The Japanese Forest Ukufota ngu-Masaru Eguchi

Uyilo olubizwa ngokuba yi-The Japanese Forest Ukufota olwenziwe ngu-Masaru Eguchi ngumwini obekekileyo webhaso elinobukhazikhazi le-2020 Ibhaso Lesilivere le-A' Design Award Kudidi Lokhuphiswano lwe-Uyilo lokuFota kunye nokuLungisa iiFoto.

IsilivereUkufota· 2020

The Japanese Forest Ukufota

ngu Masaru Eguchi

Umxhasi: Sunpono

Umwini we-Ibhaso Lesilivere le-A' Design Award Kudidi Lwe-Ukufota

52,557

Umwini Webhaso Oqinisekisiweyo

Qinisekisa Isimo Sebhaso se-#95058

Tyelela iSayithi Jonga kwi-A' Design Award Uxwebhu Lweendaba Ibheji Yembasa

Imibala

Uyilo

Malunga ne-The Japanese Forest Ukufota

Ihlathi laseJapan lithathwe kwimbono yenkolo yaseJapan. Enye yeenkolo zamandulo zaseJapan yi-animism. Isilwanyana siyinkolelo yokuba izidalwa ezingengobantu, ubomi kodwa (izimbiwa, izinto zakudala, njalo njalo) nezinto ezingabonakaliyo zinenjongo. Ukufota kuyafana noku. I-Masaru Eguchi idubula into eyenza ukuba ibe nokuziva kwisifundo. Imithi, ingca kunye neiminerali zive ukuthanda kobomi. Kwaye nezinto zobugcisa ezinjengamadama ashiye kwindalo ixesha elide ukuva ukuthanda. Njengoko ubona imeko engafundwanga, ikamva lakho liya kubona imeko yangoku.

Ukuqatshelwa

Malunga ne-Ibhaso Lesilivere le-A' Design Award

The Japanese Forest Ukufota ngumphumeleli weIbhaso Lesilivere le-A' Design Award, ukuqatshelwa okuhlonitshwayo ngokungaqhelekanga okunikwa imiyilo yomgangatho ophezulu, entle nechukumisayo. Abaphumeleleyo beSilivere ziimveliso ezikhazimlayo kakhulu nezidala kakhulu ezibonisa ubungcali obuphawulekayo, italente nobukrelekrele babayili bazo. The Japanese Forest Ukufota iyathenjwa ukuba ibe ngumsebenzi omhle womzekelo, onobungcali obuphawulekayo nezinto ezintsha ezinzulu. Lo myilo uphumeleleyo weIbhaso Lesilivere le-A' Design Award yimveliso ebonakalayo kakhulu, ethandwayo enceda kwaye inyusa imida yobugcisa, inzululwazi, uyilo kunye nobuchwephesha. The Japanese Forest Ukufota yimveliso enomona omkhulu kuyo evusa iinqwenelo, izisa iimvakalelo ezintle kwaye ivuselela ukumangaliswa nokumangala.

Emva Koyilo

Ikhithi Yeendaba

Iziqinisekiso, amalungu eqela kunye neenkcukacha zobugcisa ezinikezelwe ngumyili.

Iimpawu Ezizodwa: "The Japanese Forest" is taken from a Japanese religious perspective.
In addition, the more it explores the unique perspectives of Japan, the more universal and true nature appears.
The nature in this work is the scenery seen by ancient people, modern people, and future people.
Imilinganiselo nePakishini: The camera used in "The Japanese Forest" is NIKON Df. Retouch uses Adobe CC.
Iithegi: Japan, Photo, Nature, Mountain, Forest, Tree, Green, Landscape, Sustainable, Ecology
Ubuchwepheshe Bokuvelisa: The technology required for "The Japanese Forest" is digital retouching. Digital retouching has made it possible to achieve both nostalgia and newness. With this work, He was able to create colors that could not be achieved with film.
Umngeni Woyilo: The difficulty with this project is that forests are decreasing in Japan. Japanese forests were destroyed by economic growth in the 1960s. Replanted with fast-growing trees, Japanese forests have become similar.
Uphando: Type of study: animism, eight million gods. Research purpose: To preserve the existing landscape in the future. Methodology: photography. Tools: Japanese classic books. Influence of design: The more unique the country landscape, the more universal the beauty.
Inkuthazo: One of the beginnings of Japanese religion is the "Yaoyorozu-no-kami". "Yaoyorozu-no-kami" is the belief that there is a god in all things in nature, and it is introduced in foreign countries as "Animism" or "Shinto". Shooting is similar to "Animism". Trees, minerals, and dead grass feel the will of life, and even if an artifact like a dam is left in nature for a long time, it will feel the will of life. Just as we see untouched nature, the future people see the current scenery.
Ubude Beprojekthi: The project was created between 2013 and 2015. And it was released on eguchimasaru.com.
Ukuhamba Komsebenzi: This work reminds the user of the view of nature stored in the gene. This work suggest a discussion about what is needed for the future art. This is the role of the work.
Iipathenti: Copyright: Masaru Eguchi
Amagunya Emifanekiso: Image #1: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #2: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #3: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #4: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #5: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020.