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K Ile Nla láti ọwọ́ Katsufumi Kubota

K Ile Nla láti ọwọ́ Katsufumi Kubota jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2022 Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ìkọ́lé, Ilé àti Ètò.


IdẹÌkọ́lé· 2022

K Ile Nla

látọ̀wọ́ Katsufumi Kubota

Oníbàárà: Kubota Architect Atelier

Aṣẹ́gun Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ìkọ́lé

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #136223

Àwọ̀

Àpẹrẹ Náà

Nípa K Ile Nla

K jẹ́ ilé ńlá kan tí ó wà ní Nasu, Tochigi, Japan. Àwọn ilẹ̀, ògiri àti òrùlé ni a ṣe bí àwọn pẹpẹ tín-ínrín ọ̀tọ̀ọ̀tọ̀ dípò kí wọ́n jẹ́ àkópọ̀ pọ̀ ṣoṣo. Àwọn ọ̀wọ̀n tín-ínrín tí ìwọ̀n wọn jẹ́ millimeters mọ́kàndínlọ́gọ́rùn-ún [90] ni wọ́n fi gbé àwọn pẹpẹ kọnkiri tí a fi irin fún lágbára dúró, èyí tí ó mú kí gbogbo ìtẹ̀wọ́gbà náà fara hàn bí ohun tí kò wúwo. Ìsàlẹ̀ ọ̀kọ̀ọ̀kan pẹpẹ tí ó dín kù ní ìwọ̀n ni a fi dígí irin aláìlẹ́gbin ṣe, èyí tí ó ń fi ìran àyíká hàn bí dígí. A dín àwọn ògiri ìpínyà inú ilé kù sí ìwọ̀nba díẹ̀, tó bẹ́ẹ̀ tí àwọn yàrá fi ń darapọ̀ mọ́ ara wọn láìní ààlà tí ó fojú hàn. Ète ìṣàpẹẹrẹ náà ni láti so ìgbésí ayé ojoojúmọ́ pọ̀ mọ́ ẹ̀dá àyíká tí ó yí ilé náà ká.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Idẹ A' Design Award

K Ile Nla jẹ́ olùborí Àmì-ẹ̀yẹ Idẹ A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe tó tayọ tí wọ́n yàtọ̀ nípasẹ̀ ìṣẹ̀dá, àrékérekè àti ọgbọ́n inú. Àwọn olùborí Idẹ jẹ́ àwọn ohun èlò tó ní ìjáfáfá gan-an tí wọ́n sì ní ìṣẹ̀dá tó yani lẹ́nu tí wọ́n ń ṣe ẹ̀rí ìrírí gbígbòòrò, ìrònú àti ọgbọ́n àwọn olùṣàwòṣe wọn. A retí pé K Ile Nla yóò jẹ́ ohun tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó jẹ́ ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Idẹ A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ nínú iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ jọ, ó sì tayọ nítorí àfiyèsí rẹ̀ sí àwọn àlàyé kékeré. K Ile Nla ń tẹ́ àwọn ohun tí a nílò lọ́rùn lọ́nà àgbàyanu, ó ń fọwọ́ kan àwọn ìfẹ́ inú, ó ń gbà ọkàn ó sì ń fa ìfẹ́ láti mọ̀ mọ́ra.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe
The floors,walls,and roofs are refined as two-dimensional surfaces to the extreme.They are not joined together but are kept as separate components,either underground,above ground,or in the air where they need to be,composing the architecture.The overlapping and shifting of the abstract slabs lose their thickness and mass and seem to float,creating a space with ambiguous divisions where all areas converge into a loosely connected architecture.The architecture that revives connection erases the boundaries between the planar and sterical,inside and the outside,and between various realms.Thus the mind fuses with nature,and the mind integrated into the infinitely expanding nature leads to the essential richness and boundless freedom.This architecture is K Villa.
Ìwọ̀n àti Àpò
Site area 517.12 m2 Building area 105.16m2 Total floor area 95.69m2
Àwọn Àkọlé
Japan, Villa, Minimal, Modanism, Concrete
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
reinforced concrete
Ìpèníjà Àpèsè
The distance from the office to the site was about 1,000 km, and the coronavirus raged during the construction, so it was not easy to supervise the site. I think that supporting the roof with 90Φ thin pillars in Japan, which is an earthquake-prone country, will be the limit.
Ìwádìí
We are meant to coexist with the infinite expanse of nature.However,buildings are on the contrary and have been developed to separate the mind and from nature an much as possible.Thus when a building intervenes between the mind and nature,it severs the connection between the two,reinforces isolation,and slowly grows the darkness and coldness in the mind.Without realizing it,the mind creaks and becomes crooked.K Villa creates an architecture that overturns this process.
Ìmísí
The pressures of relating with others,however small and common they may be,cause our hearts to close,stagnate and obscure without our knowing.Our desires to be liberated from these pressures push us to update ourselves through superficial entertainment and joy and yet,our hearts remain clenched still,slowly eating away our energy to live.In order to reverse and break away from this flow,we must connect our hearts to an infinitely freer power,and to inspire a breath of new life.K Villa we create here will be planned so that it functions as a medium that induces response and fosters a relationship between both sides.
Àkókò Iṣẹ́ Àkànṣe
Design from 2015 to 2019 Construction from 2019 to 2020. Location: Nasu,Tochigi,Japan
Ìlànà Ìṣiṣẹ́
Completed without joining thin pillars with only 90Φ and slabs on the floor, walls, and roof, this K Villa gently connects to the outside nature, and attempts to transfer nature on the back of the tapered slab with a stainless mirror surface.
Àwọn Ọmọ Ẹgbẹ́
Katsufumi Kubota, Kazuya Toizaki, Kazu Kubota, Masayuki Kubota,Naoya Yuda
Ìfọwọ́sí Àwòrán
Katsu Tanaka

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