Yatsugatake Villa Villa láti ọwọ́ Kiyotoshi Mori and Natsuko Kawamura jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2022 Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ìkọ́lé, Ilé àti Ètò.
IdẹÌkọ́lé· 2022
Yatsugatake Villa Villa
látọ̀wọ́ Kiyotoshi Mori and Natsuko Kawamura
Oníbàárà: MDS Co., Ltd.
Aṣẹ́gun Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ìkọ́lé
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #129187Àpẹrẹ Náà
Nípa Yatsugatake Villa Villa
Yatsugatake Villa jẹ́ ilé ìsinmi ìgbà ẹ̀ẹ̀rùn tí ó wà ní Hokuto-City, Yamanashi, ní Japan. Ilé náà ni a kọ́ pẹ̀lú àwọn tube mẹ́ta tí ó ní ìrísí trapezoid, tí a to sí ìrísí fan tí ó ń ṣí sí gúúsù. Ẹnu-ọ̀nà gúúsù tí ó gbòòrò ń gba ìmọ́lẹ̀ oòrùn wọlé ní àsìkò òtútù, nígbà tí òrùlé àti ògiri ẹ̀gbẹ́ tí a fẹ̀ jáde ń dí oòrùn ìgbà ẹ̀ẹ̀rùn tí ó lágbára. Àwọn fèrèsé tí ó wà ní apá àríwá àti gúúsù ń jẹ́ kí atẹ́gùn kọjá inú ilé náà. A lo ọ̀nà ìkọ́lé onígi ìbílẹ̀ Japan, pẹ̀lú igi cedar, plasita, àti àwọn ìdábùú shoji. Àwọn ìdábùú shoji tí a ti pa ń fún ni ìmọ́lẹ̀ tí ó rọ̀, nígbà tí àwọn tí a ṣí sílẹ̀ ń ṣe férémù fún ẹwà àwọn òkè-ńlá tí ó yí ilé náà ká.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Idẹ A' Design Award
Yatsugatake Villa Villa jẹ́ olùborí Àmì-ẹ̀yẹ Idẹ A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe tó tayọ tí wọ́n yàtọ̀ nípasẹ̀ ìṣẹ̀dá, àrékérekè àti ọgbọ́n inú. Àwọn olùborí Idẹ jẹ́ àwọn ohun èlò tó ní ìjáfáfá gan-an tí wọ́n sì ní ìṣẹ̀dá tó yani lẹ́nu tí wọ́n ń ṣe ẹ̀rí ìrírí gbígbòòrò, ìrònú àti ọgbọ́n àwọn olùṣàwòṣe wọn. A retí pé Yatsugatake Villa Villa yóò jẹ́ ohun tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó jẹ́ ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Idẹ A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ nínú iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ jọ, ó sì tayọ nítorí àfiyèsí rẹ̀ sí àwọn àlàyé kékeré. Yatsugatake Villa Villa ń tẹ́ àwọn ohun tí a nílò lọ́rùn lọ́nà àgbàyanu, ó ń fọwọ́ kan àwọn ìfẹ́ inú, ó ń gbà ọkàn ó sì ń fa ìfẹ́ láti mọ̀ mọ́ra.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- The exterior is characterized by three modern trapezoid tubes, deforming the traditional Japanese space under deep eaves to frame the landscape in four directions. The form was derived from meticulous calculation of precipitation, the sun's movement in summer and winter, and the thermal environment. Shoji paper screens offer a space filled with soft light iconic of Japanese culture when closed, and switch to the majestic scenery framed by the walls when opened, providing two alternating scenes.
- Ìwọ̀n àti Àpò
- Site Area 691.00m2
Total Floor Area 110.01 m2 (1F 71.65 m2, 2F 38.36 m2)
W17,400mm x D12,300mm x H6,139mm - Àwọn Àkọlé
- Villa, Sun light, Wind, Fan-shape, Wooden, Mountain, Three adjacent shells, Sho-ji, Eaves, Farming
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- Contrary to the contemporary style guided by precipitation, sun rays and the surrounding environment, the construction of the house incorporates traditional Japanese wooden construction methods, with earthquake-resistant walls and large openings. Traditional Japanese techniques and components are used throughout, including plastering on the curved openings and fittings such as shoji and ranma (partition with ventilation and daylighting functions), creating a vernacular architecture.
- Ìpèníjà Àpèsè
- In Japan, especially in rural areas, the number of carpenters capable of building elaborate wooden houses is decreasing, and it was difficult to find a builder who could construct a building with a unique (challenging) design. In spite of the modern design, Japanese cedar and plastering materials are used, and shoji screens as well as other traditional materials handed down from generation to generation are fit in by the indigenous module method, enabling the definition of a Japanese space.
- Ìwádìí
- Three trapezoid tubes with north-south openings sit wide open towards the south to maximize winter daylight. Glass surfaces are set back from the roof edge to avoid direct south sun rays in summer. Side walls are arranged to block the west sun. The footprint is set back from the roof edge, partly to reduce soil excavation (deep foundation below the frost line is required), creating a sitting area free from rain dripping from the roof. It is a modern version of traditional Japanese engawa space.
- Ìmísí
- With exterior walls arranged to resemble a fan, the house provides framing for the landscape, maximizing the location on a plateau surrounded by fields and trees with panoramic view of mountain ranges in the distance. It is a summer resort, slightly cooler than humid summers in Tokyo, and yet the sun rays are strong and the winters are cold. The roof was extended to block direct sunlight in the summer and side walls to keep the western sun out, resulting in a series of tubular forms.
- Àkókò Iṣẹ́ Àkànṣe
- The project was completed in Hokuto-City, Yamanashi, Japan in 2012
- Ìlànà Ìṣiṣẹ́
- Considering the cold winter, the building is built in a fan shape, open to the south, in order to maximize the sunlight while the sun moves. On the other hand, in summer, the roofs and walls of the trapezoid tubes block the strong sun rays, creating shadows inside, and windows at the north and south let the breeze through to cool the airy space. The layout, guided by the thermal environment, provides various interior scenes of varying depths as seen through the openings that connect the spaces.
- Àwọn Ọmọ Ẹgbẹ́
- Kiyotoshi Mori
Natsuko Kawamura - Ìfọwọ́sí Àwòrán
- Photography: Toshiyuki Yano
Oníṣọwọ́
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