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Penthouse Lisbon Ìṣètò Inú Ilé Ibùgbé láti ọwọ́ Rita Valadao

Penthouse Lisbon Ìṣètò Inú Ilé Ibùgbé láti ọwọ́ Rita Valadao jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2023 Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àyà Inú Ilé àti Ibi Àfihàn.


IdẹInú Ilé· 2023

Penthouse Lisbon Ìṣètò Inú Ilé Ibùgbé

látọ̀wọ́ Rita Valadao

Oníbàárà: Fundação Ricardo Espírito Santo e Silva

Aṣẹ́gun Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Inú Ilé

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #145885

Àwọ̀

Àpẹrẹ Náà

Nípa Penthouse Lisbon Ìṣètò Inú Ilé Ibùgbé

Penthouse Lisbon jẹ́ ìṣètò inú ilé ibùgbé fún ilé àpáta ìkọ̀kọ̀ kan ní Lisbon. Ètò náà fẹ́rẹ̀ẹ́ jẹ́ ìyíká pẹ̀lú ògiri òkúta díẹ̀, nítorí pé fẹ́rẹ̀ẹ́ gbogbo ojú-ilé náà ni a fi gíláàsì bò. Ìgbésí ayé ojoojúmọ́ ń wáyé ní àárín gbùngbùn agbègbè náà, níbi tí yàrá tẹlifíṣọ̀n, ọ́fíìsì, yàrá ìjókòó, yàrá oúnjẹ àti ilé ìdáná ti so pọ̀ ní ọ̀nà kan náà. Ìmọ́lẹ̀ àdánidá ni a lò láti ìgbà tí oòrùn ti yọ títí di ìgbà tí ó wọ̀. Àwọn àwọ̀, aṣọ, onírúurú igi àti òkúta quartzite ni a yàn ní ìbámu pẹ̀lú ìgbà tí oòrùn ń kọlu ilé àpáta náà.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Idẹ A' Design Award

Penthouse Lisbon Ìṣètò Inú Ilé Ibùgbé jẹ́ olùborí Àmì-ẹ̀yẹ Idẹ A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe tó tayọ tí wọ́n yàtọ̀ nípasẹ̀ ìṣẹ̀dá, àrékérekè àti ọgbọ́n inú. Àwọn olùborí Idẹ jẹ́ àwọn ohun èlò tó ní ìjáfáfá gan-an tí wọ́n sì ní ìṣẹ̀dá tó yani lẹ́nu tí wọ́n ń ṣe ẹ̀rí ìrírí gbígbòòrò, ìrònú àti ọgbọ́n àwọn olùṣàwòṣe wọn. A retí pé Penthouse Lisbon Ìṣètò Inú Ilé Ibùgbé yóò jẹ́ ohun tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó jẹ́ ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Idẹ A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ nínú iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ jọ, ó sì tayọ nítorí àfiyèsí rẹ̀ sí àwọn àlàyé kékeré. Penthouse Lisbon Ìṣètò Inú Ilé Ibùgbé ń tẹ́ àwọn ohun tí a nílò lọ́rùn lọ́nà àgbàyanu, ó ń fọwọ́ kan àwọn ìfẹ́ inú, ó ń gbà ọkàn ó sì ń fa ìfẹ́ láti mọ̀ mọ́ra.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe
An almost round plan, few masonry walls because almost the entire façade is clad in glass. So everything happens in the centre of the area, from the TV room, to the office that connects to the living room, which communicates with the dining room, to the kitchen.
Above all, advantage has been taken of natural light from sunrise to sunset.
Ìwọ̀n àti Àpò
Inspired by transparency, the bronze semi-mirrored glass doors were designed inside the entrance wardrobe. Each semi-transparent glass panel had to be supported by a metal frame of the same colour. Specific fittings were used that could be embedded into the metal for better functionality, both in opening and closing more smoothly.
Regarding the carpentry, namely the bookcase installed on a sloping wall, we designed moulds on site to avoid the risk of the sides not being perfectly aligned with the slope of the wall.
Àwọn Àkọlé
#interiordesignlisbon #interiorarchitecturelisbon #homelisbon #bestinteriordesignlisbon #homedecorlisbon #designlisbon #architecturelisbon
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
Considering that a study was made on how to use the best woods for this project, some decisions were made on not using solid wood panels, as we could not take the risk of having oscillations on the interior doors as well as on all the cabinets with the same material that were more exposed to temperature differences. Regarding the marble, quartezite was chosen for better resistance to acids and the daily use that a private residence has.
Ìpèníjà Àpèsè
The major challenge in this project was the fact that most of the walls had a considerable slope. All the carpentry had to be done through moulds made on site after the walls were completely finished. This factor would have a tremendous impact on compliance with the construction deadlines. To solve this particular issue, the finishing of certain walls was prioritised before any other work. A specialist carpentry team worked exhaustively on these specific parts in order to finish the work within the deadline.
Ìwádìí
Before starting the architecture and interior design project, a briefing was done to understand the life style of those who would inhabit this residence.
Being foreigners, coming from another continent, it was crucial to understand the main customs and experiences practiced daily by them. The objective of this investigation was, mainly, to know how to connect two distinct cultures in a way that, while living in another country, they could feel "at home" and minimize aspects that could be considered negative or difficult to manage. For this, different experiences were provided in order to understand their behaviour and opinion in the different situations to which they were exposed. This experience allowed a better understanding of how to provide the best atmosphere in their own home.
Ìmísí
For the design of this penthouse, a sketch was drawn considering the aesthetics of the space as if it were a spaceship. One of the concerns was to understand the behaviour of colours in general, both in the fabrics chosen and the type of wood and marble stones, in relation to the solar orientation of the flat. Understanding this was fundamental to do a thorough lighting study and choose the right colours for each room.
Àkókò Iṣẹ́ Àkànṣe
The project started in September 2021 in Lisbon and finished in September 2022.
Ìlànà Ìṣiṣẹ́
The type of choice and design of each cabinet for the penthouse, allowed the users of the house a good use without the need for regular maintenance. The combination of practicality and aesthetics were positively achieved.
Ìfọwọ́sí Àwòrán
All Images / Ricardo Oliveira Alves
Video / Mathias Nunn

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