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Rostrus Ṣeto Fiimu láti ọwọ́ Mark Melnikov

Rostrus Ṣeto Fiimu láti ọwọ́ Mark Melnikov jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2021 Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ọnà Dídára àti Iṣẹ́ Ọnà Ìgbékalẹ̀.


IdẹIṣẹ́ Ọnà Dídára· 2021

Rostrus Ṣeto Fiimu

látọ̀wọ́ Mark Melnikov

Oníbàárà: Mark Melnikov

Aṣẹ́gun Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Iṣẹ́ Ọnà Dídára

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

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Àwọ̀

Àpẹrẹ Náà

Nípa Rostrus Ṣeto Fiimu

Loni awọn ipa wiwo fun awọn fiimu ni a ṣẹda nipataki nipa lilo awọn imọ-ẹrọ kọnputa. Bi o ti lẹ jẹ pe, Rostrus ni a ṣe bi fiimu gidi-aye ti o ṣeto pẹlu aye fun ibon yiyan iwọn 360. Ẹgbẹ naa tẹle ọna ti aṣa lati yago fun iyapa laarin awọn oṣere ati agbegbe oni-nọmba. Awoṣe jẹ iwọn 1: 1000 ati alaye ti o dara, eyiti o fun laaye lati titu lati ijinna ti o to 2 centimeters si dada.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Idẹ A' Design Award

Rostrus Ṣeto Fiimu jẹ́ olùborí Àmì-ẹ̀yẹ Idẹ A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe tó tayọ tí wọ́n yàtọ̀ nípasẹ̀ ìṣẹ̀dá, àrékérekè àti ọgbọ́n inú. Àwọn olùborí Idẹ jẹ́ àwọn ohun èlò tó ní ìjáfáfá gan-an tí wọ́n sì ní ìṣẹ̀dá tó yani lẹ́nu tí wọ́n ń ṣe ẹ̀rí ìrírí gbígbòòrò, ìrònú àti ọgbọ́n àwọn olùṣàwòṣe wọn. A retí pé Rostrus Ṣeto Fiimu yóò jẹ́ ohun tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó jẹ́ ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Idẹ A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ nínú iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ jọ, ó sì tayọ nítorí àfiyèsí rẹ̀ sí àwọn àlàyé kékeré. Rostrus Ṣeto Fiimu ń tẹ́ àwọn ohun tí a nílò lọ́rùn lọ́nà àgbàyanu, ó ń fọwọ́ kan àwọn ìfẹ́ inú, ó ń gbà ọkàn ó sì ń fa ìfẹ́ láti mọ̀ mọ́ra.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe
Despite the fact that today almost all visual effects for films are mostly created using computer technologies, Rostrus was made in traditional technique. This approach allows to achieve the feeling of realism and immersion, and that is what audience wants. The high level of detail makes the model look plausible, when a viewer sees it on screen, he subconsciously recognizes a real-life model and becomes more involved and captured. Compared to computer 3D models, this real-life set is more plausible and cross-functional. It can be used not only for shootings, but for exhibitions as well.
Ìwọ̀n àti Àpò
Width 600mm x Depth 400mm x Height 760mm
Àwọn Àkọlé
movie set, tolkien, lord of the rings, weta, diorama, hobbit, silmarillion, lotr amazon
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
The model is made of medium density fiberboard, acrylonitrile butadiene styrene, polyvinyl chloride. The set is molded and casted with poured plastic (SmoothCast).
Ìpèníjà Àpèsè
The hardest thing of designing a landmark of a fantasy world is to make it both plausible and impressing.You have to take into consideration the entrenched style and fit in the cultural context.
Ìwádìí
During the pre-production research the team collected hundreds of behind-the-scenes photos from The Lord of the Rings and original John Howe sketches. We tried to analyse the architectural style of Middle-Earth and push it a little further.
Ìmísí
For this project the team derived inspiration from J.R.R.Tolkien books and The Lord of the Rings movie trilogy. The goal was to create a new architectural set relying on artistic style of John Howe and living up to the highest standards of Weta Workshop.
Àkókò Iṣẹ́ Àkànṣe
The project started in April 2020 in Novosibirsk and finished in September 2020, and was made specially for A'Design Award Competition.
Ìlànà Ìṣiṣẹ́
The set is good to use with professional high-resolution film cameras.
Àwọn Ìwé-ẹ̀rí Ohun-Ìmọ̀
Copyrights belong to Mark Melnikov, 2020
Àwọn Ọmọ Ẹgbẹ́
Creative direction: Mark Melnikov
Assistance: Kseniia Starygina
Ìfọwọ́sí Àwòrán
Image #1: Photographer Nataliya Degtyareva, Rostrus, 2020
Image #2: Photographer Nataliya Degtyareva, Rostrus, 2020
Image #3: Photographer Nataliya Degtyareva, Rostrus, 2020
Image #4: Photographer Nataliya Degtyareva, Rostrus, 2020
Image #5: Photographer Nataliya Degtyareva, Rostrus, 2020

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