' Design Award yìí jẹ́ ohun ìmúṣẹ̀dá tó hàn gbangba gidigidi tí a mọrírì tó ń ṣe anfàní tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Zen Explorer Àkójọpọ̀ Aṣọ Ọkùnrin jẹ́ ẹ̀dá tí ọ̀pọ̀lọpọ̀ ń ṣe ìlara, tó ń jí ìfẹ́ inú, tó ń mú ìmọ̀lára rere wá tó sì ń jí ìyàlẹ́nu àti ìyanu.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe: This project "The Tao of Fashion: Re-cycle of Life" aims to subvert the stereotype of fashion industry. The methodology is to collect and classify the historic textiles initially, and incorporate the new material dyed by the traditional "Indigo Dyeing" technique. This project keeps all the craftsmanship handmade to respect and retain the traditional crafts and graphics, and incorporate contemporary upcycle design concepts, which could carry on the traditional oriental cultural and bring daily dressing code updated, durable and unique.
Ìwọ̀n àti Àpò: The concept item is an artistic wearable item that can be used, and be an artistic installation displaying by hanging. The prototype structure of a suit grows out of the original antique "Hundred Sons" blanket.
Width 180 cm Length 200 cm
All ready-to-wear looks are size 48 male form.
Àwọn Àkọlé: Timeless, Clothing, Cultural heritage, Sustainable fashion, Recycle,Experimental
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀: Mainly using mass-produced natural indigo dyed materials, combined with a small amount of precious recycled textile which is vintage pieces.
The unique essence and the production process have ethical considerations and sustainable fashion development. The indigo produced by R&D (ethical production&sustainable fashion) can only be realized through fermentation. The manufacturing process is natural and environmentally friendly without industrial chemicals. The importance of material recycling is also an important purpose of design and production.
Ìpèníjà Àpèsè: The concept and practice of this project challenge is about the development of sustainable fashion and the inheritance of slow handwork. Ideas on how design thinking can create original and unique products for balancing sustainable fashion industry and new aesthetic market.
Ìwádìí: According to material properties, each piece of material has its unique "character". The method of classifying materials is combined with scale, thickness, and season to develop, mix with the new materials to make a design experiment of slow fashion and limited supply. Specifically, the collected antique fabric is used as a clue to develop the design system. How fashion can continue to be sustainable while taking into account creation, and a balanced combination of creating less waste and durability. It is a sustainable and contemporary fashion practice.
Ìmísí: The design is inspired by exploring the depths of blue.
Indigo textile culture with a long history, blue is the ocean, the universe, and the central mind. Natural reincarnation is the exploration of Zen, and it is also a sustainable fashion practice in the present. From a point of view that old and new, gain and loss, useless and useful, trend and eternity are infusing. This project explores and balances the possibilities of design.
Using the traditional culture and crafts to combine with modern design elements to create unique practices and new inheritance.
Àkókò Iṣẹ́ Àkànṣe: Works was designed and produced in 2018.
Present in 2020 China National Silk Museum
Ìlànà Ìṣiṣẹ́: Cloth are half handmade and half machine made,which makes product as unique wearable item. The project is using natural Indigo dying to achieve a comfortable feeling, artistic textural surface and eco-friendly to sustainable fashion design development.
Àwọn Ìwé-ẹ̀rí Ohun-Ìmọ̀: Copyright by Lu Kuan/WU ZhiWu
Àwọn Ọmọ Ẹgbẹ́: Creative Director and Designer:Lu Kuan
Ìfọwọ́sí Àwòrán: WU (ZhiWu) by Lu Kuan
Photographer: Yang Feng
Model:Li Ming