Yinyun Iṣẹ Akọkọ: Ohun Ọnà Amọ̀kòkò Isọsun láti ọwọ́ Fabcraft Design Lab

Yinyun Iṣẹ Akọkọ: Ohun Ọnà Amọ̀kòkò Isọsun láti ọwọ́ Fabcraft Design Lab jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2020 Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ohun Ìtẹ̀ 3D àti Ọjà.

IdẹÌtẹ̀ 3D· 2020

Yinyun Iṣẹ Akọkọ: Ohun Ọnà Amọ̀kòkò Isọsun

látọ̀wọ́ Fabcraft Design Lab

Oníbàárà: Fabcraft Design Lab

Aṣẹ́gun Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ìtẹ̀ 3D

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #101663

Ṣàbẹ̀wò Ojú Òpó Wo ní A' Design Award Ìwé Ìròyìn Àmì Ẹ̀yẹ

Àwọ̀

Àpẹrẹ Náà

Nípa Yinyun Iṣẹ Akọkọ: Ohun Ọnà Amọ̀kòkò Isọsun

Ọ̀rọ̀ Ìwé: Yinyun jẹ́ ohun ọnà amọ̀kòkò isọsun tí ó jẹ́ àkópọ̀ àwọn ẹ̀yà 85 aláìlẹgbẹ́ tí a tẹ̀wé pẹ̀lú ẹ̀rọ ìtẹ̀wé onígun-mẹ́ta (3D). A lo àwọn àlgọ́rítímù ìṣàpẹẹrẹ amúgbọ̀rọ̀ láti ṣàyọ àwọn dátà oníná mọ̀nà-mọ́ná, kí a sì fi ìṣàpẹẹrẹ dátà náà hàn lórí ẹ̀yà kọ̀ọ̀kan, tí ó sì papọ̀ dá àwòrán ìyípadà àwọ̀ (gradient) sílẹ̀. A ṣe àwọn ẹ̀yà náà nípasẹ̀ ìtẹ̀wé amọ̀kòkò onígun-mẹ́ta, ní lílo àdàpọ̀ amọ̀ funfun (porcelain) àti eérú èédú tí a tún lò láti ilé-iṣẹ́ agbára iná. Ìlànà ìtẹ̀wé náà tún ṣẹ̀dá àwòrán gigà onípele lórí ojú ẹ̀yà kọ̀ọ̀kan. Kò sí ẹ̀yà méjì tí ó jọra. A ti fi ohun ọnà náà sí ààyè títí láé nínú gbọ̀ngàn ìṣàfihàn kan ní Taipei, Taiwan.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Idẹ A' Design Award

Yinyun Iṣẹ Akọkọ: Ohun Ọnà Amọ̀kòkò Isọsun jẹ́ olùborí Àmì-ẹ̀yẹ Idẹ A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe tó tayọ tí wọ́n yàtọ̀ nípasẹ̀ ìṣẹ̀dá, àrékérekè àti ọgbọ́n inú. Àwọn olùborí Idẹ jẹ́ àwọn ohun èlò tó ní ìjáfáfá gan-an tí wọ́n sì ní ìṣẹ̀dá tó yani lẹ́nu tí wọ́n ń ṣe ẹ̀rí ìrírí gbígbòòrò, ìrònú àti ọgbọ́n àwọn olùṣàwòṣe wọn. A retí pé Yinyun Iṣẹ Akọkọ: Ohun Ọnà Amọ̀kòkò Isọsun yóò jẹ́ ohun tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó jẹ́ ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Idẹ A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ nínú iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ jọ, ó sì tayọ nítorí àfiyèsí rẹ̀ sí àwọn àlàyé kékeré. Yinyun Iṣẹ Akọkọ: Ohun Ọnà Amọ̀kòkò Isọsun ń tẹ́ àwọn ohun tí a nílò lọ́rùn lọ́nà àgbàyanu, ó ń fọwọ́ kan àwọn ìfẹ́ inú, ó ń gbà ọkàn ó sì ń fa ìfẹ́ láti mọ̀ mọ́ra.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe: Yinyun is an art installation composed of 85 unique 3D printed ceramic units. Through generative design algorithm, the electric information was extracted and visualized on every unit, together creating a gradient effect. Ceramic 3D printing, with a mixture of recycled material, was then used to fabricate these units, at the same time, creating detailed surface relief which was indicated by this technique. None of the units is the same as others.
Ìwọ̀n àti Àpò: Dimension(ceramic parts): L: 910cm, W: 360cm, H: 230cm
Àwọn Àkọlé: ceramic, 3D printing, generative, parametric design, digital fabrication, sustainable, recycle, coah ash, art installation, craft
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀: The project heavily relied on close cooperation among algorithm development, 3D printing, and material experiments. All designs were completed through several generative algorithms, including data processing, form generation, slicing, and Gcode output. Then our custom 3D printer with remote extrusion system was used to achieve such large sizes. The material was a mixture of white porcelain and coal ash recycled from power plant.
Ìpèníjà Àpèsè: In order to achieve large-scale and stable printing, we developed our custom extrusion system and slicing program, testing it back and forth between digital and physical space, which took nearly half of the time for this project. The material factors were carefully taken into consideration, including ceramic ratio, viscosity, temperature, humidity, since a 3D printer can't be dynamically adjusted as human hands during production. The shrinkage after firing also increased the difficulty of assembly.
Ìwádìí: The goal of this project is to examine the relationship between traditional craft and modern techniques. As we developed a new shape language in digital space, it was completely originated from ceramic 3D printed texture. The traditional expertise in ceramics and modern digital fabrication skills were combined in real-world printing, together created pieces with rich craftsmanship, but can only be achieved by modern technique.
Ìmísí: The motivation of this project is to create an elegant art installation blending the science education atmosphere in this green energy exhibition hall. Inspired by the natural phenomenon of electromagnetic, which created non-uniformed field tensors in the space. To express this specific effect, an installation consisted of a large number of units were proposed, contrasting in form and pattern. This project also showcases Fabcraft design lab’s long-term interest in generative design and 3D printing technology.
Àkókò Iṣẹ́ Àkànṣe: The project began at the end of 2018, and was completed in December 2019. Since then, it has been a permanent public art located in Taipower D/S ONE exhibition hall in Taipei, Taiwan.
Ìlànà Ìṣiṣẹ́: The installation was designed to be viewed from different angles, at the same time, produce positive route guidance in the exhibition hall. A possible interaction can be created while visitors moving upstairs, changing from low angle to eye-level angle, they will observe an optical illusion caused by lights and textures. Moreover, the fluid surfaces are zoomed into a layered ceramic texture with rich 3D printing characteristics.
Àwọn Ọmọ Ẹgbẹ́: Art Director: Kamm, Kai-Yu
Designer: Liu, Zhao-Wei
Mechanism Design: Chen, Po-Yen
Ceramic Craftsman: Lu, Tzu-Yi
Ceramic Assistant: Xie, Yun-Chen
Ìfọwọ́sí Àwòrán: Image #1: Fabcraft Design Lab
Image #2: Cogitoimage International Co., Ltd.
Image #3: Fabcraft Design Lab
Image #4: Fabcraft Design Lab
Image #5: Fabcraft Design Lab