Digital Taihu Aga Ilé Tí A Tẹ̀jáde Pẹ̀lú Ẹ̀rọ 3D láti ọwọ́ Yang Pu and Ding Wen Nic Bao

Digital Taihu Aga Ilé Tí A Tẹ̀jáde Pẹ̀lú Ẹ̀rọ 3D láti ọwọ́ Yang Pu and Ding Wen Nic Bao jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2023 Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ohun Ìtẹ̀ 3D àti Ọjà.

IrinÌtẹ̀ 3D· 2023

Digital Taihu Aga Ilé Tí A Tẹ̀jáde Pẹ̀lú Ẹ̀rọ 3D

látọ̀wọ́ Yang Pu and Ding Wen Nic Bao

Oníbàárà: Nanjing University of the Arts and RMIT University

Aṣẹ́gun Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Ìtẹ̀ 3D

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #147462

Wo ní A' Design Award Ìwé Ìròyìn Àmì Ẹ̀yẹ

Àwọ̀

Àpẹrẹ Náà

Nípa Digital Taihu Aga Ilé Tí A Tẹ̀jáde Pẹ̀lú Ẹ̀rọ 3D

Digital Taihu ń lo ìmọ̀-ẹ̀rọ títẹ̀jáde 3D láti mú àṣà Ṣáínà ìbílẹ̀ ṣiṣẹ́ ní àkókò dijítálì, tí ó dá òkúta Taihu pọ̀ mọ́ àwọn ìlànà ìṣírò ìṣàpẹrẹ ètò tí ó ní ọ̀nà méjì láti ṣàwárí àwọn ọ̀nà ìpilẹ̀ṣẹ̀ àpẹẹrẹ láti inú àwọn ètò àdáyébá, tí ó yọrí sí àwọn àpẹẹrẹ alágbéró dijítálì pẹ̀lú àwọn ètò tí a mú dára.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Irin A' Design Award

Digital Taihu Aga Ilé Tí A Tẹ̀jáde Pẹ̀lú Ẹ̀rọ 3D jẹ́ olùborí Àmì-ẹ̀yẹ Irin A' Design Award, ìdánimọ̀ olókìkí tí a fún àwọn àwòṣe tó dára tí wọ́n pàdé àwọn ohun tí iṣẹ́ àti ilé-iṣẹ́ nílò tí a retí láti ọ̀dọ̀ àwọn ẹ̀dá tí a ṣàwòṣe dáradára. Àwọn olùborí Irin ń fi ìjáfáfá ńlá, ìmọ̀ pàtó gíga, òye ògbóǹtarìgì àti agbára ìṣẹ̀dá àwọn olùṣẹ̀dá wọn hàn. A retí pé Digital Taihu Aga Ilé Tí A Tẹ̀jáde Pẹ̀lú Ẹ̀rọ 3D yóò jẹ́ ẹ̀dá tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó wúlò tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Irin A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ ilé-iṣẹ́ jọ, ó sì ní àwọn ànímọ́ ìmọ̀-ẹ̀rọ tó péye tí a so mọ́ ìmọ̀ ṣíṣe àti ẹ̀bùn. A bọ̀wọ̀ fún Digital Taihu Aga Ilé Tí A Tẹ̀jáde Pẹ̀lú Ẹ̀rọ 3D nítorí ìfọ̀kànbalẹ̀ rẹ̀, a sì ṣàwòṣe rẹ̀ láti pèsè ìmúdára ìgbésí ayé tó ń ran ayé lọ́wọ́ láti di ibi tó dára jù.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe: The work uses 3D printing to activate traditional Chinese culture to realize the synergistic design of structural properties generated by the 'Taihu Stone' and bi-directional evolutionary structural optimization algorithms, focusing on the complexity of virtual birth forms into the rationality of physical forms. This digital design practice learns from nature and derives its design biomorphic approach from natural systems to achieve the sustainable goal of living in symbiosis with nature.
Ìwọ̀n àti Àpò: Length 915mm, width 1125mm, height 1052mm
Àwọn Àkọlé: Bi-directional evolutionary structural optimization, 3D Printing, Conceptual Design, Furniture Design
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀: A bi-directional evolutionary structural optimization method was used to optimize the furniture structure and to obtain a simulated natural form of Taihu stone. The furniture model is constructed from liquid photosensitive resin material by integrated 3D printing. The actual construction was carried out using metal 3D printing.
Ìpèníjà Àpèsè: The most difficult part of the project development process is the topology optimization phase, including the application of relevant mechanics methods and the testing of data iterations. Secondly, it was also a challenge to verify the feasibility of the structural materials, which needed to be considered in terms of production difficulties and the extent to which people would use them.
Ìwádìí: Research objectives: 1. The digital expression of traditional Chinese cultures. 2. furniture structures optimization and 3D printing technology combined to achieve sustainability goals. Research methods: 1. Structural data collection and analysis. 2. Algorithmic data iteration to generate forms. Research findings: 1. 3D printing technology allows for rapid lightweight design, moving away from traditional production models. 2. Furniture structures and materials are cutting-edge. Research Impact: Provides the possibility of diverse design for the future digital design industry.
Ìmísí: In the long history of furniture design, traditional culture has given furniture shapes a richer morphological language, and 3D printing as a new design culture can bring more surprises to furniture design. From a design perspective, we hope that the combination of the natural form of the traditional Chinese stone "Taihu Stone" and digital design will result in a more vivid shape through 3D printing, activating a new way of communicating Chinese traditional culture in the digital age.
Àkókò Iṣẹ́ Àkànṣe: The project started in July 2022 and ended in September 2022. Project duration: 2 months. Location: Wuhan City, Hubei Province, China.
Ìlànà Ìṣiṣẹ́: Firstly, the furniture is designed using a bi-directional evolutionary structural optimization algorithm and the prototype is iterated according to the corresponding optimization results. Secondly, the furniture is constructed by 3D printing. The topologically optimized furniture not only has reasonable structural properties, reduces the amount of material used, and shortens the construction production cycle, but also results in a better quality customized lightweight designs.
Àwọn Ọmọ Ẹgbẹ́: Yang Pu
Ding Wen Bao
Ìfọwọ́sí Àwòrán: Yang Pu and Ding Wen‘Nic’Bao，2022.