Oriental Zen Ile-iṣẹ Igbaniloju láti ọwọ́ Parn Shyr Design jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2020 Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àyà Inú Ilé àti Ibi Àfihàn.
IrinInú Ilé· 2020
Oriental Zen Ile-iṣẹ Igbaniloju
látọ̀wọ́ Parn Shyr Design
Oníbàárà: PARN SHYR DESIGN Co., Ltd.
Aṣẹ́gun Àmì-ẹ̀yẹ Irin A' Design Award nínú Ẹ̀ka Inú Ilé
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #102433Àpẹrẹ Náà
Nípa Oriental Zen Ile-iṣẹ Igbaniloju
Oriental Zen jẹ́ ile-iṣẹ igbaniloju kan tí ó wà ní Àgbègbè Zhonghe, Ìlú New Taipei, Taiwan. Inú ilé náà gba ilé alájà-méjì kan, a sì lo ọ̀nà ìṣẹ̀dá tí ó rọrùn (minimal design) láti yanjú àìdọ́gba àpẹẹrẹ àti àwọn ìdíwọ́ ìṣètò ilé àkọ́kọ́. Ọ̀wọ́n ìṣètò kan lórí ilẹ̀ àkọ́kọ́ ni a fi irin dúdú tí a kùn bò, ó sì di ẹ̀yà pàtàkì tí ojú ń rí. Àwọn ìlà irin tí ó dúró ṣánṣán so àwọn ilẹ̀ pọ̀ mọ́ ara wọn, wọ́n sì dá ìrísí igbó ọ̀gẹ̀dẹ̀ (bamboo) sílẹ̀. Àwọn àwòrán ti ìlà-oòrùn bí àwọn àwòṣe lattice, ìkọ̀wé ọ̀nà (calligraphy) àti iṣẹ́-ọnà adágún lotus ni a ṣàkópọ̀ pẹ̀lú ìmọ́lẹ̀ kí ìmọ́lẹ̀ àti òjìji lè dàpọ̀ mọ́ ara wọn. A tún mú ewéko àti ìwo ẹ̀dá ìṣẹ̀dá alawọ̀ wọlé sínú ilé.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Irin A' Design Award
Oriental Zen Ile-iṣẹ Igbaniloju jẹ́ olùborí Àmì-ẹ̀yẹ Irin A' Design Award, ìdánimọ̀ olókìkí tí a fún àwọn àwòṣe tó dára tí wọ́n pàdé àwọn ohun tí iṣẹ́ àti ilé-iṣẹ́ nílò tí a retí láti ọ̀dọ̀ àwọn ẹ̀dá tí a ṣàwòṣe dáradára. Àwọn olùborí Irin ń fi ìjáfáfá ńlá, ìmọ̀ pàtó gíga, òye ògbóǹtarìgì àti agbára ìṣẹ̀dá àwọn olùṣẹ̀dá wọn hàn. A retí pé Oriental Zen Ile-iṣẹ Igbaniloju yóò jẹ́ ẹ̀dá tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó wúlò tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Irin A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ ilé-iṣẹ́ jọ, ó sì ní àwọn ànímọ́ ìmọ̀-ẹ̀rọ tó péye tí a so mọ́ ìmọ̀ ṣíṣe àti ẹ̀bùn. A bọ̀wọ̀ fún Oriental Zen Ile-iṣẹ Igbaniloju nítorí ìfọ̀kànbalẹ̀ rẹ̀, a sì ṣàwòṣe rẹ̀ láti pèsè ìmúdára ìgbésí ayé tó ń ran ayé lọ́wọ́ láti di ibi tó dára jù.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- Ingeniously utilized structure and landscape construction techniques and paired them with lighting coordination so that light and shadow are interwoven, achieving a Zen visual effect. With the addition of oriental elements such as a bamboo forest, lattices, works of calligraphy, and lotuses, an oriental-styled artistic space full of was created. At the same time, the green landscape is introduced into the interior from the outdoors, presenting a modern garden impression rich in Zen style.
- Ìwọ̀n àti Àpò
- Within the main design feature on the first floor having concealed the original structural column with its painted black metallic finishing soaring upward. The sparkling white masonry floor guides into the entire first-floor space all the way in echoing with the masonry materials on both the benchtops of the sales control counter and bar area. As the vista at the reception desk area was extended through the transparent glass, the metal tubing behind exhibits a tree-like symbolism. The floor pattern in the gents and ladies' bathrooms takes after the ebony pattern in the bar area with strong visual contrast.
- Àwọn Àkọlé
- Zen style, Green building, Forest garden, Artistic style, Orientalism
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- With a modern and fashionable palette of Zen-style materials, such as black-color metal, darkened mirror glass, black-color crystal acetate, grey-color paint color, linear-pattern ebony, brown-color sandblasted glass, striped and monochrome carpet, linear-striped wallpaper, and snow-white-color marble, etc., they complete and complement one another very well. Basic Non-Toxic and Non-Hazardous Types: Unpolluted and slightly processed decorative materials that are natural with zero.
- Ìpèníjà Àpèsè
- A bold design featuring an aesthetically embellished and revamped structural column as the main visual focus was implemented on the first floor. For the second floor, the front-end vista provided a transparent visual effect to replace originally incomplete platform that cannot bear too much weight, so as to elevate the interior as well as connected the cultural section of the second floor. The design not only brings relief to the irregularity and limitation of the original space but synergize the original landscaping element and artist calligraphy pieces in dramatically elevating the aura of culture and art.
- Ìwádìí
- In this project, sustainable metal building materials were utilized to form raised vertical lines, which connects every floor indoors. Also, materials such as black bake-painted metal pieces, wood pieces, smoky gray, black glass, striped carpet, wallpaper, black acrylic plates, and snow fox marble slabs were used to present modern fashion and Zen elements. In addition, the designer also made an in-depth understanding and application of green building and green building materials.
- Ìmísí
- The reception center takes the theme of "Fashionable Oriental Zen" and draws inspiration from garden landscapes. The designer worked with the original structure of the two-story building and used minimalistic design techniques to cleverly resolve the irregularities and structural restrictions that existed in the space, further transforming defects into advantages, and creating a transparent and open artistic space.
- Àkókò Iṣẹ́ Àkànṣe
- Zhonghe District, New Taipei City, Taiwan
- Ìlànà Ìṣiṣẹ́
- Through complementing this raised vertical line with landscape construction techniques, interior spaces on every floor are interconnected, creating a bamboo-forest-like visual effect, which stretches upward. Adding oriental elements such as a bamboo forest and lattices and combining them with lighting design presents a visual effect where light and shadow are interwoven. Calligraphy works written in the cursive script on the walls and the semi-stereoscopic lotus pond oil painting installation art construct the impression of a modern garden in the interior.
- Àwọn Ọmọ Ẹgbẹ́
- Pei Chi Hung and Yung Hsi Peng
- Ìfọwọ́sí Àwòrán
- PARN SHYR DESIGN
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