Yamaki Zushi Iṣẹ́ Àkọ́kọ́: Àpẹẹrẹ Inú Ilé Oúnjẹ láti ọwọ́ Yu-Fan Kao and Wei-Hua Lin jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2022 Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àyà Inú Ilé àti Ibi Àfihàn.
FàdákàInú Ilé· 2022
Yamaki Zushi Iṣẹ́ Àkọ́kọ́: Àpẹẹrẹ Inú Ilé Oúnjẹ
látọ̀wọ́ Yu-Fan Kao and Wei-Hua Lin
Oníbàárà: Drawin Design Studio
Aṣẹ́gun Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Inú Ilé
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #128146Àpẹrẹ Náà
Nípa Yamaki Zushi Iṣẹ́ Àkọ́kọ́: Àpẹẹrẹ Inú Ilé Oúnjẹ
Yamaki Zushi jẹ́ inú ilé oúnjẹ ará Japan tí ó wà ní Taiwan. Ojú-ilé rẹ̀ ni a ṣe láti inú àwọn àwo irin tí a ṣe bí àwọn pákó igi ilé ará Japan, tí ó ń fún un ní ìrísí olóhùnpẹ̀tẹ́ àti ti ìgbà àtijọ́. Ní inú, àyíká Karesenzui aláwọ̀ eérú dúdú kan, ìkùdu ẹja àti ààyè afẹ́fẹ́ ń mú ìmọ́lẹ̀ ojúmọ́ àti ẹ̀dá pápá wọ inú ààyè náà. Àwọn agbègbè ìjẹun méjì ni a pèsè: kọ́ńtà ṣíṣí pẹ̀lú ìjókòó méjìlá ní àyíká ibi ìdáná, àti àwọn àpótí àdáni. Igi cypress, teak, igi tí a kò kùn, àwọn ohun èlò tí ó dàbí àpáta àti Baizou, ohun èlò tí a tún lò láti inú eérú òkè ìnájá, ń dín ọ̀rinrin àti òórùn oúnjẹ dídà kù.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Fàdákà A' Design Award
Yamaki Zushi Iṣẹ́ Àkọ́kọ́: Àpẹẹrẹ Inú Ilé Oúnjẹ jẹ́ olùborí Àmì-ẹ̀yẹ Fàdákà A' Design Award, ìdánimọ̀ onípọ̀nlé lọ́nà àrà ọ̀tọ̀ tí a fún àwọn àwòṣe ìpele gíga jùlọ tó dára tó sì ń kan ọkàn. Àwọn olùborí Fàdákà jẹ́ àwọn iṣẹ́ tó ń tàn yòò gidigidi tó sì ní ìṣẹ̀dá púpọ̀ tí wọ́n ń ṣàfihàn ìmọ̀ ìjìnlẹ̀, ẹ̀bùn àti ìmọ̀ràn àwọn olùṣàwòṣe wọn. A retí pé Yamaki Zushi Iṣẹ́ Àkọ́kọ́: Àpẹẹrẹ Inú Ilé Oúnjẹ yóò jẹ́ iṣẹ́ àgbàyanu, àpẹẹrẹ rere, ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun jinlẹ̀. Àwòṣe tó borí Àmì-ẹ̀yẹ Fàdákà A' Design Award yìí jẹ́ ohun ìmúṣẹ̀dá tó hàn gbangba gidigidi tí a mọrírì tó ń ṣe anfàní tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Yamaki Zushi Iṣẹ́ Àkọ́kọ́: Àpẹẹrẹ Inú Ilé Oúnjẹ jẹ́ ẹ̀dá tí ọ̀pọ̀lọpọ̀ ń ṣe ìlara, tó ń jí ìfẹ́ inú, tó ń mú ìmọ̀lára rere wá tó sì ń jí ìyàlẹ́nu àti ìyanu.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- First, the restaurant exterior is made of hardware in the shapes of weatherboard inspired by Japanese wooden weatherboards; the vintage-like facade appearance has created a sense of roughness through the added layers. Old materials are reused by continuing the original red brickwork technique from the former restaurant to this new space; yet, wooden bricks are applied instead of red bricks and have inherited the collage characteristics of the original design. The red brickwork and weatherboard designs have transferred the imagery and atmosphere of the former shop while adding a sense of Japanese.
- Ìwọ̀n àti Àpò
- The interior is built on the core of (the co-existence of men and nature). It has outlined the sense of (rough rustic) through the Karesenzui-like cement walls, shale-like materials, fish pond, tree sceneries, and atrium. At the same time, many wooden materials are applied for a spatial extension, creating the maximum richness in low-convergence changes of materials. The interior is decorated with gratings and window flaring that connected the Karesenzui landscaping at the entrance, practicing the core of this spatial design concept.
- Àwọn Àkọlé
- Dining space, Japanese, eco-friendly materials, Karesenzui, cypress.
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- Rusted iron, unpainted wood, cypress, teak, rock-imitated materials, Cadoni flooring, Baizou, rocks.
Baizou is a material recycled from volcano ashes in Japan. It could eliminate formaldehyde while decreasing moisture and smells. - Ìpèníjà Àpèsè
- With the advantage of free deployment, how to combine the client requirements with spatial arrangements to create a smooth traffic flow for employees and customers was one of the critical issues of this design. Finally, the designer mixed the overall structure with materials and construction method; combining different materials in the same tone such as cypress, unpainted wood, and teak with Baizou allows the space to decompose residual smells of cooking effectively.
- Ìwádìí
- The exterior is built in a rain staircase shape with rust-imitated materials; the use of vintage-like materials has intentionally given guests the first impression of roughness. After entering the interior, a dark-grey Karesenzui scenery shows up, and the dark-toned space has used an atrium method to draw daylight from outdoors. An open-end dining area and VIP boxes are introduced after the hallway; different materials in the same tone are applied to create a spatial extension. Unordered layers are created using cypress, unpainted woods, teak, rock-imitated materials, and Cadoni flooring.
- Ìmísí
- Aesthetics and simplicity develop this design concept. The spatial is divided by rough and delicate methods inside out, allowing users to experience different atmospheres between the transformation of areas.
- Àkókò Iṣẹ́ Àkànṣe
- The project finished in May 2021 in Taiwan.
- Ìlànà Ìṣiṣẹ́
- The overall spatial is mainly divided into two dining areas. One is the open-end counter area that contains twelve seats; these seats surround the cooking station. The square-shaped arrangement has echoed with the wooden diagonal planes on the disordered ceiling; also, the wooden tile screens have all together shown a peaceful atmosphere in the same tones. The other seating area is designed as private boxes; the steady, low-key wooden materials surround the seats with hardware screens.
- Àwọn Ọmọ Ẹgbẹ́
- Yu-Fan Kao, Wei-Hua Lin
- Ìfọwọ́sí Àwòrán
- DRAWIN DESIGN STUDIO
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