Fab Primary Function: Àpèrò Inú Ilé Sinimá láti ọwọ́ Xiang Li jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2021 Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àyà Inú Ilé àti Ibi Àfihàn.
FàdákàInú Ilé· 2021
Fab Primary Function: Àpèrò Inú Ilé Sinimá
látọ̀wọ́ Xiang Li
Oníbàárà: X+Living
Aṣẹ́gun Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Inú Ilé
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #111752Àpẹrẹ Náà
Nípa Fab Primary Function: Àpèrò Inú Ilé Sinimá
Fab jẹ́ inú ilé sinimá tí ó wà ní Xi'an, ní orílẹ̀-èdè China, tí ó bo agbègbè ilẹ̀ tí ó jẹ́ mítà onígun mẹ́rin 1150. Àpèrò náà gbé ibi tí wọ́n ti ń ya fíìmù wọ inú gbọ̀ngàn àkọ́kọ́, tí àwọn àbẹ̀wò fi di aláwòran ní ojú-àyè gidi àti olùkópa tí a fojú inú wò nínú ìṣẹ̀dá fíìmù. Àwọn ohun-èlò ilé tí a ṣe àkànṣe ń ṣàtìlẹ́yìn fún àkòrí náà, títí kan sófà oníwẹ̀wẹ̀ ìwẹ̀, àwọn ijoko ìsinmi ní ọ̀nà olùdarí, àti ẹ̀rọ tíkẹ́ẹ̀tì tí ó rí bí àpótí ìṣètò. A dá àwo ọtí ìsinmi àti àwọn ohun ìdárayá bíi ẹ̀rọ ọwọ́-àwòrán papọ̀ pẹ̀lú àwọn gbọ̀ngàn ìwòran mẹ́rin. A gbé àwọn ìbéèrè fún ìró àti ìtura ijoko yẹ̀wò jálẹ̀ ọ̀nà.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Fàdákà A' Design Award
Fab Primary Function: Àpèrò Inú Ilé Sinimá jẹ́ olùborí Àmì-ẹ̀yẹ Fàdákà A' Design Award, ìdánimọ̀ onípọ̀nlé lọ́nà àrà ọ̀tọ̀ tí a fún àwọn àwòṣe ìpele gíga jùlọ tó dára tó sì ń kan ọkàn. Àwọn olùborí Fàdákà jẹ́ àwọn iṣẹ́ tó ń tàn yòò gidigidi tó sì ní ìṣẹ̀dá púpọ̀ tí wọ́n ń ṣàfihàn ìmọ̀ ìjìnlẹ̀, ẹ̀bùn àti ìmọ̀ràn àwọn olùṣàwòṣe wọn. A retí pé Fab Primary Function: Àpèrò Inú Ilé Sinimá yóò jẹ́ iṣẹ́ àgbàyanu, àpẹẹrẹ rere, ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun jinlẹ̀. Àwòṣe tó borí Àmì-ẹ̀yẹ Fàdákà A' Design Award yìí jẹ́ ohun ìmúṣẹ̀dá tó hàn gbangba gidigidi tí a mọrírì tó ń ṣe anfàní tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Fab Primary Function: Àpèrò Inú Ilé Sinimá jẹ́ ẹ̀dá tí ọ̀pọ̀lọpọ̀ ń ṣe ìlara, tó ń jí ìfẹ́ inú, tó ń mú ìmọ̀lára rere wá tó sì ń jí ìyàlẹ́nu àti ìyanu.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- The design of the theater is different from traditional theaters. The project is not only rendering the film sense with different forms, but also giving the audiences dual identities, both an audience in the reality and a participant of the movie-shooting in the imagination. They are connected and laid down to enter the film world step by step. And instead of waiting boringly, they will enter an active participation sparticipation state through the mobilization of the atmosphere.
- Ìwọ̀n àti Àpò
- The floor area of this project is 1150 sqm.
- Àwọn Àkọlé
- Li Xiang, retail, cinema, interior design, xliving, China
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- Through some interesting customized furniture, we have taken the theme of the entire space to the extreme. Bathtub sofa, director's rest seat, as well as the ticket counter that imitates the set box, etc, all satisfy the function while cooperating with the creation of the theme, allowing consumers to experience the charm of the movie in an immersive atmosphere.
- Ìpèníjà Àpèsè
- The biggest challenge is how to break the trditional pattern. It is easily to be misunderstood that the design ignores functions while completing the aesthetics, but in fact, all the specific requirements of the acoustics environment and the comfort of the audience are all under our consideration at the beginning. We believe that the cinema should undergo a transformation of spatial attributes. It should meet the increasingly vigorous social needs of young people. Simply relying on the sale of movie tickets cannot allow it to maximize the value of a commercial space. So we broke through this situation and completed this design.
- Ìwádìí
- Traditional theaters pay more attention on panoramic sound effects and the viewing experience on the screen while they lack creativity. The single business model of selling tickets and snacks, it weakens the experience and expectations that the venue can give the audienceThrough the design of this project, we have found a possibility that may be able to answer the problem of the future development of the theater.
- Ìmísí
- The inspiration for the project comes from the movie itself. We moved the shooting scene of film production to the main hall of the theater. We hope that the audience will be immediately impressed by the dramatic scene the moment they enter the theater. At the same time, through the integration of different entertainment facilities, the interaction between the audience and the cinema is not limited to watching the movie itself, which increases the possiblity of their consumption.
- Àkókò Iṣẹ́ Àkànṣe
- The project finished in January 2020 in Xi'an, China.
- Ìlànà Ìṣiṣẹ́
- According to the original plane, we can only build four relatively square video halls. Since this space pattern is difficult to provide rich viewing, instead of focusing on decoration, we integrated the space with other formats with similar entertainment attributes to build an avant-garde new cinema space. We moved the lounge bar into the theater space. It is not only an independently operable space, but also symbiotic and mutually beneficial with the cinema. The experiential claw machine and other entertainments also stimulates consumers to extend their stay in the theater, maximizes the value of the space.
- Àwọn Ọmọ Ẹgbẹ́
- Lead Designer: Li Xiang
Project Director: Ren Lijiao
Project Director: Wu Feng - Ìfọwọ́sí Àwòrán
- Image#1: Photographer Shao Feng, FAB Cinema, 2019.
Image#2: Photographer Shao Feng, FAB Cinema, 2019.
Image#3: Photographer Shao Feng, FAB Cinema, 2019.
Image#4: Photographer Shao Feng, FAB Cinema, 2019.
Image#5: Photographer Shao Feng, FAB Cinema, 2019.
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