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Bio Alaga Kekere láti ọwọ́ Vladimir Zagorac

Bio Alaga Kekere láti ọwọ́ Vladimir Zagorac jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2022 Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ohun-èlò Ilé.


IdẹOhun-èlò Ilé· 2022

Bio Alaga Kekere

látọ̀wọ́ Vladimir Zagorac

Oníbàárà: Vladimir Zagorac

Aṣẹ́gun Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ohun-èlò Ilé

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #140098

Àwọ̀

Àpẹrẹ Náà

Nípa Bio Alaga Kekere

Bio jẹ́ àkójọpọ̀ àwọn àlàga kékeré tí a ṣe àpẹrẹ rẹ̀ fún lílo nínú àwọn inú-ilé òde-òní. Ìṣí tí ó wà lára ẹ̀yìn-ìjókòó náà ń rán ni létí ewé tàbí ikarahun kan, tí ìrísí rẹ̀ sì ń yípadà nítòsí igun ìta di ìrísí tí ó jọra pẹ̀lú òdòdó igi Calla aethiopica. Igun yìí a máa tẹ̀ díẹ̀ sí ẹ̀yìn, ó sì ń ga sókè ní ìhà kan, tí èyí sì ń dá ìrísí àìdọ́gba (asymmetric) sílẹ̀. Àìdọ́gba yìí a máa ṣẹlẹ̀ lápá ìta ìrísí náà nìkan, nítorí náà ìtura àti ẹ̀kọ́-ìbáramu ara (ergonomics) ni a ṣì pa mọ́. Àwọn èròjà tí a lò ni àwọn pilásítì gbígbóná-tí-a-yà (molded thermoplastics), irin (steel), aluminiomu tí a dà (cast aluminum), igi oaku, àti awọ.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Idẹ A' Design Award

Bio Alaga Kekere jẹ́ olùborí Àmì-ẹ̀yẹ Idẹ A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe tó tayọ tí wọ́n yàtọ̀ nípasẹ̀ ìṣẹ̀dá, àrékérekè àti ọgbọ́n inú. Àwọn olùborí Idẹ jẹ́ àwọn ohun èlò tó ní ìjáfáfá gan-an tí wọ́n sì ní ìṣẹ̀dá tó yani lẹ́nu tí wọ́n ń ṣe ẹ̀rí ìrírí gbígbòòrò, ìrònú àti ọgbọ́n àwọn olùṣàwòṣe wọn. A retí pé Bio Alaga Kekere yóò jẹ́ ohun tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó jẹ́ ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Idẹ A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ nínú iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ jọ, ó sì tayọ nítorí àfiyèsí rẹ̀ sí àwọn àlàyé kékeré. Bio Alaga Kekere ń tẹ́ àwọn ohun tí a nílò lọ́rùn lọ́nà àgbàyanu, ó ń fọwọ́ kan àwọn ìfẹ́ inú, ó ń gbà ọkàn ó sì ń fa ìfẹ́ láti mọ̀ mọ́ra.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe
The ambiguous shape of the opening on the seat's back, recognizable as a leaf or shell transforms into a more characteristic form similar to the flower of the Calla aethiopica plant on the edge of the backrest. This edge bends slightly backwards and rises on one side, creating a new visual effect as opposed to the other side. The asymmetry of the silhouette does not affect the functionality and ergonomics of the seat since changes in the shape occur only in the outer areas of the form.
Ìwọ̀n àti Àpò
Width / Depth: up to 680mm, Height: 849mm (medium)
Àwọn Àkọlé
Asymmetry, Natural, Bio-form, Growth, Stylization
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
Molded thermoplastics, Welded laser-cut and pressed steel, Cast aluminum, Oakwood, Leather
Ìpèníjà Àpèsè
The shape of the seat can be associated with a multitude of natural forms but also with the general characteristics of the living world. The silhouette of the seat is defined through two edge curves similar in shape but with subtle differences such as curvature, orientation, distortion, and depth. These gradual changes emphasize growth as a universally understandable natural pattern and accentuate the form through minimal spatial deformations associated with gravity and weight. A firm overall construct was kept whilst utilizing asymmetry as one of the main chosen attributes.
Ìwádìí
The research was performed by analyzing samples from flora and fauna and simplification and stylizing through drawings and 3D computer models. The result contains no unnecessary visual details, and was driven by the challenge of creating asymmetrical functional aesthetics within an ergonomic fresh design, universally understood as a bio-form. Different variants were developed depending on the purpose of the chair and type of legs, with metal and wood as starting materials. The organic lines of the seats are additionally emphasized in contrast with the materials of the legs.
Ìmísí
Bio is a conceptual research project in the subject of stylistics created as a part of doctoral studies. The proposal of the chair collection was inspired by organic shapes and universal principals of nature.
Àkókò Iṣẹ́ Àkànṣe
The project lasted one semester at the Faculty of Applied Arts in Belgrade.
Ìlànà Ìṣiṣẹ́
Bio is a low armchair collection designed for various usages. It complements modern interiors with simplistic asymmetry and unobtrusive form open to interpretation.
Àwọn Ìwé-ẹ̀rí Ohun-Ìmọ̀
Copyrights belong to Vladimir Zagorac and the Faculty of Applied Arts in Belgrade
Àwọn Ọmọ Ẹgbẹ́
Designer: Vladimir Zagorac
Mentor: Marko Lukovic
Ìfọwọ́sí Àwòrán
Vladimir Zagorac, Faculty of Applied Arts in Belgrade

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