Tea Culture Ìdí Àkọ́kọ́: Gbọ̀ngàn Ìrírí Àṣà Tíì láti ọwọ́ Shenzhen Horizon Space Design Co.,Ltd jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2021 Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àyà Inú Ilé àti Ibi Àfihàn.
FàdákàInú Ilé· 2021
Tea Culture Ìdí Àkọ́kọ́: Gbọ̀ngàn Ìrírí Àṣà Tíì
látọ̀wọ́ Shenzhen Horizon Space Design Co.,Ltd
Oníbàárà: Shenzhen Horizon Space Design Co.,Ltd
Aṣẹ́gun Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Inú Ilé
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #116924Àpẹrẹ Náà
Nípa Tea Culture Ìdí Àkọ́kọ́: Gbọ̀ngàn Ìrírí Àṣà Tíì
Àṣà Tíì jẹ́ gbọ̀ngàn kékeré fún ìrírí àṣà tíì tí a ṣe gẹ́gẹ́ bí àyíká ìdákẹ́rọ́rọ́ fún ìtọ́wò tíì. Ọ̀pọ̀ àwọn àyè tí ó dùbúlẹ̀ àti tí ó dúró ni a so pọ̀ di agbègbè kan tí ó ń bá a lọ, níbi tí àwọn àbẹ̀wò lè rìn lọ́fẹ̀ẹ́, pàdé ara wọn tàbí dúró kí wọ́n sì wo ẹ̀yìn. Bí a ṣe to àyè náà jẹ́ èyí tí ìwé tí a ká gba ìmísí, àwọn ìyípadà ojú-ìwòye tí ó jáde láti inú rẹ̀ sì fún inú ilé náà ní ìdákẹ́jẹ́ẹ́ àtọwọ́dọ́wọ́ àti agbára ọ̀gbàrà-òde-òní. Àwọn àwọ̀n tínrín rọ́pò ìsàlẹ̀ ojú ara ìwé. A dín àyè kọ̀ọ̀kan kù sí iṣẹ́ tí ó rọrùn, kí àwọn àbẹ̀wò lè sinmi kí a tó gbé tíì kalẹ̀.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Fàdákà A' Design Award
Tea Culture Ìdí Àkọ́kọ́: Gbọ̀ngàn Ìrírí Àṣà Tíì jẹ́ olùborí Àmì-ẹ̀yẹ Fàdákà A' Design Award, ìdánimọ̀ onípọ̀nlé lọ́nà àrà ọ̀tọ̀ tí a fún àwọn àwòṣe ìpele gíga jùlọ tó dára tó sì ń kan ọkàn. Àwọn olùborí Fàdákà jẹ́ àwọn iṣẹ́ tó ń tàn yòò gidigidi tó sì ní ìṣẹ̀dá púpọ̀ tí wọ́n ń ṣàfihàn ìmọ̀ ìjìnlẹ̀, ẹ̀bùn àti ìmọ̀ràn àwọn olùṣàwòṣe wọn. A retí pé Tea Culture Ìdí Àkọ́kọ́: Gbọ̀ngàn Ìrírí Àṣà Tíì yóò jẹ́ iṣẹ́ àgbàyanu, àpẹẹrẹ rere, ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun jinlẹ̀. Àwòṣe tó borí Àmì-ẹ̀yẹ Fàdákà A' Design Award yìí jẹ́ ohun ìmúṣẹ̀dá tó hàn gbangba gidigidi tí a mọrírì tó ń ṣe anfàní tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Tea Culture Ìdí Àkọ́kọ́: Gbọ̀ngàn Ìrírí Àṣà Tíì jẹ́ ẹ̀dá tí ọ̀pọ̀lọpọ̀ ń ṣe ìlara, tó ń jí ìfẹ́ inú, tó ń mú ìmọ̀lára rere wá tó sì ń jí ìyàlẹ́nu àti ìyanu.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- The Project took only more than one month from design to opening. How to complete design and high-quality implementation in such short time? And I thought of the ancient literati and painters, who had often dealt with friends, but only a few strokes and words would reveal their broad mind, much better than a masterwork. So, I simplified what was complicated. The process looked quite like the original intention of the tea ceremony—to eliminate fidgetiness before tasting fragrance.
- Ìwọ̀n àti Àpò
- What came last was visual presentation. For the interspace distortion caused by the connecting paper, it was a contingent visual effect we wanted to achieve, giving the entire room not only classical calmness, but also modern vitality. Finally, the surface texture of paper was replaced with slender grids to express an elusory and visible Oriental mood.
- Àwọn Àkọlé
- Tea Culture Exploration Hall
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- Smelling Osmanthus Fragrance is a well-known story about Zen. Huang Tingjian, a great calligrapher and litterateur in the Northern Song Dynasty, practiced the dharma to reach understanding of Zen and seek enlightenment, but being short-tempered, he thought that the master didn’t teach him how to get enlightened although they had stayed together for many years. One day, they traveled leisurely between the earth and sky. The master asked, Have you smelled the fragrance of osmanthus flowers? Huang Tingjian answered, I have. Everywhere! The master laughed and said, As you know, I didn’t hide anything from you! Huang Tingjian perceived Zen through meditation: Like the beauty of living and the fragrance of osmanthus flowers, the way of life can be found everywhere and will never disappear, but everybody must smell and comprehend it himself. The same is true for the philosophical connotation of the tea ceremony, isn’t it? It is just that tea is used as the carrier to seek enlightenment. That’s called the tea ceremony at the cultural level.
At the substantial phase of design, the biggest obstacle encountered was that the spaces were too small. There would be no extra space provided that the room was given all functions, but the design would be uninteresting supposing that nothing more was added. As I was at my wits’ end, it struck me that some idea might be obtained from the paper folding game I played in my childhood, so I folded, unfolded and ripped A4 paper again and gain, finally joining a number of horizontal and vertical spaces together and making them into a holonomic one where people could walk freely, interact with one another or stop to look back, looking like a 3D hanging courtyard. Through functional ablation of each space, people could easily enter a calm state of relaxation and meditation. That should presumably be the most ideal state for tea affairs. - Ìmísí
- When I was young, I despised the Japanese sado culture as a red tape, but I have now realized that I was so shallow because the tea ceremony is a process where one cultivates himself and seeks enlightenment. Years later, I heard the story of Smelling Osmanthus Fragrance in the Suzhou Garden and suddenly had my chaotic thoughts straightened out. It happened that my friend commissioned me to design a small-sized tea culture experience hall, so I named it Osmanthus Fragrance Cottage.
- Àwọn Ọmọ Ẹgbẹ́
- Song Han
Hairong Wu
Wenxiang Zhou
Jianyong Zhu
Lingmin Wang
Yulan Liao
Qian Liu
Oníṣọwọ́
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