Shany Abdallah Naji Iṣẹ́ Ọnà Àwòrán Onítẹ̀síwájú láti ọwọ́ Shany Dvora jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2021 Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àwòrán, Àpèjúwe àti Ìbánisọ̀rọ̀ Ojú-Ìwòran.
FàdákàÀwòrán· 2021
Shany Abdallah Naji Iṣẹ́ Ọnà Àwòrán Onítẹ̀síwájú
látọ̀wọ́ Shany Dvora
Aṣẹ́gun Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Àwòrán
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #121320Àpẹrẹ Náà
Nípa Shany Abdallah Naji Iṣẹ́ Ọnà Àwòrán Onítẹ̀síwájú
Shany Abdallah Naji jẹ́ ọ̀wọ́ àwọn iṣẹ́ ọnà àwòrán tí ó jí àṣà ìsọ orúkọ ìdílé kan padà sí ipò. Àṣà náà, tí ó parí nígbà tí ìdílé náà kúrò ní Iraq lọ sí Israel, máa ń fún ọmọ tuntun ní orúkọ àkọ́kọ́ tí a máa ń tẹ̀lé pẹ̀lú orúkọ baba àti orúkọ baba àgbà. A dá ọ̀wọ́ iṣẹ́ yìí lẹ́yìn tí a rí àwọn ìwé ìjìnà ìdílé àtijọ́. Àwọn iṣẹ́ márùn-ún tí a fi onírúurú ohun èlò ṣe, mẹ́rin nínú wọn ní ìwọ̀n 50 nípa 70 sẹ́ntímítà àti ọ̀kan tí ó ní ìwọ̀n 75 nípa 70 sẹ́ntímítà, ń hun àwọn àwòrán sínú ìkọ̀wé ẹlẹ́wà Hébérù tí àwọn ìwé àfọwọ́kọ Hébérù láti Iraq, Yemen àti Morocco tí a ṣe láàárín ọ̀rúndún kejìlá àti ìkẹ́ẹ̀ẹdógún ṣe ni ìmísí.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Fàdákà A' Design Award
Shany Abdallah Naji Iṣẹ́ Ọnà Àwòrán Onítẹ̀síwájú jẹ́ olùborí Àmì-ẹ̀yẹ Fàdákà A' Design Award, ìdánimọ̀ onípọ̀nlé lọ́nà àrà ọ̀tọ̀ tí a fún àwọn àwòṣe ìpele gíga jùlọ tó dára tó sì ń kan ọkàn. Àwọn olùborí Fàdákà jẹ́ àwọn iṣẹ́ tó ń tàn yòò gidigidi tó sì ní ìṣẹ̀dá púpọ̀ tí wọ́n ń ṣàfihàn ìmọ̀ ìjìnlẹ̀, ẹ̀bùn àti ìmọ̀ràn àwọn olùṣàwòṣe wọn. A retí pé Shany Abdallah Naji Iṣẹ́ Ọnà Àwòrán Onítẹ̀síwájú yóò jẹ́ iṣẹ́ àgbàyanu, àpẹẹrẹ rere, ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun jinlẹ̀. Àwòṣe tó borí Àmì-ẹ̀yẹ Fàdákà A' Design Award yìí jẹ́ ohun ìmúṣẹ̀dá tó hàn gbangba gidigidi tí a mọrírì tó ń ṣe anfàní tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Shany Abdallah Naji Iṣẹ́ Ọnà Àwòrán Onítẹ̀síwájú jẹ́ ẹ̀dá tí ọ̀pọ̀lọpọ̀ ń ṣe ìlara, tó ń jí ìfẹ́ inú, tó ń mú ìmọ̀lára rere wá tó sì ń jí ìyàlẹ́nu àti ìyanu.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- Shany Abdalla Naji is a series of Graphic works attempting to revive the name giving tradition in the designer’s family.
This tradition that broke upon arriving to Israel from Iraq, consists of naming a new born and adding the names of his father and grandfather. Dvora learned all this recently after finding her family's immigration papers. This discovery left her excited thinking names can encompass within them the changes of tradition and culture and it made her question how her own name fits in her family’s ancestry - Ìwọ̀n àti Àpò
- 4 works 50*70 cm
1 work 75*70 cm - Àwọn Àkọlé
- Calligraphy, Typography, Hebrew, Eastern
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- Mixed Media
- Ìpèníjà Àpèsè
- -
- Ìwádìí
- For ages, the Middle East has been a meeting point for eastern and western cultures. This region has seen empires rise and fall, ever changing borders and frequent migrations of people looking for a fresh start. But not only the people journeyed across the land, with them came their family history, their stories, ideas, ideals and traditions.
This is the story of Dvora’s grandmother - Juliette Abdallah Moshe.
Juliette immigrated to Israel from Iraq in 1951 with her husband and three young sons. Her birth given name, Juliette Abdallah Moshe, as were the names of her ancestors, consisted of her first name followed by the names of her father and grandfather. When she arrived in Israel her name was changed to “Juliette Dvora” as part of the process of integration. Thus, the tradition linking the children’s names to those of their ancestors was broken. Dvora learned all this only in recent years after finding her grandmother’s original immigration papers. This discovery left her very excited thinking that a name of a man can encompass within it the changes of tradition and culture as it consists of the names of the previous family generations. The excitement was followed by a few questions though. Why is Shany’s name so different from the traditional and deeply rooted names in her family’s ancestry? Where and how does her name fit in there?
In this project She seeks to revive the name giving tradition that still lived on in the time of her grandmother’s birth. She does so through imagery woven into Hebrew calligraphy inspired by 12th-15th century Hebrew manuscripts from Iraq, Yemen and Morocco - Ìmísí
- In this project Dvora seeks to revive the name giving tradition that still lived on in the time of her grandmother’s birth. She does so through imagery woven into Hebrew calligraphy inspired by 12th-15th century Hebrew manuscripts from Iraq, Yemen and Morocco
- Àkókò Iṣẹ́ Àkànṣe
- 2018-2019, Israel
- Ìlànà Ìṣiṣẹ́
- -
- Àwọn Ìwé-ẹ̀rí Ohun-Ìmọ̀
- -
- Àwọn Ọmọ Ẹgbẹ́
- -
- Ìfọwọ́sí Àwòrán
- Shany Dvora
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