Fò lọ sí àkóónú
Aqua Scape the Orangery Version Gbogbo Ṣiṣu Faaji láti ọwọ́ Fujiki Architectural Design Studio

Aqua Scape the Orangery Version Gbogbo Ṣiṣu Faaji láti ọwọ́ Fujiki Architectural Design Studio jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2022 Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ọnà Dídára àti Iṣẹ́ Ọnà Ìgbékalẹ̀.


FàdákàIṣẹ́ Ọnà Dídára· 2022

Aqua Scape the Orangery Version Gbogbo Ṣiṣu Faaji

látọ̀wọ́ Fujiki Architectural Design Studio

Oníbàárà: F.a.d.s

Aṣẹ́gun Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Iṣẹ́ Ọnà Dídára

38,781

Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #139746

Àwọ̀

Àpẹrẹ Náà

Nípa Aqua Scape the Orangery Version Gbogbo Ṣiṣu Faaji

Eyi ni ẹya keji ti Aqua scape. Ẹya akọkọ ti pari bi apẹrẹ akọkọ ti Gbogbo Ṣiṣu Architecture. Aqua scape je kan asọ ati boneless faaji. Aqua-scape Ẹya Orangery ni eto awọ ara meji botilẹjẹpe ẹya akọkọ jẹ awọ kan. Ti a ba pe ni pe ẹya akọkọ ko ni egungun bi jellyfish, o ti le sọ pe ẹya Orangery dabi ede kekere kan nitori pe o ti we nipasẹ ikarahun rirọ ti o han gbangba. Ẹya akọkọ ti Aqua scape ni Japan 2006 ti n ṣanfo lori omi, sibẹsibẹ eyi n ṣanfo lori koriko.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Fàdákà A' Design Award

Aqua Scape the Orangery Version Gbogbo Ṣiṣu Faaji jẹ́ olùborí Àmì-ẹ̀yẹ Fàdákà A' Design Award, ìdánimọ̀ onípọ̀nlé lọ́nà àrà ọ̀tọ̀ tí a fún àwọn àwòṣe ìpele gíga jùlọ tó dára tó sì ń kan ọkàn. Àwọn olùborí Fàdákà jẹ́ àwọn iṣẹ́ tó ń tàn yòò gidigidi tó sì ní ìṣẹ̀dá púpọ̀ tí wọ́n ń ṣàfihàn ìmọ̀ ìjìnlẹ̀, ẹ̀bùn àti ìmọ̀ràn àwọn olùṣàwòṣe wọn. A retí pé Aqua Scape the Orangery Version Gbogbo Ṣiṣu Faaji yóò jẹ́ iṣẹ́ àgbàyanu, àpẹẹrẹ rere, ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun jinlẹ̀. Àwòṣe tó borí Àmì-ẹ̀yẹ Fàdákà A' Design Award yìí jẹ́ ohun ìmúṣẹ̀dá tó hàn gbangba gidigidi tí a mọrírì tó ń ṣe anfàní tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Aqua Scape the Orangery Version Gbogbo Ṣiṣu Faaji jẹ́ ẹ̀dá tí ọ̀pọ̀lọpọ̀ ń ṣe ìlara, tó ń jí ìfẹ́ inú, tó ń mú ìmọ̀lára rere wá tó sì ń jí ìyàlẹ́nu àti ìyanu.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe
BONELESS ARCHITECTURE MADE OF ONLY PLASTIC MATERIALS: This is the second version of Aqua-scape. The first one had completed as the first prototype of Whole Plastic Architecture. Aqua-scape was a soft and boneless architecture. This Aqua-scape The Orangery version has a double skin system although the first version was a single skin. If I say the first version was boneless like a jellyfish, I can say the Orangery version is like a small shrimp because it is wrapped by transparent soft shell.
Ìwọ̀n àti Àpò
The size of this work is width:1.5m by hight:1.5m by length:4m.
Àwọn Àkọlé
Plastic, Origami, Jellyfish, Small Shrimp, Space for Children
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
MATERIAL: The outer skin is made of a transparent 2mm thick polycarbonate sheet and the inner skin is a net structural 10mm thick cushion which was made of tubular polyethylene fiber. A net structural cushion is the one that the straw fiber in the midair that can be done with EVA or polyethylene is chiefly paid to attention as a cushion material for the bed by a transparent material with the welded three-dimensional spring structure in the reticulation. STRUCTURE: It is form resistance structure applied the ORIGAMI technique. CONSTRUCTION METHOD: The inner skin is made entirely by weaving a belt of a net structural cushion measuring 0.5m x 4m.
Ìpèníjà Àpèsè
This project started from one image Soft space like water. Is it possible to create a space by weaving a soft plastic material like cloth? Our study had been repeated with a lot of experiments aiming at the achievement of the initial image. However, despite trying many materials, most of our experiments had failed. Finally, we found a way to weave belts of 0.5m by 4m net structural cushions and bend them to create irregularities. However, because a net structural cushion was elastic, it could not maintain its shape just by bending it. Therefore, we decided to connect the vertices each other of the fold lines with a tension material, with the meaning of introducing compressive force to the material in advance.
Ìwádìí
FORM RESISTANCE STRUCTURE BY ORIGAMI TECHNIQUE: Not only the materials but also the structure and the construction method have been unsolved problems for long time since the project started, because it was very difficult to realize a soft and boneless architecture. When we were almost giving up the achievement of the concept to make it by using only plastic materials, we could find out Net structural cushion at last. A net structural cushion is made from EVA or polyethylene straw fiber as a cushion material for the bed with the reticulated three dimensional spring structure. However, a net structural cushion was unexpectedly heavy. It was occurred problem how to support the self-weight. After the many trials were failed, I concentrated to research the form resistance structure. An appropriate shape is given to the material and the structure that strength is obtained is called form resistance structure. After I folded many papers like ORIGAMI, a bright idea hit me by getting a hint from the thinking of Dr. Kresling. I could make the ruggedness on the surface of the cylinder like the paragraph seen in the bamboo that did abnormal growth. Then, the effect was similar to that of the PCCP shell.
Ìmísí
We were inspired from a jellyfish and a small shrimp because they are boneless. We were received an e-mail from Beam Gallery in UK and were requested to carry Aqua-scape (the first version) from Japan to UK. But, we thought it was impossible because Aqua-scape was big and heavy. So, we proposed a half size. However, if we made a half size Aqua-scape, a thickness of material would become a half size. Then, the strength of material would be we weaker. For that reason, it was difficult to make it.
Àkókò Iṣẹ́ Àkànṣe
Beam Gallery (The Orangery) in Wakefield, England, UK
Ìlànà Ìṣiṣẹ́
SPACE FOR CHILDREN: We made it as "Space for Children". So, only children can enter this work. We were able to meet indeed a lot of smiles of children during the exhibition.
Àwọn Ìwé-ẹ̀rí Ohun-Ìmọ̀
Fujiki Studio, KOU::ARC
Àwọn Ọmọ Ẹgbẹ́
ARCHITECT: Ryumei Fujiki, Yukiko Sato, DESIGN FIRM: F.A.D.S + Fujiki Studio, KOU::ARC, TEAM MEMBERS: Masahiro Hoshida
Takehito Kusanagi
Kenta Ochiai
Aki Sakai
Kazuhiro Shimura
Soh Kurihara
Itaru Morimoto
Keiya Sakashita
Shuya Tasaki
Ìfọwọ́sí Àwòrán
Fujiki Studio, KOU::ARC

Oníṣọwọ́

Ṣàwárí Ju Designers.org Lọ

Ṣàwárí àwọn ọjà, iṣẹ́ àti àǹfààní láti ọ̀dọ̀ àwọn alábàáṣe ìpolówó wa.

Àpèsè Dídára Tọ́sí Ìmọ̀yìn Ńlá

A' Design Award jẹ́ àmì ẹ̀yẹ àgbáyé tí àwọn onídàjọ́ ń fúnni fún àpèsè dídára. Kópa nínú A' Design Award láti ní àǹfààní láti gba ìmọ̀yìn tí o tọ́sí, gba òkìkí, ọlá àti ìpolówó fún iṣẹ́ rẹ. Yan iṣẹ́ rẹ fún A' Design Award kí o sì dije fún ẹ̀bùn A' Design Prize tó gbajúmọ̀.

Yan