For Georges Rousse Ìdí Iṣẹ́ Àkọ́kọ́: Àmì-ẹ̀yẹ láti ọwọ́ Hasong Lee

For Georges Rousse Ìdí Iṣẹ́ Àkọ́kọ́: Àmì-ẹ̀yẹ láti ọwọ́ Hasong Lee jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2020 Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àmì-ẹ̀yẹ, Ẹ̀bùn àti Ìdíje.

FàdákàÀmì-ẹ̀yẹ· 2020

For Georges Rousse Ìdí Iṣẹ́ Àkọ́kọ́: Àmì-ẹ̀yẹ

látọ̀wọ́ Hasong Lee

Oníbàárà: Hasong Lee

Aṣẹ́gun Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Àmì-ẹ̀yẹ

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #104814

Wo ní A' Design Award Ìwé Ìròyìn Àmì Ẹ̀yẹ

Àwọ̀

Àpẹrẹ Náà

Nípa For Georges Rousse Ìdí Iṣẹ́ Àkọ́kọ́: Àmì-ẹ̀yẹ

Fún Georges Rousse jẹ́ àmì-ẹ̀yẹ tí a ṣe gẹ́gẹ́ bí ìdọ́lá fún oníyàwòrán ọmọ ilẹ̀ Faransé kan. Àmì-ẹ̀yẹ náà jẹ́ ère alápá-mẹ́ta tí ó dá lórí anamorphosis, ìṣesí ojú-ìwòye kan nínú èyí tí ìrísí kan yóò máa dàbí ohun tí ó yí padà láti ọ̀pọ̀lọpọ̀ igun. Tí a bá wò ó láti ibi kan pàtó, àwọn pẹpẹ tí a ká náà yóò tọ́ra wọn, wọn yóò sì fi ìyìká pẹ́lẹ̀bẹ̀ kan tó ní àwọn ihò aláwọ̀ hàn. A ṣe àpẹẹrẹ ìrísí náà pẹ̀lú ètò kọ̀mpútà alápá-mẹ́ta. A gé àwọn àwo cupro-nickel àti fàdákà, a kà wọ́n, a sì sán wọn pọ̀, lẹ́yìn náà a fi ooru fi àwọ̀ sí wọn láti ṣẹ̀dá ìyàtọ̀ láàrin dúdú àti funfun. Àmì-ẹ̀yẹ náà ní ìwọ̀n 115 nípa 137 nípa 154 mílímítà.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Fàdákà A' Design Award

For Georges Rousse Ìdí Iṣẹ́ Àkọ́kọ́: Àmì-ẹ̀yẹ jẹ́ olùborí Àmì-ẹ̀yẹ Fàdákà A' Design Award, ìdánimọ̀ onípọ̀nlé lọ́nà àrà ọ̀tọ̀ tí a fún àwọn àwòṣe ìpele gíga jùlọ tó dára tó sì ń kan ọkàn. Àwọn olùborí Fàdákà jẹ́ àwọn iṣẹ́ tó ń tàn yòò gidigidi tó sì ní ìṣẹ̀dá púpọ̀ tí wọ́n ń ṣàfihàn ìmọ̀ ìjìnlẹ̀, ẹ̀bùn àti ìmọ̀ràn àwọn olùṣàwòṣe wọn. A retí pé For Georges Rousse Ìdí Iṣẹ́ Àkọ́kọ́: Àmì-ẹ̀yẹ yóò jẹ́ iṣẹ́ àgbàyanu, àpẹẹrẹ rere, ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun jinlẹ̀. Àwòṣe tó borí Àmì-ẹ̀yẹ Fàdákà A' Design Award yìí jẹ́ ohun ìmúṣẹ̀dá tó hàn gbangba gidigidi tí a mọrírì tó ń ṣe anfàní tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. For Georges Rousse Ìdí Iṣẹ́ Àkọ́kọ́: Àmì-ẹ̀yẹ jẹ́ ẹ̀dá tí ọ̀pọ̀lọpọ̀ ń ṣe ìlara, tó ń jí ìfẹ́ inú, tó ń mú ìmọ̀lára rere wá tó sì ń jí ìyàlẹ́nu àti ìyanu.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe: It is a trophy for French photographer Georges Rousse. Forms were made by imaging his stories and works. Based on this, I produced a trophy figure that is a three-dimensional impossible that showed the intended form and image at one point. I expressed the interior space that is his work in a structural form with a sense of space. Also if you look at the trophy from a point in time, you can see a two-dimensional circle with holes in different colors. It is an indirect message to rousse.
Ìwọ̀n àti Àpò: 115 mm x 137 mm x 154 mm
I produced a trophy figure that is a three-dimensional impossible that showed the intended form and image at one point. My work has a visual illusion of Anamorphosis. This seems to distort or distort the appearance of the object depicted in the picture from a normal point of view. However, when viewed from a specific location or angle specified by the artist, the distortion disappears and the figure in the picture appears normal.
Àwọn Àkọlé: Anamorphosis, Memorial, Symbolism, Sculptures, Trophy
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀: The form is produced through a computer 3D program. The metal plate is cut using a saw or a laser. It uses the technique of folding or soldering metal to fit the drawing. I use cupro-nickel and 925silver as materials. This is because when the form is finally completed and the body is colored through heat, the contrast between black and white can be seen. Then we can clearly see the picture of the form or surface I intended at a specific point in time of the finished work.
Ìpèníjà Àpèsè: Usually, the visual expression of Anamorphosis is only seen in large spaces for us. This is because the larger the space, the more effective the visual expression.
In order to show this through a small objet, I expressed it in three dimensions by combining the visual expression of IMPOSSIBLE FIGURE such as Penrose’s triangle as we know it. At one point, the three-dimensional sculpture of the trophy will show you impossible figure through Anamorphosis. That shape isn’t make sense.
Ìwádìí: This work is a trophy to commemorate the Georges Rousse, which gave me a lot of enlightenment in using visual expressions, giving me the direction of formative work with memoriality and symbolism. In the future, I will continue to explore and pioneer the technique of creating sculptures in which the external and visual moldings and the inner and memorial and symbolic meanings of each are harmonious. Research on making these sculptures will advance my trophies, ornaments, and various objets.
Ìmísí: Among many techniques of metal crafting, there is a technique of digging a groove in a metal plate, folding it at a certain angle, and then soldering between them. I like geometric shapes and I naturally became interested in the technique and I used it to produce many works. During this process, the metal plates were folded in and out to create interesting shapes. At this point, I came up with the idea that I could see the shape I wanted from a certain angle. The three-dimensionally folded metal plated can show the planar shape I intended from only one angle, which gave me curiosity and curiosity, and gave me visual fun. With this expression of Anamorphosis, jewelry like a brooch was later vanished with lacquer on the shape of the angle I intended.
Àkókò Iṣẹ́ Àkànṣe: The project started in Seoul in September 2017 and ended in late December 2017 in Seoul. First, the work was exhibited at the Gold Museum in New Taipei, Taiwan from June to October 2018. And secondly, before I graduated from the graduate school, this work was exhibited in the school gallery.
Ìlànà Ìṣiṣẹ́: My work has a visual illusion of Anamorphosis. This seems to distort or distort the appearance of the object depicted in the picture from a normal point of view. However, when viewed from a specific location or angle specified by the artist, the distortion disappears and the figure in the picture appears normal. Viewers feel visually confused by observing these distortions. It also creates strong concentration in them, creates tension, and leads them to doubt their views.
Àwọn Ọmọ Ẹgbẹ́: Hasong Lee
Ìfọwọ́sí Àwòrán: Image ALL: Photographer&Craftsman Myeongwook Heo, For Georges Rousse, 2018
Main Image is Image #1. Optional Image is Image #2, Image #3 and Image #4.