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Old English Embodiment Iṣẹ Akọkọ: Iṣeto Inu Ile Fun Hotẹli Bọtiiki láti ọwọ́ Chaos Design Studio

Old English Embodiment Iṣẹ Akọkọ: Iṣeto Inu Ile Fun Hotẹli Bọtiiki láti ọwọ́ Chaos Design Studio jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2021 Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àyà Inú Ilé àti Ibi Àfihàn.


IdẹInú Ilé· 2021

Old English Embodiment Iṣẹ Akọkọ: Iṣeto Inu Ile Fun Hotẹli Bọtiiki

látọ̀wọ́ Chaos Design Studio

Oníbàárà: Bagan Eighteen Sdn. Bhd.

Aṣẹ́gun Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Inú Ilé

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #119701

Àwọ̀

Àpẹrẹ Náà

Nípa Old English Embodiment Iṣẹ Akọkọ: Iṣeto Inu Ile Fun Hotẹli Bọtiiki

Ọrọ Iwe: Old English Embodiment jẹ iṣeto inu ile fun hotẹli bọtiiki kan ti a gbe kalẹ ninu ile-nla amunisin atijọ ti a mú padà bọ sipò, ti a kọ́ ní ìbẹ̀rẹ̀ àwọn ọdún 1800 ní George Town, Penang, Malaysia. Hotẹli náà ní yàrá mẹ́jọ, ọ̀kọ̀ọ̀kan yàrá sì ni a ṣe pẹ̀lú pákó òkúta mábùlù tí ó yàtọ̀. Tábìlì gbígbà àlejò jẹ́ ìwòye ètò àyíká tí ó fi hàn àwọn mábùlù mẹ́jọ náà papọ̀, tí ó mú kí àwọn àyè náà so mọ́ ara wọn. Àgbàlá ìgbàwọlé àti ibi ìdúró ni a ṣètò gẹ́gẹ́ bí yàrá ìkẹ́kọ̀ọ́ Gẹ̀ẹ́sì àtijọ́ fún àwọn àlejò tí ń dúró. Àtẹ̀gùn tí ó wọ́ dà mú àwọn àlejò lọ sí àwọn ọ̀nà orí òkè. Ìṣètò náà dọ́gba ìwà ìdásílẹ̀ pẹ̀lú ojú-ọjọ́ tí ó dàbí ilé.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Idẹ A' Design Award

Old English Embodiment Iṣẹ Akọkọ: Iṣeto Inu Ile Fun Hotẹli Bọtiiki jẹ́ olùborí Àmì-ẹ̀yẹ Idẹ A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe tó tayọ tí wọ́n yàtọ̀ nípasẹ̀ ìṣẹ̀dá, àrékérekè àti ọgbọ́n inú. Àwọn olùborí Idẹ jẹ́ àwọn ohun èlò tó ní ìjáfáfá gan-an tí wọ́n sì ní ìṣẹ̀dá tó yani lẹ́nu tí wọ́n ń ṣe ẹ̀rí ìrírí gbígbòòrò, ìrònú àti ọgbọ́n àwọn olùṣàwòṣe wọn. A retí pé Old English Embodiment Iṣẹ Akọkọ: Iṣeto Inu Ile Fun Hotẹli Bọtiiki yóò jẹ́ ohun tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó jẹ́ ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Idẹ A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ nínú iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ jọ, ó sì tayọ nítorí àfiyèsí rẹ̀ sí àwọn àlàyé kékeré. Old English Embodiment Iṣẹ Akọkọ: Iṣeto Inu Ile Fun Hotẹli Bọtiiki ń tẹ́ àwọn ohun tí a nílò lọ́rùn lọ́nà àgbàyanu, ó ń fọwọ́ kan àwọn ìfẹ́ inú, ó ń gbà ọkàn ó sì ń fa ìfẹ́ láti mọ̀ mọ́ra.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe
The site is a restored colonial mansion built in the early 1800s. Quantity over quality is evidently true in this project as it only has 8 rooms with 8 different marble slabs placed respectively. To create a connection between spaces and pivotal point of the hotel; the reception, its table is an abstract plan view of the 8 marbles placed together. Waiting areas like the lobby and landing are camouflaged into an old English study.
Ìwọ̀n àti Àpò
Inspired by Sir Norman Macalister, the British Governor of Penang from year 1808 to 1810. It serves as a homage to Penangs rich colonial past. It holds the the UNESCO World Heritage Site status (WHS) in 2008. Given its pre-war inception, this two-storey building is a load bearing wall, with no proper columns and wall like it is today. Throughout its alterations following legislation of its heritage, post and beam structure has been used, which is fairly new in Malaysia.
Àwọn Àkọlé
Hotel, Hospitality, Colonial Mansion, White Washed Timber Wainscot, Marble Wainscot, Luxurious Homey, Old English, Design Hotels
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
In sequential steps, we start off with team brainstorming, researches on its heritage and concept, moodboard for concept storytelling, hand drawn sketches for its form and massing, 2D to test the technicality and workability of our ideas, 3D overwritten by hand drawn sketches and to finally reach a final 3D visualization for all angles.
Ìpèníjà Àpèsè
Due to its UNESCO World Heritage Site status, we had to comply with design limitations in addition to our local heritage legislation by law. We had to analyze the ancient building structure before hacking works, given it is a load bearing wall without proper columns. Wall timber panels have cavity in between as the rising damp issue causes dampness from the floor to the wall. Combination of lux materials and craftmanship needed are lacking in our Malaysian market, challenging our design vision.
Ìwádìí
We studied various classical architecture books and case studies from Londons prestigious hotels to local pubs. Our aim is to find the right balance between luxury and homey hence, we searched for classical architecture found in typical homes. The workability of the design was experimented via various hand drawn sketches and 3D test renders. By confirming the right balance of classical elements, we further researched its technicality through the workmanship our local carpenter can allow.
Ìmísí
Our client takes pleasure in vacationing in London and wanted to recreate this boutique hotel into something that could be an expression of it. If we go into details, there are various elements such as Edwardian, Victorian or even Art Deco fused into the modern architecture in the streets of London as of 2021. Our client wanted to create a very comfortable approach to its users where class could be felt yet it feels homey.
Àkókò Iṣẹ́ Àkànṣe
Project started in August 2019 and finished in September 2020. Located in 228, Jalan Macalister, 10400 George Town, Penang, Malaysia.
Ìlànà Ìṣiṣẹ́
Upon entering, the user will be greeted with a grand Old English study which is the lobby of the hotel. Reception is located adjacent to it where users can check in their stay in either flexible areas. The multi-purpose room equipped with audio-visual can cater public guests easily accessible from main entrance. Heading towards the end of the lobby is the curvature staircase which will lead private guests to a landing area and corridors guiding them to their respective rooms.
Àwọn Ọmọ Ẹgbẹ́
Charles Khor
Vivian Khor
Ng Ke Quan
Edlyn Tan
Ìfọwọ́sí Àwòrán
All images: TWJPTO

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