Reduction Àgbékalẹ̀ Inú Ilé Gbígbé láti ọwọ́ Po Chuan Kao jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2023 Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àyà Inú Ilé àti Ibi Àfihàn.
FàdákàInú Ilé· 2023
Reduction Àgbékalẹ̀ Inú Ilé Gbígbé
látọ̀wọ́ Po Chuan Kao
Oníbàárà: ACG Design International
Aṣẹ́gun Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Inú Ilé
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #149306Àpẹrẹ Náà
Nípa Reduction Àgbékalẹ̀ Inú Ilé Gbígbé
Reduction jẹ́ àgbékalẹ̀ inú ilé gbígbé fún ilé kan tí ó tó mítà onígun mẹ́rin 148.7 ní Taiwan. Ètò ìpilẹ̀ṣẹ̀ tí ó ní yàrá mẹ́rin ni a tún gbé kalẹ̀ sí yàrá mẹ́ta àti balùwẹ̀ méjì. Ètò náà ya àgbègbè gbogbogbò àti àgbègbè àdáni sọ́tọ̀, pẹ̀lú ọ̀nà ìrìnkiri tí ó ṣe kedere àti ìmọ́lẹ̀ àdánidá tí a darí dáadáa. Àwọn ilẹ̀kùn tí a fi pamọ́ àti àwọn ilẹ̀kùn tí ń yọ́ so àwọn fèrèsé àti àwọn àpótí ìkó nǹkan pọ̀ sínú àwọn ojú ilẹ̀ tí ń tẹ̀síwájú láìdábọ̀. Ìbòjú mineral aláwọ̀ eérú tí kò gbóná jù, kun tí a fi ọwọ́ ṣe ní àwòrán, àti ìmọ́lẹ̀ onílà dá ìrísí tí ó parọ́rọ́ tí ó sì bára mu, gẹ́gẹ́ bí ilé ìṣàfihàn iṣẹ́ ọnà. Àgbékalẹ̀ tí a dín kù yìí jẹ́ kí àwọn ohun èlò ilé àti àwọn olùgbé ibẹ̀ farahàn kedere.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Fàdákà A' Design Award
Reduction Àgbékalẹ̀ Inú Ilé Gbígbé jẹ́ olùborí Àmì-ẹ̀yẹ Fàdákà A' Design Award, ìdánimọ̀ onípọ̀nlé lọ́nà àrà ọ̀tọ̀ tí a fún àwọn àwòṣe ìpele gíga jùlọ tó dára tó sì ń kan ọkàn. Àwọn olùborí Fàdákà jẹ́ àwọn iṣẹ́ tó ń tàn yòò gidigidi tó sì ní ìṣẹ̀dá púpọ̀ tí wọ́n ń ṣàfihàn ìmọ̀ ìjìnlẹ̀, ẹ̀bùn àti ìmọ̀ràn àwọn olùṣàwòṣe wọn. A retí pé Reduction Àgbékalẹ̀ Inú Ilé Gbígbé yóò jẹ́ iṣẹ́ àgbàyanu, àpẹẹrẹ rere, ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun jinlẹ̀. Àwòṣe tó borí Àmì-ẹ̀yẹ Fàdákà A' Design Award yìí jẹ́ ohun ìmúṣẹ̀dá tó hàn gbangba gidigidi tí a mọrírì tó ń ṣe anfàní tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Reduction Àgbékalẹ̀ Inú Ilé Gbígbé jẹ́ ẹ̀dá tí ọ̀pọ̀lọpọ̀ ń ṣe ìlara, tó ń jí ìfẹ́ inú, tó ń mú ìmọ̀lára rere wá tó sì ń jí ìyàlẹ́nu àti ìyanu.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- Firstly, the space is divided into two, defining the smoothness of each area and path and controlling the introduction and flow of natural lighting. Secondly, with minimalism, the spatial concept is transformed into a simple and modern one. The grayscale, concealed doors, and cabinets combine functionality and aesthetics and create visual consistency to form an ideal aesthetic space. The interior is made of heterogeneous grayscale, supplemented by linear lighting, and changing textures to present an unconventional, extended, and spacious view from far to near.
- Ìwọ̀n àti Àpò
- The site is 148.7 square meters, with three rooms and two bathrooms. The design team replanned the original four-bedroom layout into three rooms and took the concept of gallery-style exhibition space to describe it. The open plan connects the tangible and intangible interactions between people and space. The fields outlined by the circulation, materials, and lighting plan implicitly echo each other, seemingly merging into one but revealing different layers and techniques in each area.
- Àwọn Àkọlé
- Continuity of state, Sustainable space, Spatial layers, Translation of classical Rome, Technological ambience
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- To build harmony, the perfect combination of materials injects a new dimension of diversity and depth into the space. For example, serpentine, Roman green, hand-made texture special paints, metal sheets, stainless steel, imported laminate hard plastic sheet, iron parts, baking paint, moru glass, terrazzo walls, multi-functional guest room, restaurant pavement, laminate flooring, pink woodwork stain for children's room, track lighting, metal door piece, and imported slate, etc.
- Ìpèníjà Àpèsè
- The design team carried out the project with a vision, knowledge, and enthusiasm. From conception to execution, harmonizing the client's expectations and the design team ideas into the interior was the challenge of the project and the most time-consuming and labor-intensive part. To realize a 'reduction' concept, the design team took different materials in the same color tone to present a brand-new mix of classical and modern.
- Ìwádìí
- In the case of designing public and private spaces, 'reduction' is at the core of the project, to minimize and restore the original textures of the interior to create a flexible and accessible space. This concept also applies to the color scheme. The project uses a low-saturation gray natural mineral coating to reduce visual stress and create a harmonious look. In this way, the furniture and occupants can better express their unique personalities.
- Ìmísí
- Light and shadow, circulation, spacing, color, and other details lead to the overall style of a space. The design team believes that interior design is not for the sake of designing a home but because of the expectations, perceptions, and unique memories of a life so that the unique beauty of the space can be constructed. Such a color tone and efficiency of use allow users to look forward to and enjoy an exclusive place, which is called 'home'.
- Àkókò Iṣẹ́ Àkànṣe
- The project finished in Taiwan.
- Ìlànà Ìṣiṣẹ́
- The boundary between the public and private areas is clearly defined. Compared to the standard plan of a sofa against the TV wall, this living room has a reduced design to provide a large space with concealed doors and sliding doors, so that the windows, doors, and cabinets can be integrated into one. From a distance, it looks like an exhibition space that can give users a healing atmosphere with infinite extension and deep precipitation. The contrast of lighting, the texture of hand-painted coating, and the delicacy of the grayscale bring users a completely different experience at every turn.
- Ìfọwọ́sí Àwòrán
- ACG Design International
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