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Chun Jiang Hua Yue Ye Igbeyawo Àsè Ounjẹ láti ọwọ́ Wei Zhang

Chun Jiang Hua Yue Ye Igbeyawo Àsè Ounjẹ láti ọwọ́ Wei Zhang jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2022 Àmì-ẹ̀yẹ Pílátínọ́mù A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àjọ àti Ìṣẹ̀lẹ̀.


Pílátínọ́mùÀjọ· 2022

Chun Jiang Hua Yue Ye Igbeyawo Àsè Ounjẹ

látọ̀wọ́ Wei Zhang

Oníbàárà: Wei Zhang

Aṣẹ́gun Àmì-ẹ̀yẹ Pílátínọ́mù A' Design Award nínú Ẹ̀ka Àjọ

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #137578

Àwọ̀

Àpẹrẹ Náà

Nípa Chun Jiang Hua Yue Ye Igbeyawo Àsè Ounjẹ

Chun Jiang Hua Yue Ye jẹ ewi Kannada kan, eyiti o tumọ si pe alẹ orisun omi jẹ tunu lori odo, oṣupa didan kan wa ni oju ọrun, oorun ti awọn ododo n fo. Atilẹyin nipasẹ awọn ewi Kannada, awọn ewi mẹta ni a lo lati lorukọ awọn ipin ati awọn iwoye oriṣiriṣi, ti o kun fun imọran iṣẹ ọna ila-oorun. Iriri immersive kii ṣe CJHYY nikan, ṣugbọn tun yatọ si awọn iṣesi ewi gẹgẹbi Full Ship Star River ati Peach ati Plum Spring Breeze, iyipada iṣẹlẹ kọọkan jẹ 360-degree subversive, ki awọn olukopa le ni iriri oriṣiriṣi ewi ati aworan.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Pílátínọ́mù A' Design Award

Chun Jiang Hua Yue Ye Igbeyawo Àsè Ounjẹ jẹ́ olùborí Àmì-ẹ̀yẹ Pílátínọ́mù A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe tó jẹ́ àrà ọ̀tọ̀ nítòótọ́, tó dára tó sì lọ́lá. Àwọn olùborí Pílátínọ́mù jẹ́ ìyanu ẹ̀dá, ẹ̀rí ààlà ìmọ̀ ẹ̀dá ọgbọ́n orí, wọ́n sì ń fi ìjáfáfá àti ọgbọ́n àìlẹ́gbẹ́ àwọn olùṣàwòṣe wọn hàn. A retí pé àwọn àwòṣe wọ̀nyí yóò jẹ́ àwọn iṣẹ́ tó lókìkí jùlọ tó ń ṣàlàyé ẹwà àkókò, tó ń ṣe àfikún sí ìlera àwùjọ tí wọ́n sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Chun Jiang Hua Yue Ye Igbeyawo Àsè Ounjẹ ń fi ìpele ìjáfáfá tó kọjá ààlà hàn, ó sì ń sọ ayé di ibi tó dára jù láìsí iyèméjì nípasẹ̀ àwọn ànímọ́ rẹ̀ tó ṣàǹfààní tó sì ṣeyebíye. Chun Jiang Hua Yue Ye Igbeyawo Àsè Ounjẹ jẹ́ iṣẹ́ tó borí Àmì-ẹ̀yẹ Pílátínọ́mù A' Design Award tó ń jí ìfẹ́ inú, tó ń fún ní ìmísí, tó ń mú láyọ̀ tó sì ń bí ayọ̀ ńlá.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe
This is a wedding banquet hall with an oriental artistic conception of music and poetry drama.
In the form of a 270-degree multimedia drama, the scene is divided into different chapters, and each chapter and scene is named with the three most famous Chinese poems.
There is a full moon, a clean river, and a flat boat.
The Tang Dynasty was rich in poetry, and the poem "Chun Jiang Hua Yue Ye" was written by Zhang Ruoxu, a great poet in the Tang Dynasty. Known as the first poem of Tang Dynasty.
Ìwọ̀n àti Àpò
The banquet hall is about 42000mm long, 32000mm wide, 8000mm high, and has about 65 round tables. The overall design of the scene covers an area of about 800 square meters.
Àwọn Àkọlé
Wedding space, art space, Event decoration, light and shadow art, dynamic space, Multimedia Drama,
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
A total of 8 LED screens of 270 degrees are used as the main medium for the immersive experience. The show is presented in a drama style. There is no MC in this event. Each chapter is named after an ancient poem, and each chapter is controlled through multimedia and lighting coordination. It opens and closes, and customizes different dynamic visual effects in different chapters, such as sparkling rivers, meteors across the sky, swaying cherry trees, etc., which completely subvert the senses.
Another main material is the mirror and star lights. The mirror can project light and shadow very well, adding a double effect to the space.
Ìpèníjà Àpèsè
1. A new fusion of Western-style weddings with oriental artistic conception. Previously, the oriental artistic conception was almost limited to Chinese weddings, and the collision with western-style romance was a unique attempt;
2. Poetic multimedia visual effects are a big difficulty for us. No one has tried it before, and there is no reference. It requires a professional team and designers to jointly conceive and create;
3. The use of a large number of multimedia and dynamic devices brings great difficulty to the connection in the process. We need professional switching equipment and a lot of rehearsal.
Ìwádìí
Type of study: The use of multimedia dynamic installations in weddings/events
Method: 270 ring screen and ground screen immersive setting method
Data collection: Over 800 guests participated and experienced the event
The use of multimedia screens in weddings is very small. Usually, the use of floral arrangements in weddings is a mainstream aesthetic, but the attempt of this design is to bring different sensory experiences, so that participants can feel the romance of modern multimedia and visual effects technology. At the same time, the participants have a very refreshing feeling; at the same time, there is no drama-like process like MC.
Ìmísí
Poetry in traditional Chinese culture was the inspiration for this design project. Using the artistic conception of ancient poetry as the design scene, we try our best to restore these rare world beauty, and inherit and spread traditional culture as much as possible. The poem "Chun Jiang Hua Yue Ye" describes a scene where a bright moon hangs in the sky on the edge of a sparkling but calm river, surrounded by elegant flowers. It expresses parting emotions and philosophical life emotions.
Àkókò Iṣẹ́ Àkànṣe
The project started in November 2020, and the design concept was completed in February 2021. After nearly 3 weeks of construction and production, the construction and production will be carried out on June 25, 2021, and the performance and production will be performed on the evening of June 26, 2021. exhibit.
Ìlànà Ìṣiṣẹ́
Dynamic multimedia installations, elevating the stage and moving hanging wire are used in the process, a moon lamp hanging on the wire, the chapter begins, the pipa sounds, and it will slowly descend from the sky. There is also a lifting stage, which is surrounded by curved electronic screens, which can be lifted and lowered according to the needs of the stage, like a pearl rising from the sea. Meteor lights are used in the starry sky device at the top, and the meteors will slowly pass by. There were also 5 subversive "makeovers" on the screen of the audience, which caused the scene to exclaim again and again.
Àwọn Ìwé-ẹ̀rí Ohun-Ìmọ̀
Copyright belongs to Wei Zhang, 2021.
Ìfọwọ́sí Àwòrán
Image#1: Photographer NZ Production
Image#2: Photographer NZ Production
Image#3: Photographer NZ Production
Image#4:Photographer NZ Production
Image#5: Photographer NZ Production
Video:Videographer Genhouse Film

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