The Depth of Space Iṣẹ Abẹnu Ile fun Gbigbe láti ọwọ́ Hung-Yu Chen and Yi-Chia Kao jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2022 Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àyà Inú Ilé àti Ibi Àfihàn.
IdẹInú Ilé· 2022
The Depth of Space Iṣẹ Abẹnu Ile fun Gbigbe
látọ̀wọ́ Hung-Yu Chen and Yi-Chia Kao
Oníbàárà: Yu [ i ] Design Studio
Aṣẹ́gun Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Inú Ilé
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #128148Àpẹrẹ Náà
Nípa The Depth of Space Iṣẹ Abẹnu Ile fun Gbigbe
Ijinlẹ Aaye jẹ apẹrẹ abẹnu ile fun gbigbe ti a parí ni Taiwan ni ọdun 2020. Eto naa ni a to lẹsẹsẹ ni ayika ilana iṣàn-kaakiri ti o dabi ẹda-T, eyi ti o rọ́pò awọn yara tooro ati pinpin ti o wa tẹlẹ. Imọlẹ ọjọ́ ti n wọle láti àwọn fèrèsé apá àríwá àti ìwọ̀-oòrùn ń dá àwọn ìpele tí ó díẹ̀díẹ̀ ń yí padà ti ìmọ́lẹ̀ àti òjìji jákèjádò àwọn agbègbè náà. A ti fa àwọn dígí gùn ní ojúbú lórí àwọn ògiri ní igun kan láti mú kí àwọn ìtànṣán àti ọ̀wọ̀n tí ó wà láàrin yàrá ìjókòó àti yàrá ìjẹun rọ̀, àti láti fẹ̀ ìwòye sí i. A ti ṣí àjà náà sílẹ̀ tí a sì fi àwọn àwọ̀ pàtàkì parí rẹ̀, nígbà tí àwọn pákó òkúta tí a kó wọlé láti ilẹ̀ òkèèrè ń ṣàfarawé àwọ̀-ọ̀nà àjà náà.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Idẹ A' Design Award
The Depth of Space Iṣẹ Abẹnu Ile fun Gbigbe jẹ́ olùborí Àmì-ẹ̀yẹ Idẹ A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe tó tayọ tí wọ́n yàtọ̀ nípasẹ̀ ìṣẹ̀dá, àrékérekè àti ọgbọ́n inú. Àwọn olùborí Idẹ jẹ́ àwọn ohun èlò tó ní ìjáfáfá gan-an tí wọ́n sì ní ìṣẹ̀dá tó yani lẹ́nu tí wọ́n ń ṣe ẹ̀rí ìrírí gbígbòòrò, ìrònú àti ọgbọ́n àwọn olùṣàwòṣe wọn. A retí pé The Depth of Space Iṣẹ Abẹnu Ile fun Gbigbe yóò jẹ́ ohun tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó jẹ́ ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Idẹ A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ nínú iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ jọ, ó sì tayọ nítorí àfiyèsí rẹ̀ sí àwọn àlàyé kékeré. The Depth of Space Iṣẹ Abẹnu Ile fun Gbigbe ń tẹ́ àwọn ohun tí a nílò lọ́rùn lọ́nà àgbàyanu, ó ń fọwọ́ kan àwọn ìfẹ́ inú, ó ń gbà ọkàn ó sì ń fa ìfẹ́ láti mọ̀ mọ́ra.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- Reorganized the spatial using a T shape as the base of the traffic flow design while combing the progressive light and shadow effects of the north and west natural sunlight. To solve the original roundabout, narrow and multi-compartment situation, consider the demands of the changes of family members and lifestyles and replaced the actual private area with the master bedroom and the secondary bedroom; while hoping to offer the client and pets an expansive and free traffic flow. Based on those needs, the designer designed the ceiling with an open-ended design.
- Ìwọ̀n àti Àpò
- The design area is around 40 ping, including the public area: the living room, the dining room, the resting area, and the private area: the master bedroom, the secondary bedroom, the bathing space, and the study.
- Àwọn Àkọlé
- depth and tense of life, transparent, expanded the visual space, light and shadow gradients
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- Italy-imported special paints, wooden-grained tiles, mirrors, hardware, Italy-imported unique stone slates, titanium-plated steel slates, Chang Hong glasses
- Ìpèníjà Àpèsè
- How to present a more penetrating visual effect in the space is the designer priority consideration and challenge in the space modification. Due to the changes of the client family members, the original three-bedroom cubicle has become a historical memory that needs to be adjusted slightly. Considering the activity habits of the three members of the family members and the two pets, in this case, the designer arranged the original roundabout and separated space as a freer, more penetrating line of life.
- Ìwádìí
- Using a T-shape as the base of public traffic flow planning, the sunlight from both sides of the windows has outlined a progressive space depth. At the same time, the designer applied the open-ended designing method and the cohesion ratio of different materials that combine light and shadow gradients to achieve a smooth and free traffic flow while connecting emotions from both sides. To improve the original low ceiling that caused visual pressure, the designer opened up the ceiling area using oil painting-like special paints as the main body of the structure.
- Ìmísí
- We hope to give new depth meanings to the space, reorganize the plane and redefine the lighting axis; deliver a rich visual sense through different light and shadow angles, and expand the vitality within the low-limit area. Using clear sight to measure space ratio, Yui Designs has reorganized the original spatial that was multi-cut; special paints with changing layers are used at the ceiling dome to create an oil painting visual depth of field. With the sunlight from the north and west, layers of emotions are built up to deliver a free traffic flow and vitality.
- Àkókò Iṣẹ́ Àkànṣe
- The project finished in 2020 in Taiwan.
- Ìlànà Ìṣiṣẹ́
- The designer applied a T-shaped spatial design to rearrange the original roundabout and divided space, also used the lightings of the west and north windows to solve dim issues. With the strong and weak layers of lights and shadows, scenery emotions for each area are created. The study that is located at the depths of the structure is not only being used as a scenic view; the designer used both sides of the sliding door that allow users to function more conveniently and freely.
- Àwọn Ọmọ Ẹgbẹ́
- Hung-Yu Chen, Yi-Chia Kao
- Ìfọwọ́sí Àwòrán
- Yu [ i ] Design Studio
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