The Last Blooming Multifunctional Aso láti ọwọ́ Qixin Wu

The Last Blooming Multifunctional Aso láti ọwọ́ Qixin Wu jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2023 Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Aṣọ, Ọ̀gbọ̀, Àwọ̀, Àpẹẹrẹ àti Ẹ̀wù.

IrinAṣọ· 2023

The Last Blooming Multifunctional Aso

látọ̀wọ́ Qixin Wu

Oníbàárà: EchoWu Design Studio

Aṣẹ́gun Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Aṣọ

37,954

Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #108758

Ṣàbẹ̀wò Ojú Òpó Wo ní A' Design Award Ìwé Ìròyìn Àmì Ẹ̀yẹ

Àwọ̀

Àpẹrẹ Náà

Nípa The Last Blooming Multifunctional Aso

Lati loye nkan ti o ni oye nipa ọgbọn, lati yi asọye ti o dabi ẹnipe eka sinu iwadii irọrun ti ibatan laarin ibẹrẹ ati ipari, awọn ododo ti o ku di ohun elo akọkọ lati ṣafihan ododo ti o han gbangba. Wọn duro ni ododo ati ṣafihan ẹwa ikẹhin. Atunse isokan ati awọn idii ti o larinrin fun iṣeto ni ikosile agbara diẹ sii. Awọn aṣọ fẹlẹfẹlẹ ilọpo meji, oke jẹ chiffon ati ẹhin jẹ owu, ṣẹda iyipada wiwa nigbati afẹfẹ ba de. Wiwo sihin ti chiffon ṣe alabapin si Blooming Ikẹhin diẹ sii ti o wuyi ati ohun aramada.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Irin A' Design Award

The Last Blooming Multifunctional Aso jẹ́ olùborí Àmì-ẹ̀yẹ Irin A' Design Award, ìdánimọ̀ olókìkí tí a fún àwọn àwòṣe tó dára tí wọ́n pàdé àwọn ohun tí iṣẹ́ àti ilé-iṣẹ́ nílò tí a retí láti ọ̀dọ̀ àwọn ẹ̀dá tí a ṣàwòṣe dáradára. Àwọn olùborí Irin ń fi ìjáfáfá ńlá, ìmọ̀ pàtó gíga, òye ògbóǹtarìgì àti agbára ìṣẹ̀dá àwọn olùṣẹ̀dá wọn hàn. A retí pé The Last Blooming Multifunctional Aso yóò jẹ́ ẹ̀dá tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó wúlò tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Irin A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ ilé-iṣẹ́ jọ, ó sì ní àwọn ànímọ́ ìmọ̀-ẹ̀rọ tó péye tí a so mọ́ ìmọ̀ ṣíṣe àti ẹ̀bùn. A bọ̀wọ̀ fún The Last Blooming Multifunctional Aso nítorí ìfọ̀kànbalẹ̀ rẹ̀, a sì ṣàwòṣe rẹ̀ láti pèsè ìmúdára ìgbésí ayé tó ń ran ayé lọ́wọ́ láti di ibi tó dára jù.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe: Some of them decayed naturally, and some of them were processed by HEAT PRESSED. By pushing bloomings to die, the fluid would be squeezed out of the stems and petals, and the melting botanic bodies would represent the rich colors of death beauty.
Besides that, the fresh green and goldenrod colors in the broadleaf depict the decomposition process. The musty mushroom with bloated ripe caps turned black and liquefied, playing a role in the decay through its fungus. the white fluff enhances the musty feeling.
Ìwọ̀n àti Àpò: High: 27 inches
Width: 45 inches
Àwọn Àkọlé: Decomposition, Heat Press, Flowers, Leaves, Hand Drawing, Textile, Fabric
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀: From design materials to print-out fabrics, the harmonious repeat and vibrant motifs give the layout more potential expression. The double layers fabrics, the top is chiffon and the back is cotton, create the shift looking when the wind comes. The transparent looking of chiffon contributes to THE LAST BLOOMING more attractive and mysterious.
Ìpèníjà Àpèsè: The Hardest Part of this design is the material choice. I have tried more than 50 different materials to test how the artwork represents the "Death Beauty". And for the fabrics. I tried cotton canvas, polyester, and silk. Finally, I found out this textured cotton and polyester chiffon can give the transparent looking and soft hand feel.
Ìwádìí: W C Miles, Leslie. Textile Printing. Manchester: 1982. Print.
Ujiie, Hitoshi. Digital Printing of Textile, Woodhead Publishing in textiles. 2006. Print.
Storey, Joyce. Manual of Textile Printing. 1975. Print.
Ìmísí: Inspired by Billy Kidd, who showed a heat-pressed flower with a flat decomposing effect. The relationship between started and finished became the starting point.
Inspired by the taphonomy, there are five general stages used to describe the process of decomposition, fresh, bloat, active, advanced decay, and dry/remains. By breaking up the body and analyzing its components, the decaying yet preserved, pressed flowers and leaves have an aged and textural appearance that can be used for designs. Yes, The picture of Death can be the birth of Beauty.
Àkókò Iṣẹ́ Àkànṣe: The project started in Jan 2015 in Philadelphia and finished in May 2021 in New York.
Ìlànà Ìṣiṣẹ́: To grasp something logically subversive, to turn a seemingly complex definition into a simple exploration of the relationship between "started and finished", the dead flowers become my main material to express the vivid blooming. They are still staying to bloom and show the final beauty in the double layers chiffon fabrics. The harmonious repeat and vibrant motifs give the layout more potential expression. The transparent looking contributes attractive and mysterious.
Àwọn Ìwé-ẹ̀rí Ohun-Ìmọ̀: Copyrights belong to Qixin Wu, 2022.
Trademark(2022) Qixin Wu.
Ìfọwọ́sí Àwòrán: Qixin Wu