The Metamorphosis Aṣọ láti ọwọ́ Yingyi Chen

The Metamorphosis Aṣọ láti ọwọ́ Yingyi Chen jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2021 Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àṣà Ìmúra, Aṣọ àti Ẹ̀wù.

IrinÀṣà Ìmúra· 2021

The Metamorphosis Aṣọ

látọ̀wọ́ Yingyi Chen

Oníbàárà: Sculpture studio

Aṣẹ́gun Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Àṣà Ìmúra

20,206

Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #106017

Wo ní A' Design Award Ìwé Ìròyìn Àmì Ẹ̀yẹ

Àwọ̀

Àpẹrẹ Náà

Nípa The Metamorphosis Aṣọ

Metamorphosis jẹ́ aṣọ tí a fọwọ́ ṣe tí ó fa awokose láti inú èrò ìyípadà àti ìtẹ̀síwájú (evolution). Ìṣàpẹẹrẹ náà dá lórí egungun ẹranko tí a ti fẹ̀ jáde tí a ṣe láti bá ara ènìyàn mu. Àwọn àwòrán tí ó jáde yìí ń fi àwòrán tí ó dà bí ìṣàkópọ̀ ènìyàn àti ẹranko hàn. A ṣe aṣọ náà pẹ̀lú ike tí ó lè jẹrà (biodegradable plastic), awọ (leather) àti irun. Ike náà jẹ́ àjẹkù ohun èlò tí a fi ooru fún pọ̀ (hot pressed) pẹ̀lú irun láti ṣe aṣọ ọ̀nà. Awọ àti irun náà ni a túnlò láti inú àjẹkù tí ó ṣẹ́kù ní stúdíò àti ẹ̀gbin láti ilé gbígbé irun (barbershop). Apá apá, ọwọ́, iwájú, ẹ̀yìn àti apá ẹsẹ̀ ni a lè yọ kúrò tí a sì lè tún kó papọ̀ láti jẹ́ kí wíwọ̀ rẹ̀ rọrùn àti fún ìrọ́pò lẹ́yìn-ọ̀-rẹyìn.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Irin A' Design Award

The Metamorphosis Aṣọ jẹ́ olùborí Àmì-ẹ̀yẹ Irin A' Design Award, ìdánimọ̀ olókìkí tí a fún àwọn àwòṣe tó dára tí wọ́n pàdé àwọn ohun tí iṣẹ́ àti ilé-iṣẹ́ nílò tí a retí láti ọ̀dọ̀ àwọn ẹ̀dá tí a ṣàwòṣe dáradára. Àwọn olùborí Irin ń fi ìjáfáfá ńlá, ìmọ̀ pàtó gíga, òye ògbóǹtarìgì àti agbára ìṣẹ̀dá àwọn olùṣẹ̀dá wọn hàn. A retí pé The Metamorphosis Aṣọ yóò jẹ́ ẹ̀dá tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó wúlò tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Irin A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ ilé-iṣẹ́ jọ, ó sì ní àwọn ànímọ́ ìmọ̀-ẹ̀rọ tó péye tí a so mọ́ ìmọ̀ ṣíṣe àti ẹ̀bùn. A bọ̀wọ̀ fún The Metamorphosis Aṣọ nítorí ìfọ̀kànbalẹ̀ rẹ̀, a sì ṣàwòṣe rẹ̀ láti pèsè ìmúdára ìgbésí ayé tó ń ran ayé lọ́wọ́ láti di ibi tó dára jù.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe: In concepts of mutation and evolution,this design are based on exaggerated animal skeletons and designed to fit the body which is grounded in a unique visual interpretation of animal anatomy, building upon existing skeleton structures to create it that appear as natural properties of the human body, suggesting strength, power and sensuality—a cross-image of human and animal, an atemporal, supreme creature, beyond past and future.The design was handcrafted with degradable plastic, leather, hair.
Ìwọ̀n àti Àpò: 520mm Width x450mm Depth x 1200mm Height
Àwọn Àkọlé: Mutation, Metamorphosis, Leather, Plastics, Body
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀: The metamorphosis of human was made of degradable plastic, leather and hair. Biodegradable plastics are scrap materials provided by relevant manufacturers.Then apply the hot pressing technique and add the hair to form the fabric; Leather is the leftover material in the daily use of the studio, which is stitched after recycling. Hair comes from barbershop waste. As time went by, the work was finally broken down completely.
Ìpèníjà Àpèsè: First, how to express the texture of human skin in the future is an important problem. Second, the joints of the fingers, the part of the tail, the bulging part of the back, these details are a polyhedron, the model is more difficult to make.
Ìwádìí: The production process of this work is just like that of sculpture. In the process of human birth-development-metamorphosis, it is continuously ground, bent and processed. This process is the transformation from the original ape-man to the "synthetic material" of modern man. I have studied the medical aspects of the human body, and I have learned about the evolution of human beings in various ways in ancient times, such as the stage from crawling to standing upright. These studies and experiments laid the foundation for the project.
Ìmísí: "What began as such a simple form has evolved, and continues to evolve, into the most beautiful and wonderful of infinitely many forms." Charles Darwin said.Concepts of mutation and evolution are explored in order to develop a contemporary cross-image of human and animal, an atemporal, supreme creature, beyond past and future.All of the objects were handcrafted.Leather and hair are form recycling. Eventually this design was broken down into a new cycle.
Àkókò Iṣẹ́ Àkànṣe: The project started in January 2020 and finished in March 2020 in China.
Ìlànà Ìṣiṣẹ́: Each part of The metamorphosis of human could be disassembled and reassembled, for example, The arms, hands, front, back, and foot ornaments. This is for ease of wear and tear, freedom of movement, and the ability to replace or add parts in the future, thus achieving a process of constant renewal and evolution.
Àwọn Ìwé-ẹ̀rí Ohun-Ìmọ̀: Copyright to Yingyi Chen
Ìfọwọ́sí Àwòrán: Image #1: photographer Zhiming Li, Model Quansi Liu, 2020
Image #2: photographer Zhiming Li, Model Quansi Liu, 2020
Image #3: photographer Zhiming Li, Model Quansi Liu, 2020
Image #4: photographer Zhiming Li, Model Quansi Liu, 2020
Image #5: photographer Zhiming Li, Model Quansi Liu, 2020