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Azure Blue and Emerald Harmony Ìṣàpẹẹrẹ Ilé fún Ìgbé Ayé láti ọwọ́ Tan Chieh Chen

Azure Blue and Emerald Harmony Ìṣàpẹẹrẹ Ilé fún Ìgbé Ayé láti ọwọ́ Tan Chieh Chen jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2022 Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àyà Inú Ilé àti Ibi Àfihàn.


IrinInú Ilé· 2022

Azure Blue and Emerald Harmony Ìṣàpẹẹrẹ Ilé fún Ìgbé Ayé

látọ̀wọ́ Tan Chieh Chen

Oníbàárà: W-house interior design

Aṣẹ́gun Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Inú Ilé

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #130927

Àwọ̀

Àpẹrẹ Náà

Nípa Azure Blue and Emerald Harmony Ìṣàpẹẹrẹ Ilé fún Ìgbé Ayé

Ìṣọ̀kan Azure Blue àti Emerald jẹ́ ìṣàpẹẹrẹ inú ilé fún ilé gbígbé kan tí a ṣẹ̀ṣẹ̀ kọ́, tó ní ìwọ̀n 33-ping, tó wà ní pákà kẹrìnlá. Ilé náà ní yàrá sísùn mẹ́rin, yàrá ìjókòó méjì àti balùwẹ̀ méjì tí ìmọ́lẹ̀ àdánidá ń wọlé. Àwọ̀ dúdú, eérú àti funfun tí ó dákẹ́ jẹ́ẹ́ ni a papọ̀ mọ́ àwọn ohun èlò rírọ̀ aláwọ̀ búlúù àti eérú. Férémù fèrèsé dúdú tí ó nípọn ń fi ìwòye ọgbà ìtura ita hàn bí àwòrán. Ìṣètò ìdajì-ṣíṣí pẹ̀lú àwọn ìlẹ̀kùn dígí eérú tí ń yọ́ lórí férémù irin ń ṣe ìtọ́jú àyè. Àwọn ìmọ́lẹ̀ ọ̀nà tí a fi sínú, ìmọ́lẹ̀ ògiri, ìmọ́lẹ̀ ìṣàfihàn àti chandelier ń ṣe àpẹẹrẹ ìran-àyíká ní alẹ́.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Irin A' Design Award

Azure Blue and Emerald Harmony Ìṣàpẹẹrẹ Ilé fún Ìgbé Ayé jẹ́ olùborí Àmì-ẹ̀yẹ Irin A' Design Award, ìdánimọ̀ olókìkí tí a fún àwọn àwòṣe tó dára tí wọ́n pàdé àwọn ohun tí iṣẹ́ àti ilé-iṣẹ́ nílò tí a retí láti ọ̀dọ̀ àwọn ẹ̀dá tí a ṣàwòṣe dáradára. Àwọn olùborí Irin ń fi ìjáfáfá ńlá, ìmọ̀ pàtó gíga, òye ògbóǹtarìgì àti agbára ìṣẹ̀dá àwọn olùṣẹ̀dá wọn hàn. A retí pé Azure Blue and Emerald Harmony Ìṣàpẹẹrẹ Ilé fún Ìgbé Ayé yóò jẹ́ ẹ̀dá tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó wúlò tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Irin A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ ilé-iṣẹ́ jọ, ó sì ní àwọn ànímọ́ ìmọ̀-ẹ̀rọ tó péye tí a so mọ́ ìmọ̀ ṣíṣe àti ẹ̀bùn. A bọ̀wọ̀ fún Azure Blue and Emerald Harmony Ìṣàpẹẹrẹ Ilé fún Ìgbé Ayé nítorí ìfọ̀kànbalẹ̀ rẹ̀, a sì ṣàwòṣe rẹ̀ láti pèsè ìmúdára ìgbésí ayé tó ń ran ayé lọ́wọ́ láti di ibi tó dára jù.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe
The client enjoys reading and living and decided to create a living space surrounded by daylight, hoping to integrate the interior design with the 10,000 level-ground parks outside the window. Hence, the designer wished to connect the space with the outdoor scenery and construct a harmonious aesthetic.
Ìwọ̀n àti Àpò
This project is a newly constructed 33-ping residence located on the 14th floor and is equipped with 4 bedrooms, 2 living rooms, and 2 bathrooms with natural lighting. To draw daylight into the interior with balance, the spatial is adopted with a semi-open-end design, gray glass sliding doors with iron frames, and a leading white tone supplemented by calm elements. By combining different lighting fixtures, such as linear recessed lights, wall lights, display lights, and chandeliers, a unique space atmosphere is brought to each area of the residence during the night.
Àwọn Àkọlé
Drawing view into the room, Lighting and transparency, Open-end space, Elegant with light luxury, Curved vocabulary.
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
Ink-black colors paired with shades of white, Fucheng marble television wall with abstract branch shapes, first-class flame-proof closets, gray glass, tiles, wall scones, chandeliers, French windows, and laminates.
Ìpèníjà Àpèsè
One of the critical points that the designer considered was integrating the view of the windows into the interior to create a harmonious and coherent feeling. First of all, matching colors of black, white, and gray are used as the central tonal as much as possible; through the same tonal selection and the rich texture of materials, layers with rich changes are interpreted within the low-chroma spatial tone. Secondly, the window entrance, floorings, and handles were arranged coherently to deliver perfection and harmony in function and sight.
Ìwádìí
The designer adopted the open-end approach to maximize the use of space; by converting one of the rooms into a semi-open space, the abrupt opening angle of the original door is eliminated. At the same time, the sliding iron-framed gray glass door design has saved a lot of space within the narrow housing layout. The designer focused on the overall balance of the space; therefore, the color scheme was carefully thought out. Colors of black, gray, and white are used as the main tonal of the room and are complemented by blue and gray tones of soft furnishings.
Ìmísí
The client enjoys reading and living and decided to create a living space surrounded by daylight, hoping to integrate the interior design with the 10,000 level-ground parks outside the window. Hence, the designer wished to connect the space with the outdoor scenery and construct a harmonious aesthetic. The color arrangements were critical while planning this project; the calm and restrained black, gray and white tones are combined with the selection of materials to quench an elegant and quiet harmony.
Àkókò Iṣẹ́ Àkànṣe
The project finished in January 2021 in Taiwan.
Ìlànà Ìṣiṣẹ́
The design team took natural advantage of this space and used thick black window frames with harmonious proportions, just like a picture frame to capture the flowing clouds and layers of mountains outside the windows, as if enjoying an endless landscape painting that lightens up the day after coming home. To highlight the consistency of the overall space, the semi-open-end display shelves are used in the functional area; they are equipped with modest drawers and gray glass doors, allowing the client who is fond of collecting treasures and wines to enjoy a comprehensive display and storage space.
Àwọn Ọmọ Ẹgbẹ́
TANG-CHIEH CHEN
Ìfọwọ́sí Àwòrán
W-house interior design

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