Device of Perception Ile-iṣẹ Aṣa láti ọwọ́ Yuting Zhang jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2022 Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ìkọ́lé, Ilé àti Ètò.
IdẹÌkọ́lé· 2022
Device of Perception Ile-iṣẹ Aṣa
látọ̀wọ́ Yuting Zhang
Oníbàárà: Yuting Zhang
Aṣẹ́gun Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ìkọ́lé
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #138650Àpẹrẹ Náà
Nípa Device of Perception Ile-iṣẹ Aṣa
Ohun-elo Iwoye jẹ́ ile-iṣẹ aṣa kan ní Ilu Mexico, tí a gbé kalẹ láàrin agbegbe itan kan tí ó ní àwọn ilé kékeré àti ibi idagbasoke iṣowo tí ó ní àwọn ilé giga. Ile-iṣẹ náà bo agbegbe tí ó tó nǹkan bí mita square 4500 ó sì ní gbọ̀ngàn ìdánilẹ́kọ̀ọ́, ibi ìtàgé kékeré kan, aaye ìfihàn, àwọn ọ́fíìsì, ibi ìpamọ́ àti kafe kan. Àgbàlá ẹnu-ọ̀nà tí ó rì sílẹ̀ ya ilé náà sọtọ̀ kúrò ní òpópónà tí ènìyàn ń gbógun gbé, ó sì ń ṣiṣẹ́ gẹ́gẹ́ bí ìtẹ̀síwájú ìtàgé inú ilé. Ilé kọ̀ọ̀kan ti ilé gogoro kúkúrú náà ni a yí padà ní ìdámẹ́rin yíyíká, tí ó ń ṣẹ̀dá gọ́ọ̀lì gbogbo eniyan tí ó ní àpẹrẹ ajija pẹ̀lú àwọn ìwòye ìlú tí a fi férémù dì. A lo kọnkiri tí a fikun àti irin tí a ti fi ojú ojo mú le.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Idẹ A' Design Award
Device of Perception Ile-iṣẹ Aṣa jẹ́ olùborí Àmì-ẹ̀yẹ Idẹ A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe tó tayọ tí wọ́n yàtọ̀ nípasẹ̀ ìṣẹ̀dá, àrékérekè àti ọgbọ́n inú. Àwọn olùborí Idẹ jẹ́ àwọn ohun èlò tó ní ìjáfáfá gan-an tí wọ́n sì ní ìṣẹ̀dá tó yani lẹ́nu tí wọ́n ń ṣe ẹ̀rí ìrírí gbígbòòrò, ìrònú àti ọgbọ́n àwọn olùṣàwòṣe wọn. A retí pé Device of Perception Ile-iṣẹ Aṣa yóò jẹ́ ohun tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó jẹ́ ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Idẹ A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ nínú iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ jọ, ó sì tayọ nítorí àfiyèsí rẹ̀ sí àwọn àlàyé kékeré. Device of Perception Ile-iṣẹ Aṣa ń tẹ́ àwọn ohun tí a nílò lọ́rùn lọ́nà àgbàyanu, ó ń fọwọ́ kan àwọn ìfẹ́ inú, ó ń gbà ọkàn ó sì ń fa ìfẹ́ láti mọ̀ mọ́ra.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- The site is in between the low rise colonial historic quarter and the high rise commercial development, as an intersection node full of complexity in Mexico City. The cultural center is not only an exhibition space for Mexico City but could also be regarded as the device of perception. The perception is twofold in this project. One is that exterior plaza as the extension of the interior stage, the other is that a spiral path with various scenery frames as the narrative to understand the city.
- Ìwọ̀n àti Àpò
- Approximate total area 4500 square meters, with main conference/lecture hall, small theater hall, exhibition space, offices, storage, cafe.
- Àwọn Àkọlé
- cultural center, gallery, theater, exhibition
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- The cultural center is constructed using reinforced concrete. Informed by “stereotomic” architecture, the board-marked concrete walls of the center are treated as a found object. Corten is another material been introduced to the project. The use of the weathering steel creates an immediate visual link between past, present, and future.
- Ìpèníjà Àpèsè
- The selected site is adjacent to Zarco Plaza, public plaza alongside the Church of San Judeas Tadeo, near the convent of San Hipolito, located on Reforma Avenue at Avenida Hidalgo, which is an intersection node full of complexity in Mexico City. The design challenges are how to use space to fully interprete the surrounding urban context and the rich cultural and history narratices.
- Ìwádìí
- Explore how experimental miniature stage was used as a space in which objects, 2-‐dimensional drawings and 3-‐dimensional constructions of different scales could coexist in a seemingly unproblematic way, to see how the same spatial base was used to accommodate different scenarios and situations, just by moving props around, adding surfaces and changing backdrops.
- Ìmísí
- Aldo Rossi's Project the Small Scientific Theatre from 1978 is taken as a starting point to reflect upon the relation between architecture and image, and between object/ prop and space/ stage. The theatrino models made for the project then have borrowed this primary idea from Aldo Rossi to explore how does the Zarco Plaza could be regarded as the extension of the stage of the auditorium. The definition of performers has been extended in the exploration.
- Àkókò Iṣẹ́ Àkànṣe
- 2017 in Mexico City
- Ìlànà Ìṣiṣẹ́
- The sunken entrance plaza of the cultural center creates a tranquil start of the narrative, separating the cultural center from the heavy traffic La Reforma Avenue. The lower ground floor surrounding the sunken plaza houses the art storage facilities and a cafe, maximizing publicly accessible space continues from the plaza into the lobby of the building.
Each floor of the short tower is twisted a quarter turn, which creates a large spiral public gallery as the extension of the interior exhibition space. The story of the city has been told through the switch-over between the interior gallery and different compositions of historical layers from the breaking points/openings in the cube of the spiral path. Two auditoriums have been embedded in this spiral discourse, with lectures, talks, debates, conferences, and film screenings conducted in front of the urban backdrop. - Àwọn Ọmọ Ẹgbẹ́
- Yuting Zhang
- Ìfọwọ́sí Àwòrán
- Yuting Zhang
Oníṣọwọ́
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