Xu Wei Inú Ilé Ìkóhun-Iṣẹ́-Ọnà Sí láti ọwọ́ U a D jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2023 Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àyà Inú Ilé àti Ibi Àfihàn.
FàdákàInú Ilé· 2023
Xu Wei Inú Ilé Ìkóhun-Iṣẹ́-Ọnà Sí
látọ̀wọ́ U a D
Oníbàárà: Uad
Aṣẹ́gun Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Inú Ilé
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #142326Àpẹrẹ Náà
Nípa Xu Wei Inú Ilé Ìkóhun-Iṣẹ́-Ọnà Sí
Xu Wei jẹ́ inú ilé ìkóhun-iṣẹ́-ọnà sí ní Ìlú Shaoxing, Ẹkùn Zhejiang, ní orílẹ̀-èdè China, pẹ̀lú ààyè tí ó tó ẹgbẹ̀rún mẹ́jọ (8,000) mítà onígun mẹ́rin. Àgbékalẹ̀ náà so iṣẹ́ ìkọ́lé, inú ilé àti ààyè ìfihàn pọ̀ nínú ètò kan ṣoṣo. Ilẹ̀ àkọ́kọ́ tí ó ṣe kedere so àwọn gbọ̀ngàn ìfihàn ní ẹ̀gbẹ́ méjèèjì pọ̀ mọ́ àwọn pápá ìta ní àríwá àti gúúsù. Àwọn àgbàlá inú ilé pín àwọn ààyè ìfihàn sí ọ̀tọ̀ọ̀tọ̀ wọ́n sì mú kí ìmọ́lẹ̀ wọ inú ilé sí i. Wọ́n mú àwọn ohun èlò rọrùn di àwọn ìrísí funfun oníjẹ́ọ́mẹ́tírì, tó bẹ́ẹ̀ tí ìmọ́lẹ̀, òjìji àti ìran àyíká fi jẹ́ ohun tí a fojú sun jùlọ. Wọ́n dán àwọn awọ igi tín-ínrín, wọ́n sì tẹ́ wọn lọ́ṣọ̀ọ́ níbi iṣẹ́ gan-an láti gba ojú funfun mímọ́ tí ó jọ bébà ìrẹsì ìbílẹ̀.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Fàdákà A' Design Award
Xu Wei Inú Ilé Ìkóhun-Iṣẹ́-Ọnà Sí jẹ́ olùborí Àmì-ẹ̀yẹ Fàdákà A' Design Award, ìdánimọ̀ onípọ̀nlé lọ́nà àrà ọ̀tọ̀ tí a fún àwọn àwòṣe ìpele gíga jùlọ tó dára tó sì ń kan ọkàn. Àwọn olùborí Fàdákà jẹ́ àwọn iṣẹ́ tó ń tàn yòò gidigidi tó sì ní ìṣẹ̀dá púpọ̀ tí wọ́n ń ṣàfihàn ìmọ̀ ìjìnlẹ̀, ẹ̀bùn àti ìmọ̀ràn àwọn olùṣàwòṣe wọn. A retí pé Xu Wei Inú Ilé Ìkóhun-Iṣẹ́-Ọnà Sí yóò jẹ́ iṣẹ́ àgbàyanu, àpẹẹrẹ rere, ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun jinlẹ̀. Àwòṣe tó borí Àmì-ẹ̀yẹ Fàdákà A' Design Award yìí jẹ́ ohun ìmúṣẹ̀dá tó hàn gbangba gidigidi tí a mọrírì tó ń ṣe anfàní tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Xu Wei Inú Ilé Ìkóhun-Iṣẹ́-Ọnà Sí jẹ́ ẹ̀dá tí ọ̀pọ̀lọpọ̀ ń ṣe ìlara, tó ń jí ìfẹ́ inú, tó ń mú ìmọ̀lára rere wá tó sì ń jí ìyàlẹ́nu àti ìyanu.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- As for the distribution and functions of the areas, the overall design is as free and refreshing as Xu Wei's art works, in quest of a flowing atmosphere rather than meaningless and strange forms. The transparent ground floor connects exhibition halls on both sides and the north and south squares. Thanks to the changing light and shadows, as well as the huge transparent glass, the whole space is connected in harmony. Here, a splendid picture is unfolding, bringing our memory back to the past.
- Ìwọ̀n àti Àpò
- Project area: 8,000 square meters
Type: Art Museum - Àwọn Àkọlé
- UAD, Xu Wei, Art Museum, herringbone slope, Qingteng Bookstore
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- Taking inspiration from Xu Wei's paintings, the designers set up an internal courtyard on both sides, respectively, reasonably dividing exhibition halls, enhancing interior transparency and adhering to the design idea of "merging courtyards with the interior". For example, landscaped structures are introduced into the interior framework system, providing visitors with more opportunities to explore the beauty of nature.
- Ìpèníjà Àpèsè
- Many attempts were made to select main materials for the veneers. At the beginning, the materials chose by the designers appeared gray and dark, far from the desired effect. Later, in response, the veneers were re-polished on the site and re-clad with coatings, with the purpose of producing a visual effect as pure, clean and white as Chinese traditional rice papers.
- Ìwádìí
- As for the whole space, the design team implements the holistic design philosophy of integrating architecture, the interior, and display space. Along the stairs, the rough plain-white textures on the surface extend to the second floor. The long, narrow hallway and the double-pitched roof are combined to create a framed view which encompasses both tourists and landscapes, and create a setting with various uses, including resting, gathering, viewing and taking pictures.
- Ìmísí
- In order to achieve the aesthetic aim of "though made by man, it seems to be created by nature," the project takes cues from the essence of Oriental aesthetics of "unity of man and nature." The designers convert all elements into simple, white geometric ones, so as to highlight various scenes. The design not only responds to Xu Wei's artistic idea of "adopting basic colors," but incorporates into the local historical context and renders an ethereal art world with "blank" as a carrier.
- Àkókò Iṣẹ́ Àkànṣe
- Design Cycle: April 2020-April 2021
Completion time: October 2021
Locayion: No. 33, Houguan Lane, Yuecheng District, Shaoxing City, Zhejiang Province - Ìlànà Ìṣiṣẹ́
- The museum and the surrounding landscapes are intertwined, creating a number of gray spaces that embody the Oriental aesthetic functions of "hiding, resting, self-cultivating and wandering" that are specific to Chinese traditional architecture. The designers create a complete and coherent spatial experience related with the architecture and landscapes for tourists, with the aid of the spatial construction technique known as "viewpoint transformation."
- Àwọn Ọmọ Ẹgbẹ́
- Chu Ran
Liu Wanlin
Wang Junzheng
Mei Wenbin - Ìfọwọ́sí Àwòrán
- Zhao Qiang
Oníṣọwọ́
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