Polonceau Railway Carriage Iṣẹ́ Àkọ́kọ́: Àfihàn Multimedia láti ọwọ́ Pitch Creative Engineering Bureau

Polonceau Railway Carriage Iṣẹ́ Àkọ́kọ́: Àfihàn Multimedia láti ọwọ́ Pitch Creative Engineering Bureau jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2021 Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àṣà Ìbílẹ̀ àti Ilé-iṣẹ́ Àṣà.

FàdákàÀṣà Ìbílẹ̀· 2021

Polonceau Railway Carriage Iṣẹ́ Àkọ́kọ́: Àfihàn Multimedia

látọ̀wọ́ Pitch Creative Engineering Bureau

Oníbàárà: Russian Railway Museum

Aṣẹ́gun Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Àṣà Ìbílẹ̀

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #108633

Ṣàbẹ̀wò Ojú Òpó Wo ní A' Design Award Ìwé Ìròyìn Àmì Ẹ̀yẹ

Àwọ̀

Àpẹrẹ Náà

Nípa Polonceau Railway Carriage Iṣẹ́ Àkọ́kọ́: Àfihàn Multimedia

Ẹ̀rọ Polonceau Railway Carriage jẹ́ àfihàn multimedia tí a ṣẹ̀dá fún ilé-ìkóhun-ìṣẹ̀ǹbáyé ọkọ̀ ojú-irin. Àfihàn náà so ọkọ̀ ìtàn àtijọ́ tí ó ṣọ̀wọ́n pọ̀ mọ́ ògiri fídíò onítẹ̀ẹ́gùn-púpọ̀ tí ó ń rìn ní ẹ̀gbẹ́ rẹ̀. Ògiri náà ga tó mítà 4.2, ó ní ìtẹ̀ẹ́gùn márùn-ún, ó sì ń rìn ní ìwọ̀n mítà 22. Fídíò náà fi inú ọkọ̀ àdáni ọlọ́lá kan hàn tí àwọn òṣìṣẹ́ àgbà ìjọba Soviet ń lò, tí ó ní ilé-ìdáná, àwọn yàrá pínpín, yàrá ìjókòó àti yàrá ìkẹ́kọ̀ọ́. Àwọn ìran tí a ya pọ̀ mọ́ àwòrán kọ̀ǹpútà, a sì mú fídíò náà bá ògiri tí ń rìn náà mu, kí àwọn àlejò lè rí àwọn ìṣẹ̀lẹ̀ tí ó ṣeé ṣe kí ó ti ṣẹlẹ̀ nínú rẹ̀.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Fàdákà A' Design Award

Polonceau Railway Carriage Iṣẹ́ Àkọ́kọ́: Àfihàn Multimedia jẹ́ olùborí Àmì-ẹ̀yẹ Fàdákà A' Design Award, ìdánimọ̀ onípọ̀nlé lọ́nà àrà ọ̀tọ̀ tí a fún àwọn àwòṣe ìpele gíga jùlọ tó dára tó sì ń kan ọkàn. Àwọn olùborí Fàdákà jẹ́ àwọn iṣẹ́ tó ń tàn yòò gidigidi tó sì ní ìṣẹ̀dá púpọ̀ tí wọ́n ń ṣàfihàn ìmọ̀ ìjìnlẹ̀, ẹ̀bùn àti ìmọ̀ràn àwọn olùṣàwòṣe wọn. A retí pé Polonceau Railway Carriage Iṣẹ́ Àkọ́kọ́: Àfihàn Multimedia yóò jẹ́ iṣẹ́ àgbàyanu, àpẹẹrẹ rere, ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun jinlẹ̀. Àwòṣe tó borí Àmì-ẹ̀yẹ Fàdákà A' Design Award yìí jẹ́ ohun ìmúṣẹ̀dá tó hàn gbangba gidigidi tí a mọrírì tó ń ṣe anfàní tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Polonceau Railway Carriage Iṣẹ́ Àkọ́kọ́: Àfihàn Multimedia jẹ́ ẹ̀dá tí ọ̀pọ̀lọpọ̀ ń ṣe ìlara, tó ń jí ìfẹ́ inú, tó ń mú ìmọ̀lára rere wá tó sì ń jí ìyàlẹ́nu àti ìyanu.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe: The installation combines a rare carriage named after a French engineer Camille Polonceau with a multi-screen video wall moving along. The video demonstrates inner space of a private premium carriage used by prominent Soviet officials. Historically accurate shooting is combined with CGI. Video content is accurately synchronized with video wall movement, so that a physical carriage standing next to a visitor a provides a glance at one of historical episodes that may have happened inside.
Ìwọ̀n àti Àpò: The height of video wall is 4.2 m, it consists of 5 screens and covers a distance of about 22 m. Ensured accuracy for the whole travel path is 1 mm. As visitors follow the moving wall within easy reach, the installation is equipped with an industrial safety system.
Àwọn Àkọlé: historical railway carriage, multi-screen video wall, CGI, costume shooting
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀: Video content was created with chroma key technique for compositing filmed action and CG. For proper realism and parallax effect we needed moving camera with precise repeatability for a 22 m travel path. Camera was mounted on a moving video wall. According to filming script a special program was written to control camera movement.
Ìpèníjà Àpèsè: The main production challenge was to create content with chroma key technique for compositing filmed action and CG. For proper realism and parallax effect we needed moving camera with precise repeatability for a 22 m travel path. It was impossible to rent such system for studio floor filming, so we placed historically accurate decorations behind the other installation we developed earlier for the same museum. Camera was mounted on a moving video wall. Due to digital motion control system and unique project pipeline no further adjustment, movement program correction or content re-rendering was needed afterwards.
Ìmísí: The Russian Railway Museum is one of the world's largest railway museums and keeps a vast collection of rare and legendary steam trains, locomotives, electric locomotives, railcars and other rolling stock. We have striven to create an authentic visitor experience complementing historical artifacts by modern technologies. Historically accurate video content immerses visitors into the past and enables to witness some episodes that might have happened. This installation was created on request, under supervision and with help of the Museum's exposition general contractor, The Art Combine for Museums & Exhibitions LCC (KMVI LCC).
Àkókò Iṣẹ́ Àkànṣe: The installation is available in the Russian Railway Museum permanent exhibition (St. Petersburg)
Ìlànà Ìṣiṣẹ́: Moving along premium carriage Polonceau visitors observe Vyacheslav Molotov, notorious Soviet Minister of Foreign Affairs, on his typical business trip. Inner space of the carriage presents a kitchen, lavatories, compartments for porters and guards, drawing rooms, a study and Minister's private compartment. The episode was recreated by one shot filming with custom high accuracy motion control technology. The video provides some explanations for interior environment.
Àwọn Ọmọ Ẹgbẹ́: General contractor
Artistic endeavor
Architectural design |
The Art Combine for Museums & Exhibitions LCC (KMVI LCC)
Concept and Principal | Andrey Pazgalyov (KMVI)
Senior Art Director | Ivan Nikitin (KMVI)
Chief Architect | Rodion Pautov (KMVI)
Project Manager | Ivan Kuznetsov (KMVI)
Creative Director | Boris Kislitsin (Pitch)
Technical Director | Dmitriy Napolnov (Pitch)
Production Director | Maxim Chepukhalin (Pitch)
Project Manager | Danil Gerasimenko (Pitch)
Chief Engineer | Vladimir Makhnov (Pitch)
Designing Еngineer | Oleg Savitchev (Pitch)
Automation Engineers | Valeriy Kozhukhov, Alexandr Lukin (Pitch)
Multimedia Engineer | Sergey Pervakov (Pitch)
Art Director | Svetlana Golovchanskaya (Pitch)
Scriptwriters | Vadim Shtepenko, Liza Pejemskaya (KMVI)
Supervisor | Roman Kuligin (Pitch)
3d Artists | Rustam Arazov, Anton Khondoker (Pitch)
Filming Operator | Mikhail Vikhrov (Pitch)
Film Post-production | Frame Bakery