Refracting Reality Ìṣàpẹẹrẹ Ìwé láti ọwọ́ Ching-Fa Lung jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2021 Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ìtẹ̀wé àti Àtẹ̀jáde.
FàdákàÌtẹ̀wé· 2021
Refracting Reality Ìṣàpẹẹrẹ Ìwé
látọ̀wọ́ Ching-Fa Lung
Oníbàárà: Art Center College of Design
Aṣẹ́gun Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìtẹ̀wé
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #107468Àpẹrẹ Náà
Nípa Refracting Reality Ìṣàpẹẹrẹ Ìwé
Refracting Reality jẹ́ ìwé kan nípa ìmọ́lẹ̀ àti bí ènìyàn ṣe ń fojú ríran. Ìwé náà ṣàwárí àwọn ànímọ́ mẹ́rin ti ìmọ́lẹ̀: ìyíyapa (refraction), ìtànṣán (reflection), ìtànkálẹ̀ (diffraction) àti ìkọlù (interference). A fi àwọn ànímọ́ wọ̀nyí hàn nípasẹ̀ ìṣàpẹẹrẹ àwọn lẹ́tà (typography) àti àwọn àwòrán káàkiri ojú ewé 368. A yan bébà tí a fi ohun didan bò àti èyí tí kò ní ohun didan lára láti fi ràn àwọn ìhùwàsí ìmọ́lẹ̀ ọ̀tọ̀ọ̀tọ̀ lọ́wọ́. A gbé prism tí ó lágbára sínú ẹ̀yìn ìwé náà, tí òǹkàwé sì lè yọ ọ́ jáde. Pẹ̀lú prism náà, àwọn òǹkàwé lè ṣàkíyèsí ìhùwàsí ìmọ́lẹ̀ tààrà, wọ́n sì lè bá àwọn àwòrán tí a tẹ̀ sọ̀rọ̀ pọ̀.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Fàdákà A' Design Award
Refracting Reality Ìṣàpẹẹrẹ Ìwé jẹ́ olùborí Àmì-ẹ̀yẹ Fàdákà A' Design Award, ìdánimọ̀ onípọ̀nlé lọ́nà àrà ọ̀tọ̀ tí a fún àwọn àwòṣe ìpele gíga jùlọ tó dára tó sì ń kan ọkàn. Àwọn olùborí Fàdákà jẹ́ àwọn iṣẹ́ tó ń tàn yòò gidigidi tó sì ní ìṣẹ̀dá púpọ̀ tí wọ́n ń ṣàfihàn ìmọ̀ ìjìnlẹ̀, ẹ̀bùn àti ìmọ̀ràn àwọn olùṣàwòṣe wọn. A retí pé Refracting Reality Ìṣàpẹẹrẹ Ìwé yóò jẹ́ iṣẹ́ àgbàyanu, àpẹẹrẹ rere, ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun jinlẹ̀. Àwòṣe tó borí Àmì-ẹ̀yẹ Fàdákà A' Design Award yìí jẹ́ ohun ìmúṣẹ̀dá tó hàn gbangba gidigidi tí a mọrírì tó ń ṣe anfàní tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Refracting Reality Ìṣàpẹẹrẹ Ìwé jẹ́ ẹ̀dá tí ọ̀pọ̀lọpọ̀ ń ṣe ìlara, tó ń jí ìfẹ́ inú, tó ń mú ìmọ̀lára rere wá tó sì ń jí ìyàlẹ́nu àti ìyanu.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- The book expressed light characteristics: Refraction, Reflection, Diffraction, and Interferer through typography and imageries. The light experience was considered in the book's materials, such as coated paper, uncoated paper, and a solid prism. The prism of the book spine was used to manifest the perception of light.
- Ìwọ̀n àti Àpò
- W8.5" x D1.75" x H11.75", 368 pages
- Àwọn Àkọlé
- Book Design, Editorial Design, Typography, Transmedia Design
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- The book was printed with the Epson P600 inkjet printer and using the Red River paper. Coated paper and uncoated paper were used for inner pages and the prism was used as a book's spine accessory.
- Ìpèníjà Àpèsè
- To create a 368-page book designed from extensive research on a chosen topic. Not only design a book but also curate the contents, edit and create a compelling narrative for readers to experience the book extensively.
- Ìwádìí
- In modern society, light is commonly used as a medium throughout a lot of screen time and various screen types. The designer wants to understand deeply the history of how humans started using light and what metaphors light has been bringing to humanity throughout centuries.
Not only looking at light as an art medium but also looking at the different meanings of light brings different cultures and religions in history. Different perspectives that humans observed light was the interesting context of the research for this project. - Ìmísí
- Light has been the main part of our world since the beginning of time. Humans have learned to use light to tell stories, relate, experience, and communicate. This book questions our perception of the world by examining the light through different forms of expression.
- Àkókò Iṣẹ́ Àkànṣe
- The project started in January 2019 in Pasadena and finished in April 2010 in Pasadena.
- Ìlànà Ìṣiṣẹ́
- Prism can be taken out of the book spine and readers can experience traits of light such as reflection, refraction, diffraction, and Interfere by using the actual prism. They can also interact with the book because a lot of imageries were curated considering this interaction.
- Ìfọwọ́sí Àwòrán
- Photographer: Kevin Martin
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