Qin Ẹ̀ka Àwòrán láti ọwọ́ Kaidi Mao jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2021 Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àwòrán, Àpèjúwe àti Ìbánisọ̀rọ̀ Ojú-Ìwòran.
IdẹÀwòrán· 2021
Qin Ẹ̀ka Àwòrán
látọ̀wọ́ Kaidi Mao
Oníbàárà: Kaidi Mao
Aṣẹ́gun Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Àwòrán
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #124488Àpẹrẹ Náà
Nípa Qin Ẹ̀ka Àwòrán
Qin jẹ́ ẹ̀wọ́n àwòrán tí ó tún ìtàn àkàsọ ìyàwòrán ilẹ̀ Ṣáínà ṣe ní ọ̀nà tuntun nípasẹ̀ ẹ̀rọ dígítà. Orúkọ náà Qin wá láti inú ọ̀rọ̀ Ṣáínà kan tí ó túmọ̀ sí láti wọ inú tàbí láti bà wọ inú, àti pé àmì kíkọ náà so àmì omi àti àmì ọkàn pọ̀. Àwọn àwòrán bẹ̀rẹ̀ gẹ́gẹ́ bí fọ́tò, lẹ́yìn náà ni a fi àwọn irinṣẹ́ dígítà bíi Photoshop, Cinema 4D àti Procreate ṣe wọ́n dàgbà. A ṣe ẹ̀wọ́n yìí ní ìwọ̀n méjì, ó sì lè jẹ́ àfihàn ní títẹ̀ tàbí lórí ìwòye, nínú gálẹ̀rì tàbí ní ilé. Ète náà ni láti fi ojú ìwòye Taoism nípa ìṣẹ̀dá hàn fún àwọn olùwòran kárí ayé.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Idẹ A' Design Award
Qin Ẹ̀ka Àwòrán jẹ́ olùborí Àmì-ẹ̀yẹ Idẹ A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe tó tayọ tí wọ́n yàtọ̀ nípasẹ̀ ìṣẹ̀dá, àrékérekè àti ọgbọ́n inú. Àwọn olùborí Idẹ jẹ́ àwọn ohun èlò tó ní ìjáfáfá gan-an tí wọ́n sì ní ìṣẹ̀dá tó yani lẹ́nu tí wọ́n ń ṣe ẹ̀rí ìrírí gbígbòòrò, ìrònú àti ọgbọ́n àwọn olùṣàwòṣe wọn. A retí pé Qin Ẹ̀ka Àwòrán yóò jẹ́ ohun tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó jẹ́ ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Idẹ A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ nínú iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ jọ, ó sì tayọ nítorí àfiyèsí rẹ̀ sí àwọn àlàyé kékeré. Qin Ẹ̀ka Àwòrán ń tẹ́ àwọn ohun tí a nílò lọ́rùn lọ́nà àgbàyanu, ó ń fọwọ́ kan àwọn ìfẹ́ inú, ó ń gbà ọkàn ó sì ń fa ìfẹ́ láti mọ̀ mọ́ra.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- Kaidi Mao's examination of the aesthetic and intellectual tradition of Chinese landscape painting has enabled him to understand the connection between classical Chinese painters and their natural environments. To explore such painting's relationship to nature in a contemporary context, Mao has used today's technology to produce digital images inspired by the traditions of China.
- Ìwọ̀n àti Àpò
- There are two sizes for this poster series: 24 inches x 36 inches, and 24 inches x 30 inches
- Àwọn Àkọlé
- Art, poster, Taoism, culture, landscape, painting
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- The initial images are from photography, then digitally created using tools like Photoshop, Cinema 4D and Procreate.
- Ìpèníjà Àpèsè
- The biggest challenge of this project is to visually communicate this East Asian worldview to international viewer, especially under the current political environment.
- Ìwádìí
- This project is a pictorial reinterpretation of Chinese painters' use of nature to communicate the Taoist notion that the whole planet is permeated by invisible Tao, "the Way of the cosmos, which is evident in nature." Mao has titled this project Qin. Qin, comes from the Chinese word, which means "to permeate", "to seep into". This project allows different cultures, concepts and methods to seep together. The character Qin consists of two parts: the left represents water, and the right represents the heart. Heart can be interpreted as the depth of one's feelings, and when combined with water, expresses something that comes from one's innermost being. Qin explores the aesthetic depth with which Chinese culture responds to, reveres, and honors the natural environment by reexamining pictorial traditions using contemporary digital image production. It also serves as an expression of the connection felt by a producer of such imagery with the underlying concept of Tao that inexpressibly permeates universal being in the Chinese tradition.
- Ìmísí
- As a designer from China living in the United States, I have sought to integrate my training in contemporary design with my personal and cultural identity. This has come through an examination of different media and technological approaches. This process has led me to a series of digitally produced design pieces that examine my own Chinese pictorial tradition. These works have also allowed me an alternative approach to understanding The Natural within my practice.
- Àkókò Iṣẹ́ Àkànṣe
- The project started in September 2019, finished in May 2020 in Los Angeles.
- Ìlànà Ìṣiṣẹ́
- These posters/graphic arts can be displayed physically and digitally, in a gallery setting or in a home setting.
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