Line and Structure Ìṣàpẹẹrẹ Ilé fún Ibùgbé láti ọwọ́ San.O Interior Design jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2023 Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àyà Inú Ilé àti Ibi Àfihàn.
IdẹInú Ilé· 2023
Line and Structure Ìṣàpẹẹrẹ Ilé fún Ibùgbé
látọ̀wọ́ San.O Interior Design
Oníbàárà: San.o Interior Design
Aṣẹ́gun Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Inú Ilé
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #142300Àpẹrẹ Náà
Nípa Line and Structure Ìṣàpẹẹrẹ Ilé fún Ibùgbé
Ìlà àti Ìgbékalẹ̀ jẹ́ ìṣàpẹẹrẹ inú ilé fún ilé ìdílé alájà márùn-ún ní Taiwan. A gbé ètò ilé náà kalẹ̀ fún ìdílé ènìyàn mẹ́wàá láti ìran mẹ́ta. Àwọn ìlà tí ó dúró sí ìsàlẹ̀ àti ti ó gbé kọjá ni wọ́n ń ṣamọ̀nà ojú, tí wọ́n sì so àwọn àgbègbè gbogbo ènìyàn tí ó wà ní ilẹ̀ ìsàlẹ̀ pọ̀ mọ́ àwọn yàrá ìkọ̀kọ̀ tí ó wà ní ilẹ̀ òkè. Àwọn àwọ̀ tí kò fọ́n mọ́lẹ̀ jọjọ àti àwọn ẹ̀rọ irin ṣẹ̀dá ìhòòhò àlàáfíà. A ṣe ògiri pàtàkì náà pẹ̀lú Neolith, ohun èlò òkúta tín-ínrín tí a lè tún lò, nígbà tí a fi kùn ìtàwọ̀ ilẹ̀ Italy bo àwọn ògiri yòókù. Ìmọ́lẹ̀ àti òjìji fẹ̀ ìrísí gígùn àti dín kù ní ojú-ìwòye.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Idẹ A' Design Award
Line and Structure Ìṣàpẹẹrẹ Ilé fún Ibùgbé jẹ́ olùborí Àmì-ẹ̀yẹ Idẹ A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe tó tayọ tí wọ́n yàtọ̀ nípasẹ̀ ìṣẹ̀dá, àrékérekè àti ọgbọ́n inú. Àwọn olùborí Idẹ jẹ́ àwọn ohun èlò tó ní ìjáfáfá gan-an tí wọ́n sì ní ìṣẹ̀dá tó yani lẹ́nu tí wọ́n ń ṣe ẹ̀rí ìrírí gbígbòòrò, ìrònú àti ọgbọ́n àwọn olùṣàwòṣe wọn. A retí pé Line and Structure Ìṣàpẹẹrẹ Ilé fún Ibùgbé yóò jẹ́ ohun tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó jẹ́ ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Idẹ A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ nínú iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ jọ, ó sì tayọ nítorí àfiyèsí rẹ̀ sí àwọn àlàyé kékeré. Line and Structure Ìṣàpẹẹrẹ Ilé fún Ibùgbé ń tẹ́ àwọn ohun tí a nílò lọ́rùn lọ́nà àgbàyanu, ó ń fọwọ́ kan àwọn ìfẹ́ inú, ó ń gbà ọkàn ó sì ń fa ìfẹ́ láti mọ̀ mọ́ra.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- The design team connects different materials and changes of light and shadow to create a majestic and smooth design. The low saturation colors reveal a calm and quiet atmosphere, complemented by various metal embellishments, which gently lay out the texture and atmosphere. The space is designed with vertical and horizontal lines to explore the connection between family members. In the open plan, the vertical and horizontal lines can lead the visual extension, invoke natural light upward, converge downward to connect the public area on the second floor and connect the private area on each floor horizontally to make the home warmer.
- Ìwọ̀n àti Àpò
- The project has 991.7 square meters, with 5 floors and a single floor area of 198.3 square meters. There are 8 rooms, a dining room, a living room, and 4 social halls. In terms of function, the 1st and 2nd floors are public areas, the 1st floor has a garage and a social hall, and the 2nd floor has a living room, a restaurant, a cooking area, and a light meal area. The 3rd to 5th floors are private areas, the 3rd and 4th floors have a social hall, a study room, a master bedroom, and two childrens rooms, the 5th floor has a Buddhist hall, a parents' room, and a guest bedroom.
- Àwọn Àkọlé
- Patio, large area, single-family house, light and shadow, lines.
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- The client prefers the natural texture of stone, and therefore the design team adopts imported Neolith to replace marble in the main wall. When it comes to Neolith, it has three characteristics: first, it is made of 100% natural materials and can be recycled, second, its thickness is only 3mm, which has the same texture as stone with its thinness, third, the porosity of the material is less than 0.08%, which can effectively prevent the accumulation of bacteria and allergens. As for the paint, the project adopts Italian eco-friendly mineral paint.
- Ìpèníjà Àpèsè
- The project has five floors and a large space, so there are many beams and columns. In particular, the large beams on the first floor are the most noticeable. To solve the problem, the design team used dark stone veneer to cover the beams and columns and added wood panels to weaken the beam visually and increase lighting. To avoid the visual pressure caused by the uneven beams, the design team deliberately lowered the ceiling. However, to maintain a transparent view, the design team through the patio and lighting to guide the light, creating a harmonious and unobtrusive space.
- Ìwádìí
- The interplay of light between the vertical and horizontal axes allows for the visual extension of the long and narrow layout. The low saturation of color blocks outlines the refinement of the environment. The changes in light and shadow enrich the interior yet create an artistic expression. The design team uses light, shadows, and, lines to construct the visual in the space thus named this project 'Between line and structure.' The whole space preserves the privacy of each family in the private area while maximizing the interaction of each family member in the public area.
- Ìmísí
- The clients family consists of ten members from three generations. Inspired by the warm atmosphere of this large family, the design team used the three elements of light, shadow, and line according to the characteristics of the building to create independency for the public and private areas. In the end, the design team created a separate space for each person, while connecting the close living and interaction between family members to build the ideal home.
- Àkókò Iṣẹ́ Àkànṣe
- The project finished in January 2022 in Taiwan.
- Ìlànà Ìṣiṣẹ́
- The long and narrow layout affects the vision and feeling. To avoid the feeling of oppression, the design team used light, shadow, and lines in the space. Especially in the study areas on the 3rd and 4th floors, the diffuse light and shadow stretch the vertical axis of the space, invisibly leading the visual extension upward. The design team used precise lines to decorate the environment so that clients can feel the varied elements of the design no matter where they are.
- Àwọn Ọmọ Ẹgbẹ́
- CHIUNG-YING CHIU, KENG-YAO CHANG
- Ìfọwọ́sí Àwòrán
- SAN.O INTERIOR DESIGN
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